99 books like The House with a Clock in Its Walls

I must have re-read this wonderful book half a dozen times in my youth. I first read it when I was in middle school. Though I had discovered science fiction and fantasy books a few years earlier, most of them had been heavy on action and light on ideas.

This was one of the first books I read that really made me think about how strange and wonderful the universe might really be and see how that might provide a context for telling profoundly moving human stories. It filled my young mind with awe and wonder, as well as a desire to tell my own stories.

The world of Howl’s Moving Castle immediately invites you into a place that feels cozy and magical. This book is easily one of my favorites because of its low-stakes plot and wonderfully quirky characters.

Jones takes you on a leisurely stroll through the world of the book’s protagonist, Sophie, a rather awkward 18-year-old girl who believes she is doomed to fail at life because she was born the eldest of three.

This story is refreshingly original and has inspired me time and again to love living a life built around so many of the lovely cottagecore aesthetics featured inside its pages. 

This book opened in a graveyard and never let me go from there.

It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.

Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.

He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.

The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.

I read this book a couple of years ago and the spooky setting still stays with me. It’s a creepy Victorian-style house with a sinister wishing tree that lurks inside it. Two innocent orphans confront the ghostly Night Gardener and try to resist the temptation of having any wish granted. I found this mystery pulls you in more and more deeply, just like the tree clutching at your soul. Auxier, who’s known for his “strange stories for strange kids” is masterful with spooky suspense.

One of my favorite characters in this middle-grade mystery has always been Chris Theodorakis, the teen boy with an unnamed neurological condition that confines him to a wheelchair and, for the most part, to his house.

Even if he can’t leave home—and even if people often look away from him when he does—Chris plays a key role in solving the mystery at the heart of the book by being a keen observer of everything that passes in front of his window. I love how this novel depicts Chris’s inner world to young readers, including his awareness of how his condition affects others’ perceptions.

More importantly, it shows how much people with disabilities and illnesses still have to offer. 

Bizarre, misshapen, and sweet, this is the Roald Dahl book I find most alluring. A much-beloved tale, the plot sounds phantasmagoric in distillation: a house-sized peach sprouts overnight from a tree outside the shack where young James is essentially kept imprisoned by two cruel aunts; the boy tunnels into the fruit’s pit, befriends the band of enormous talking insects within, and the whole gang embarks on an adventure where the peach bobs out to sea, is carried through the air by hundreds of seagulls, is attacked by creatures who live on clouds, and eventually comes to rest on the spire of the Empire State Building. Intrigue, humor, and rambunctious versifying abound—and the once-forlorn James is not only unvanquished but happy. Nice ending.

Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.

This humorous, intelligent tale—about a diplomat’s son who befriends a troupe of young pickpockets in early-‘60s Marseilles—is a brisk read by a writer who cares as much about the rhythm of his sentences as he does the arc of his story. Before our hero knows it, he’s caught up in a life of excitement that begins to make sense to him—until it doesn’t. Full of surprises, including one that walloped this reader as much as it does the main character, this novel navigates a shadowy and unexpected world where young teens talk like seasoned criminals, and friendship itself is a risky proposition.

Trenton Lee Stewart’s follow-up to his enormously popular and influential “Mysterious Benedict Society” series was received with puzzlement by many fans expecting a retread of the MBS adventures, but I find this audacious, intricately-plotted, wildly implausible tale somewhat irresistible. It all kicks off when eleven-year-old Reuben, at once introverted and adventure-seeking, discovers a strange watch that ensnares him in deep troubles. Finding his way out proves endlessly complex and bewildering as Reuben sifts through one peril after the next. It’s a beguiling tale for those doubly-willing to suspend disbelief—Stewart dares the reader to try.