Here are 100 books that The Good Mother fans have personally recommended if you like
The Good Mother.
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I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
This one I loved for the style as much as the character. I love the use of fragments to weave together a life and it felt true to the life of a mother—that a mother only gets snippets of time to piece together her story and her thoughts. I also loved that Offil was wrestling with such a big issue—how to hold onto oneself while giving so much of your self to a child.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I couldn’t put it down, and thirty years after its publication, as with Sue Miller’s book, I still feel the emotions I felt reading it. I can’t think of a better recommendation for any book. I still care about the characters. I wonder how the main character, Alice, is doing. Simply writing this answer makes me want to go back and read the book again—it will be my fourth or fifth read.
NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives.
"It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek
The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I fell in love with Martha, the main character who is struggling with an unnamed depression and who because of this assumes she can never be a good mother. She is so surprising and real and sad and impossible to love and funny—I couldn’t turn the pages fast enough to see if things would work out for her.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I teach writing with this book because it’s brilliant in its depiction of an ordinary family in all the beautiful routine wonderful ways all families are ordinary. I felt as if I were living in this household. I felt as if the mother were my good friend. How does Quinlen make you want to turn the pages of such an ordinary life—until, of course, nothing is ordinary.
NEW YORK TIMES BESTSELLER • In this “spellbinding” (The New York Times Book Review) novel, the author of Still Life with Bread Crumbs creates an unforgettable portrait of a mother, a father, a family, and the explosive, violent consequences of what seem like inconsequential actions.
“In a tale that rings strikingly true, [Anna] Quindlen captures both the beauty and the breathtaking fragility of family life.”—People
Mary Beth Latham has built her life around her family, around caring for her three teenage children and preserving the rituals of their daily life. When one of her sons becomes depressed, Mary Beth focuses…
I have always been a devoted reader of fiction, and I especially enjoy novels and short stories that delve into characters’ interior lives and motivations. I find people fascinating, both in books and in real life, and I am always trying to figure out why people do or say certain things. I should probably have become a psychologist or a detective instead of a musicologist. I am passionate about doing as much of that kind of sleuthing as a scholar as possible.
I listened to this audiobook about motherhood while pushing my newborn second child in a stroller. Sarah Knott takes the reader through the stages of becoming a mother–conception, miscarriage, pregnancy, birth, newborn care, childcare, and resuming work–and then doing it again with a second child.
Throughout, Knott contrasts her own experiences with those of women in the past, especially in North America and Britain. The differences are striking, not just in healthcare but also in social support. I thought about the women I'd written about who had many children and how important familial support was.
As a fellow professor, I was heartened to read about Knott's experience returning to work and re-finding her academic mind. She writes poignantly about how motherhood is a constant interruption. It is so true!
Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity―the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?
In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate…
Ever since I was a young girl, I have fallen deeply into the pages of novels that feature strong female characters, with Anne of Green Gables and Little Women capturing my imagination early. As an Australian, I’ve also always enjoyed books set here but anywhere where I can walk in a relatable character's shoes is fine by me. The magical experience of being immersed in ‘her’ world, feeling what she feels, relating to her, being frustrated with her, celebrating with her, loving with her…what are books if not gifting us such experiences? Every book I have penned has been based on this ideal, an intimate experience, a close relationship. A BFF.
Rachael Johns has a very chatty, familiar way of writing that has you soon forgetting that you are sitting at home, reading a book. The Art of Keeping Secrets is transportive, funny, and intimate and I particularly loved the lead character, Felicity, although I was equally invested in the lives of her BFFs Emma and Neve. ‘Secrets’ is indeed the key theme of this novel and, as they slowly unravel, you’ll find yourself hooked as to the outcome. Love the romantic twists and you’ll be turning the pages fast at the end! (No spoilers!)
They started out as the “misfit moms”—the trio of less-than-conventional parents at their sons’ tiny private school. They’ve shared everything. Or so they thought. Now, on a once-in-a-lifetime trip to New York City, they’ll sightsee, they’ll shop, they’ll catch a few Broadway shows. They’ll tell all…
After seventeen years as a single parent, Neve will reveal a past sin that could destroy her relationship with her son. Emma will uncover the roots of her exhaustion and divulge the inappropriate feelings she has for her boss. And Flick—who knows a little about crafting a…
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of…
Growing up, my mother refused to acknowledge that my stepfather sexually abused me for many years. I was forced to call him “Dad” and I was told to “forgive and forget.” It took me decades to understand that while I could teach my mind to deny my pain and grief, trauma stayed embedded within my heart and shaped my life, relationships, internal beliefs, and decisions. After a triggering event, it ultimately morphed into depression, which I’m now battling in my forties. Having written two memoirs on the impact of trauma, I am only now finding the wisdom and courage to distance myself from my mother and stepfather. The books I’ve recommended have brought me comfort and a sense of relief.
This vulnerable collection of essays drew me in with the words, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” As I continued to read, I had the eerie feeling that the author had read my diary (although I don’t actually have a diary), had met my mother, and had lived my life in so many ways. And while this book contains stories from many authors, the single thread of longing for mothers who’ve loved and hurt us ties them together seamlessly. They are beautifully expressed, sometimes heartbreaking, sometimes humorous, but ultimately worthy of savoring.
In the early 2000's, as an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took many years for her to realize what she was actually trying to write about: the fracture this caused in her relationship with her mother. When her essay, "What My Mother and I Don't Talk About," was published by Longreads in October of 2017, it went on to become one of the most popular Longreads exclusives of the year and was shared on social media by Anne Lamott, Rebecca Solnit, Lidia Yuknavitch, and other writers, some of whom had their…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!
The Show Girl is a delicious and entertaining exploration of the life of a 1920s Ziegfield girl with authentic period details and Harrison’s trademark ability to plunge the reader deep into the experiences of her characters. I loved being along for the ride as Olive navigated her relationships and friendships, followed her dreams, and pursued the glamorous life—with all its attendant ups and downs—of a show girl. The Show Girl is a fast-paced and engaging read that will leave readers giving a standing ovation to Olive and to all women who choose to live life on their own terms.
It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more-even worth all the sacrifices she has had to make along the way.
Then she meets Archie Carmichael. Handsome, wealthy-the only man she's ever met who seems to accept her modern ways-her independent nature and passion for success. But once she accepts his proposal of marriage…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.
I am recommending this book as one of the best books where the hero falls in love first because it’s not your typical love at first sight, or the hero falls first trope.
When Rathbone realizes he’s in love with Neeka, it’s a turning point in the book. So many things fall into place for him with that realization. And in that moment, he knows he needs her to love him back.
New York Times bestselling author Gena Showalter returns with a new book in the tantalizing Rise of the Warlords series, featuring a brutal Hell king and the irresistible beauty who upends his world.
For centuries, Rathbone the Only, King of Agonies, has existed for one purpose: recovering the enchanted bones of his slain wife to bring her back to life. He's never been closer to success. But a new enemy has risen. A band of deadly war gods who have thirty days to destroy her or suffer the consequences. With time running out, Rathbone hires a maddening harpy-oracle, unaware she…
