Here are 100 books that The Golden Goblet fans have personally recommended if you like
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I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
The Song of Achilles is such as beautifully written book that perfectly weaves together a queer love story with a proper Greek epic.
It was so fulfilling to follow Patroclus and Achilles as they grew up. The attraction grows subtly and feels very natural. The fantasy elements feel very matter-of-fact and never take away from the incredibly relatable character moments.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
The first time I read this book I couldn't put it down. I read it in a single day. Every time I've read it since it's been the same. I'm just sucked into the voice and the story and I never want it to end. I've loved Egypt almost all my life and The Heretic Queen is one of the best Egyptian Historical Fiction novels I have ever read. To me, storytelling is about the journey, about the change in the voice as the character ages, about overcoming the hardships of life, and hoping for the future when the story ends. This book covers all of those and more.
In ancient Egypt, a forgotten princess must overcome her family's past, and remake history. The winds of change are blowing through Thebes. A devastating palace fire has killed the 18th dynasty's royal family - all with the exception of Nefertari, niece of the reviled former queen Nefertiti. The girl's deceased family has been branded as heretical, and no one in Egypt will speak their names. A relic of a previous reign, Nefertari is pushed aside, an unimportant princess left to run wild in the palace. But all of this changes when she is taken under the wing of pharaoh's aunt,…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
As with most of my books, I came across these entirely by accident. I don't remember how or where, but I picked one up and then I was on the hunt for the other two. These books are fun, historical with a twist of the fantastic, with secrets, intrigue, and some very interesting and subtle romantic plotlines woven in. I've read these a couple of times now and whenever I glance at my shelf I remember that I want to read them again, to see if I can find something new once more.
When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers' wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I's capital?
Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
I read this trilogy out of order but I’ll go ahead and recommend the first book. I found these on my hunt for things to do with the Borgias, and this is an absolutely brilliant set of books for it. Centered on a smart, strong woman in late 15th century Rome, it shows us a side usually left to male characters as she is embroiled in politics, plotting, and murder at the behest of the Borgias during the Papacy of Alexander VI. For anyone who loves to see every possible angle to a period of history, this is certainly one to add to their list. The only sad note is the series is, and seems likely to remain, incomplete, without a satisfactory resolution.
In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness.
Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
John Romer’s Ancient Lives, the Story of the Pharaohs’ Tombmakers, like Kemp’s book, is about urban life, but the urbs is not a city per se, but a village.
In this case, though, it’s the village of the workers who excavated, crafted, painted, and consecrated the great royal tombs of the Valley of the Kings, so this “village” is intricately related to a great city on the Nile. Romer had access to a cast of personalities sketched from documents, read off of limestone flakes, potsherds, and administrative and judicial papyri.
He resuscitates networks of gossip and brings us within earshot of personal rivalries and property disputes, uncovers an audacious tomb robbery along the way, and following the trial of its perpetrators.
More than 3000 years ago a village was established at Thebes on the west bank of the Nile. Situated amid a barren and arid landscape, it housed the workers who created the tombs of the Pharaohs and the Valley of the Kings. It was through death and the ritual of burial that the Pharaohs became gods, and their elaborately carved and decorated temples were an essential part of this mystical process. Stonemasons, painters, sculptors, quarrymen, lived with their wives and children in the village, and worked closely together in the sacred valley. As well as building the magnificent tombs of…
Since 7th grade, I’ve been reading and researching about ancient civilizations like Greece, the Mayans, Incans, and of course, Egypt, yet I never thought I’d write a book, much less a trilogy set thousands of years ago. While researching rebellions for another novel, I found the Great Egyptian Revolt of 200 BCE, as well as Ankhmakis’s story. Given my lifelong love of ancient mythologies, I spent the next two years collecting books about ancient Egypt. These books are but a small sampling I collected during that time in my life, and I’m so glad to share them with you.
While I didn’t find nearly enough about the Great Egyptian Revolt of 200 BCE or Ankhmakis’s plight in this book, it was an excellent resource for creating the day-to-day life of ancient Egypt.
From house building to boat designs to farming on the river, as well as the rise and fall of the various dynasties and their idiosyncrasies, Wilkinson’s book is a must read for any Egyptophile such as myself. Without it, I don’t think I would have been able to have envisioned Ankhmakis’s world the way I have.
This is a story studded with extraordinary achievements and historic moments, from the building of the pyramids and the conquest of Nubia, through Akhenaten's religious revolution, the power and beauty of Nefertiti, the glory of Tutankhamun's burial chamber, and the ruthlessness of Ramesses, to Alexander the Great's invasion, and Cleopatra's fatal entanglement with Rome.
As the world's first nation-state, the history of Ancient Egypt is above all the story of the attempt to unite a disparate realm and defend it against hostile forces from within and without. Combining grand narrative sweep with detailed knowledge of hieroglyphs and the iconography of…
I have been fascinated by Cleopatra ever since I learned that she used science to outwit one of Rome's most powerful men by inventing the world's most expensive cocktail (a pearl disintegrated in vinegar). As a professor of Classics at Montclair State University, I have the opportunity to study ancient historical and literary texts about Cleopatra, as well as monuments, inscriptions, and papyri. I use these primary sources in teaching an advanced ancient history course on Cleopatra to undergraduate students.
Ashton's Cleopatra and Egyptconsiders Cleopatra from an Egyptian perspective.
Her detailed examination of the Egyptian sources for Cleopatra's life and reign distinguishes her work from most other books, which tend to place Cleopatra into a framework of Greek and Roman history. A large number of images center the Egyptian monuments and works of art associated with Cleopatra.
The text provides ample background on the Egyptian political and religious traditions onto which the Ptolemies imposed their rule.
This beautifully illustrated new biography of Cleopatra draws on literary, archaeological, and art historical evidence to paint an intimate and compelling portrait of the most famous Queen of Egypt. * Deconstructs the image of Cleopatra to uncover the complex historical figure behind the myth * Examines Greek, Roman, and Egyptian representations of Cleopatra * Considers how she was viewed by her contemporaries and how she presented herself * Incorporates the author's recent field work at a temple of Cleopatra in Alexandria * Beautifully illustrated with over 40 images
Growing up and still today, I read a lot of fantasy, including reading the covers right off my copy of The Lord of the Rings boxed set. I’ve also written two major epic fantasy series each more than a million words in length. So I know a thing or two about what makes compelling epic fantasy stories. And these five books (and the series that follow) go above and beyond any measure. Trust me, you won’t be disappointed, but your REM cycle might suffer!
The words I would use to describe Andrews’ writing are as follows: spirit, strength, impact. Not only does each sentence read like melted butter circling a saucepan, but they are written with purpose. Filled with characters so likable you’ll wish they were your real friends, Andrews puts them through hell and back again in a way that makes you want to cheer for them, or even fight by their sides. If you haven’t read A Threat of Shadows and the rest of The Keeper Chronicles, be prepared to count plenty of sheep to fall asleep afterward.
I’ve been interested in ancient Egypt ever since I read Asterix and Cleopatra when I was a boy. The hilarious moment of Obelix accidentally knocking off the Sphinx’s nose has always stayed with me in particular. By my early twenties, I was reading authors like Graham Hancock, Robert Bauval, and Colin Wilson, who showed me that what we think we know about ancient Egypt is not wholly correct. For instance, there’s little evidence that the Great Pyramid’s purpose was to be a tomb and the Sphinx seems to be much older than Egyptologists believe. In 2010, at thirty-four years old, I finally got to visit the wonders of Egypt myself.
As one of earth’s oldest civilisations, ancient Egypt can tell us a lot about early religion and how it affected later spiritual practices and faiths. In this book, Tony Sunderland begins with the question: why is there an Egyptian obelisk standing in the centre of St. Peter’s Square in Vatican City? The question becomes even more pertinent when you learn that the obelisk celebrates an ancient sun god! I loved this fascinating book that traces religion from ancient Egypt and Mesopotamia through to early Christianity and beyond. Whatever your level of historical religious and spiritual understanding is, The Obelisk and the Cross comes highly recommended.
Why does an ancient Egyptian obelisk celebrating the god of the sun stand in the centre of St Peter's Square in Vatican City, the home of the Pope and the heartland of Catholicism? Taking this mysterious fact as his starting point, Tony Sunderland examines the history of religious belief in an attempt to understand how what has happened in the past continues to exert a ghostly influence in the present. Going right back to the voluptuous mother goddess figures of our ancestors, the pantheons of the Greeks and Romans, the wisdom of the Hebrew Bible, the birth of Christ, the…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
I remember being a kid in a museum, staring at the figurines making up a strange judgment scene. Gods weighing a man’s heart against a feather – what was that all about? If you want to understand the ancient Egyptians, you need a good Book of the Dead. This translation of the goldsmith Sobekmose’s burial copy won’t bring any cursed mummies back to life, but it gives you a road map to ancient Egyptian paradise... and some neat spells to control demons, if they happen to turn up along the way.
The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, New York, is one of the most important surviving examples of the ancient Egyptian Book of the Dead genre. Such `books' - papyrus scrolls - were composed of traditional funerary texts, including magic spells, that were thought to assist a dead person on their journey into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass and, of…
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