Fans pick 100 books like Julius Caesar and the Transformation of the Roman Republic

Named for the river that Julius Caesar crossed when he invaded Italy and began the civil war which brought the Roman Republic to its knees, this book offers a sweeping account of the Republic’s fall and has been rightly described as narrative history at its best. All the major characters are vividly presented, from Marius and Sulla to Pompey, Cicero and Caesar, in prose that manages to remain readable and fast-paced while spanning almost 400 pages. Tragedy is arguably more apparent than triumph, understandably in a book devoted to the collapse of the Republican order. But the glory of the Republic does also shine through, and the story is told on a larger scale than my book would have allowed.

Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could. 

I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.   

The whole series is fantastic!

For any reader seeking a short (not much more than 100 pages) and concise account of the Republic’s fall, Shotter has provided an excellent foundation. The key themes and events are clearly explained, as are the sometimes rather complicated structures and offices of the Republican political system, in a series of compact chapters organized around the leading individuals from the Gracchi brothers to Mark Antony and Octavian (the future emperor Augustus). Shotter’s emphasis is very much on clarity and accuracy rather than dramatic narrative, and my students have found this an ideal book to read in order to acquire a solid grounding before moving on to longer and more intensive volumes.

The title of this book, written by one of my colleagues at Royal Holloway, recalls the classic work of Ronald Syme, whose The Roman Revolution appeared in 1939 against the backdrop of the rise of Nazi Germany. Alston narrates in detail the crucial period from Caesar’s murder on the Ides of March 44 BC through to the death of the first emperor Augustus (Caesar’s adopted son) more than half a century later. This was the time of Brutus, Antony, and Cleopatra which so appealed to Shakespeare, and Alston disentangles skillfully the complex political and military events and demonstrates the achievement of Augustus who claimed to restore the Republic while establishing the Empire which ruled the Mediterranean world for the next 400 years.

Reliving the lives of two famous Romans in a new fictional light is what makes this five-book series a dazzling example of magical realism. The entire settings, that is Ancient Rome during the Republic, is real and has existed in the form it is presented. The characters, though, have taken on a more personal shape, independent from the historical image we know. Caesar and Brutus become larger-than-life characters, allowing more to be told about them, their feelings, their ambitions, and giving us a version of them we may never read in history books. We become closer to them, and try to understand them more as human beings engulfed by history rather than historical figures. It is an unparalleled humanisation of history through fiction.

This is my favorite of McCullough’s Masters of Rome series. Though fictional, they are impeccably researched, rendering the collapse of the Republic in truly astonishing detail. McCullough manages to render the twists and turns of Roman politics in a way that a reader can not only follow them, but understand why they mattered so much. You’ll feel as though you are right there in the Forum or the dining-room with Caesar, Antony, Pompey, Servilia, Fulvia, and the rest. McCullough’s vivid prose drives home that these were real people, living real lives, with the same petty concerns and daily frustrations as all of us, even when they were also shaping the fates of nations.

I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.

(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)

The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.

Imperium, Lustrum, and Dictator chart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

When I wrote my first book—an exploration of Caesar’s leadership—I read a lot about the guy. This was the book I came back to most often as a guidepost. It helped me get past the biases I brought into my project and understand better the essence of who Caesar really was. There are a lot of books about Caesar, and rightly so; he is one of the most fascinating and enigmatic personalities of all time. For me, a great book is one that leaves me feeling like I could travel in time, sit down with the subject, and know what to expect from them. That’s a rare feat, especially for someone like Caesar. But he felt almost…familiar after reading this book.