100 books like The Life Engineered

From the moment I first began listening to the audiobook, I fell in love with this story. I was all in the moment Ryland Grace stumbled through answering the question “What is 2 plus 2?” The layering of the story, the threat to Earth concept, the educational presentation of very high-level scientific concepts to an audience of all ages, and the way Andy Weir made this reader feel so many emotions over a rock just keep drawing me back to it.

I literally just finished another listen less than a month ago and already want to go back to a story. I still don’t see many people talking about it. And the ending? Every story has its own perfect dismount landing, and this one nailed it.

If you want a blend of fun science fiction serials from the earliest days of television mixed with everything you love about modern Doctor Who set in an entirely new setting that draws you in from the moment you start reading, this book is the one to do it. The author deftly weaves a fantastic story centered around an impossible decision and the only person who can make it, aptly capturing the struggle involved in making the worst choice ever.

I still remember where I was when I read this book so many years later. The only thing disappointing about it was that it ended in such a way that this reader thought it was over. Tom Merritt said, “No, I have one more.” Be glad he wrote Trigor because you will not want to be done when Pilot X ends. 

As a veteran forced to take part in military action I later regret deeply, this book haunts me. I have not been able to forget it. Nothing in this story is a throw-away moment. Everything matters. It is filled with familiar concepts and science-fiction/horror main-stays you will recognize. But all of that serves as the vehicle to the story of a war hero who didn’t want to be one because he didn’t believe he deserved it and is now running away from it all to hide in a “lighthouse” in space as far from war as he can hope to get.

It’s no surprise at all when the war shows up on his doorstep, and all the painstaking work done by the author up to that point pays off in the best way.

So, you’re a fan of history, science-fiction, and alternative history all in one? Love to read things that open your mind to new possibilities? Then Ageless is for you. Paul Inman weaves a tale of a hero’s origin story trapped in events they cannot escape from, all in settings and times students of history will recognize but with just enough changes to make this an alt-history story.

The non-linear presentation of the story enhances through its jarring shifts the experiences of all the characters. I don’t think you could tell this story in a linear fashion owing to how the author reveals the mysteries and delivers on the resolution in a romp through time and space you will not regret picking up.

The God: Skadi, Freya, Thor (and more!)

Another take on Ragnarok, but wholly different from Norse Code. Set in a post-apocalyptic mini Ice Age—the fimbulwinter that precedes Ragnarok—and following a soldier/mercenary who signs himself up with no real idea of what he’s in for, Age of Odin gives us an action-packed war-driven adventure with fun takes on familiar and less familiar gods along the way—even including Ratatosk, the squirrel who resides upon and spreads gossip all along the World Tree.

Riordan had me at Norse mythology. Love it! Written in the usual tongue-in-cheek humor I’m used to with the author’s style, I loved the way he rebranded Norse myths to fit into the young adult genre he’s so famous for writing. It begins as homeless Magnus Chase (cousin to Annabeth from The Lightning Thief) is plucked from the real world (he literally dies) and taken to Hotel Valhalla, where he’s put through the gantlet over and over again (and dies many times in the process) until he teams up with an unlikely (and likable) diverse cast of characters who embark on a journey to recover his birthright—the Sword of Summer. However, what Magnus doesn’t count on is finding out the truth about who he really is, and his place in Asgard. 

The main thing that draws me to this book, and what sets it apart from his other series, are the diverse characters. Different ethnic backgrounds, religions, LGBTQ, and disabilities are all portrayed, but they are just part of the character's story, not the main plot focus. The Norse mythology runs through the book with humour and lots of deadly action, and an interesting take on some of the gods. With an array of creatures and characters that stand either with or against the Vikings, this is a fun adventure, and it even has a cameo from the Percy Jackson series, so look out for that.

I'd heard a lot about Norse myths on social media recently, but I was unfamiliar with them. 

The idea of Gaiman weaving his narrative magic through the tapestry of these ancient tales intrigued me, and it surely made for an exciting read.

Even if you're unfamiliar with Norse mythology (as I was), this retelling will awe you with the strangeness and wonder of these ancient tales. Norse Mythology is more than a book; it's an invitation to a hypnotic world inhabited by gods, giants, undead goats, betrayals, a mischievous squirrel, elves, dwarves, and Valkyries.

This collection is an enthralling journey through a selection of Norse myths, narrated with Neil Gaiman's trademark wit and simplicity.

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

Kevin Crossley-Holland published excerpts from his Norse Myths as a book for children. But as a child’s first introduction to the tales, it might be too poetic. I’d recommend, instead, Norse Mythology for Kids by Mathias Nordvig.

Nordvig retells the myths as your wise uncle might—if he happened to be Loki, the trickster god. For Nordvig not only blends different versions of a tale, but he also adds bits he thinks our original sources shouldn’t have left out.

Into that “mist world” at time’s beginning, for instance, Nordvig inserts a loon who helps the goddess Jord build the Earth. It’s a tale I’m familiar with from Native American mythology, but as Nordvig asserts, the Norse stories “are still alive.” And to keep them that way, we need to make them our own.