Here are 100 books that The Frequency of Us fans have personally recommended if you like
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I grew up on Chicago’s home front during WW2. President Roosevelt wanted everyone—adults and children—to do their part for the war effort. So we neighborhood kids formed a Victory club, where we marched around singing, “Let’s Remember Pearl Harbor,” and other patriotic songs. And though we had fun, we understood the meaning of the gold stars in the windows, and knew that terrible things were happening on the other side of the world. There are so many wonderful books set during this time period, and I can never read enough of them. These books, along with my memories, are what inspire me to write historical fiction of my own.
This is one of my all-time favorite children’s WW2 books set on America’s home front. The year is 1944, and Lily is off to spend another magical summer in Rockaway. The beach and the boardwalk, the swimming and fishing, and her friend Margaret are waiting. But the summer soon begins to fall apart. Margaret and her family are leaving for a town in Michigan where her father has a job in a wartime factory. And her own father reveals that he is about to work as an engineer for the army somewhere in Europe.
Loneliness sets in until Lily meets an orphaned boy named Albert, a Hungarian refugee who is spending the summer with relatives. Albert’s parents have been taken by the Nazis, and his sister, Ruth, is left behind in France. Lily and Albert have much to learn from each other, and much to share. This book tells a…
This “brilliantly told” (New York Times) Newbery Honor Book gives readers a sense of what it was like to be on the American home front while our soldiers were away fighting in World War II.
As in past years, Lily will spend the summer in Rockaway, in her family’s summer house by the Atlantic Ocean. But this summer of 1944, World War II has changed everyone’s life. Lily’s best friend, Margaret, has moved to a wartime factory town, and, much worse, Lily’s father is going overseas to the war.
There’s no one Lily’s age in Rockaway until the arrival of…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
Although I love all her novels, this one is the easiest to love and recommend (and it is beautifully translated).
Anna Seghers hated the idea of “art & politics,” as though they were separable entities to be glued together. Seghers—Jewish, Communist, especially the latter—wrote this book quite literally on the run from the Nazis, in cafés in France, on ships in the Atlantic, and in Mexico, where she lived in exile during the war. But you would never know it; it is as fluidly written as anything she ever wrote. In general, Seghers thrived in high tension situations.
It is a detective story, love story, wartime journalism, yet very little happens. Kafka’s Castle minus the parables and mysticism. It is also one of the deepest reflections on the nature of writing and narrative I know.
INTRODUCED BY STUART EVERS: 'A genuine, fully fledged masterpiece of the twentieth century; one that remains just as terrifyingly relevant and truthful in the twenty-first'
An existential, political, literary thriller first published in 1944, Transit explores the plight of the refugee with extraordinary compassion and insight.
Having escaped from a Nazi concentration camp in Germany and a work camp in Rouen, the nameless narrator finds himself in the dusty seaport of Marseille. Along the way he was asked to deliver a letter to Weidel, a writer in Paris whom he discovered had killed himself as the Nazis entered the city.…
Anne-Marie Walters was born in 1923 in Geneva to a British father and French mother. At the outbreak of war in 1940, the family escaped to Britain, where Anne-Marie volunteered for the WAAF (Women’s Auxiliary Air Force). Having been approached by SOE in 1943, she was accepted for training and in January the following year dropped into France by parachute to work as a courier with George Starr, head of the Wheelwright circuit of the SOE in SW France. This she did until August 1944, when Starr sent her back to Britain under somewhat controversialcircumstances. Anne-Marrie was awarded the OBE in 1945 in recognition of her “personal courage and willingness to undergo danger.”
During WW2 members of the Resistance guided Allied service personnel -- and others, including compromised agents, resisters, and Jews -- escaping from occupied France along what were known as escape or evasion lines, the majority leading over the Pyrenees to safety. In this book, BBC broadcaster Edward Stourton walks one of those ‘cruel crossings’, the Chemin de la Liberté, while at the same time telling the stories of those escaping and the courageous men and women who helped them, drawing on interviews with some of the last remaining survivors. It makes for compelling reading.
The mountain paths are as treacherous as they are steep - the more so in the dark and in winter. Even for the fit the journey is a formidable challenge. Hundreds of those who climbed through the Pyrenees during the Second World War were malnourished and exhausted after weeks on the run hiding in barns and attics. Many never even reached the Spanish border. Today their bravery and endurance is commemorated each July by a trek along the Chemin de la Liberte - the toughest and most dangerous of wartime routes. From his fellow pilgrims Edward Stourton uncovers stories of…
As a reader and writer, I am drawn to stories that have implications for the wider world. I love characters who are put in a box by others—whether based on race, religion, gender, or societal norms—yet they fight against those constraints, proving they have value beyond anyone’s expectations. I write historical fiction because I am an unabashed history nerd. I write Jewish (or Jewish adjacent) stories because I believe it is essential for every reader to find themselves in a book. I also believe it is essential that that same book opens a world of understanding to others.
Ruta Sepetys writes historical fiction like no one else. All her books are wonderful, however, this one is my favorite. Not only does she write about a little-known event in history, she does it masterfully with short chapters told from four distinct points of view, doling out backstory as if it is a treat rather than something a reader must endure. Yes, the story is fascinating, but it is her craft that makes me reread it with a highlighter in hand.
It's early 1945 and a group of people trek across Germany, bound together by their desperation to reach the ship that can take them away from the war-ravaged land. Four young people, each haunted by their own dark secret, narrate their unforgettable stories. Fans of The Book Thief or Helen Dunmore's The Siege will be totally absorbed.
This inspirational novel is based on a true story from the Second World War. When the German ship the Wilhelm Gustloff was sunk in port in early 1945 it had over 9000 civilian refugees, including children,…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
“I must be good; I must be good.” Willie Beech’s mother drummed the mantra into him when he left home as an evacuee. My heart went out to the boy from the first page, where it is clear he had been maltreated, neglected, and indoctrinated with a cruel sense of godliness in the guise of caring.
His curmudgeonly evacuation host, Tom Oakley, is the kind of person whose stern manner I would have feared as a child but who hides a kind heart and a strong sense of fair play. This story is one of my all-time favorites.
Puffin Classics: the definitive collection of timeless stories, for every child.
Tom tucked a blanket round him, drew up a chair by the fire and watched Willie fall asleep. The tales he had heard about evacuees didn't seem to fit Willie. 'Ungrateful' and 'wild' were the adjectives he had heard used, or just plain 'homesick'. He was quite unprepared for this timid, sickly little specimen.
Britain, 1940. With World War Two raging all around, young children are being sent from their homes in the city to the countryside for safety. When eight-year-old Willie Beech first arrives on Tom Oakley's doorstep,…
Twenty years ago I nearly married a French woman and emigrated. I prepared vigorously to become an honorary Frenchman, cramming French history, language, and culture. Ultimately, I neither married nor emigrated, but the passion for that cultural acquisition project never left me, meaning many years of trips, reading, and language study. For the last decade, I've supplemented that interest by looking for historically significant French texts to translate (primarily contemporaneous texts about the World Wars and the interwar period). I have degrees in history and international affairs, plus professional experience in military affairs (including the Office of Secretary of Defense) and editing magazines (for Time, Inc.).
A more specialized account focused on the role of women, who made up the vast majority of refugees, in petitioning government for civilian protection and assistance before and after the crisis, and their unique experiences on the road. Dombrowski Risser finds that women initiated an expansion of universal human rights in wartime to include refugees' rights. Her insightful and masterfully informed analysis of primary source materials—women's letters to government officials—brings them to life, adding illuminating, and heartrending, substance and texture.
'We request an immediate favour of you, to build a shelter for us women and small children, because we have absolutely no place to take refuge and we are terrified!' This French mother's petition sent to her mayor on the eve of Germany's 1940 invasion of France reveals civilians' security concerns unleashed by the Blitzkrieg fighting tactics of World War II. Unprepared for air warfare's assault on civilian psyches, French planners were among the first in history to respond to civilian security challenges posed by aerial bombardment. France under Fire offers a social, political and military examination of the origins…
Adena Astrowsky is the grandchild of two Holocaust survivors. Her grandmother often spoke to her about her experiences during the Holocaust, which had a profound impact on her life. She continues to honor her grandmother's life by speaking about her grandmother’s survival and lessons learned from the Holocaust.
A beautiful read set otherwise on a very dark backdrop. Learning of Lisa Jura’s journey on the Kindertransport to a country she’s never been to at the age of fourteen, really exemplifies the very difficult, and not fair, choices parents were forced to make during this time period. However, the memoir really demonstrates the power of music and hope to uplift and fulfill many human needs.
A young readers' edition of an important and inspiring true story of hope and survival during World War II.
Fourteen-year-old Lisa Jura was a musical prodigy who hoped to become a concert pianist. But when Hitler's armies advanced on pre-war Vienna, Lisa's parents were forced to make a difficult decision. Able to secure passage for only one of their three daughters through the Kindertransport, they chose to send gifted Lisa to London for safety.
As she yearned to be reunited with her family while she lived in a home for refugee children on Willesden Lane, Lisa's music became a beacon…
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
I could not put down this account of the world’s first major refugee crisis, as millions of families were ripped apart during WWII. Focusing on the Soviet Union, this book traces the itineraries of children separated from their mothers, prisoners and refugees torn asunder from their homes. Moreover, it also follows them as they forge new lives, often in the most transient and inhospitable conditions.
I felt I never truly understood what happens to the family during wartime until I read this book.
In summer and fall 1941, as German armies advanced with shocking speed across the Soviet Union, the Soviet leadership embarked on a desperate attempt to safeguard the country's industrial and human resources. Their success helped determine the outcome of the war in Europe. To the Tashkent Station brilliantly reconstructs the evacuation of over sixteen million Soviet civilians in one of the most dramatic episodes of World War II. Rebecca Manley paints a vivid picture of this epic wartime saga: the chaos that erupted in towns large and small as German troops approached, the overcrowded trains that trundled eastward, and the…
I am not Norwegian, or even Scandinavian. My interest in history came from my dad being a veteran after serving in Europe in WWII, even though he talked about it very little. I’ve always loved to read, write, and think, so I especially loved to read WWII stories and share them. After I met new friends on a trip to Norway, people who had lived through the five-year German occupation, I felt compelled to write about their experiences. Their stories, and ones like Snow Treasure, earned my deep respect, compelling me to research, and eventually to write, a novel that might capture the spirit and stories I had heard and loved.
A more recently released historical fiction account of a young girl’s loyalty and daring decisions on a North Sea island off the coast of Norway is The Klipfish Code. Published two years before my own book, I had not read it until a reviewer compared my debut book to this suspenseful story. I read it immediately, humbled by the comparison. Twelve-year-old Marit is living with her grandpa, who she resents for not actively protesting the German occupiers of their island. She’s outspoken, angry, and eager to support the resistance, despite his cautions and concerns. I was intrigued by this transition period in German policy. They traded propaganda and persuasion for coercion, including arresting one in ten teachers across the country, sending them to labor camps to make them agree to teach Nazi lies within the classroom. The terror of this little-known action compounds Marit’s struggle to decipher a code,…
“Set in Norway during the Nazi Occupation . . . It’s certainly one of the best middle grade WWII novels I’ve read thus far.”—Diary of an Eccentric
The year is 1942, and Norway is under Nazi occupation. Twelve-year-old Marit has decided to take action, despite her grandfather’s warnings. But will her plan work? Can she really complete her part of this secret code? And even if she can, would it make any difference to the Resistance?
As this novel reveals what Norwegian people did to preserve their dignity and freedoms, it uncovers a startling statistic: the German secret police systematically…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
A beautifully written and meticulously researched family memoir that made me question what I would have done to survive the turbulence and brutality of the Nazi era. Themes of antisemitism and identity continue to haunt four siblings - Jehuda, Jacob, Sender, and Sala - as they leave Poland behind to establish new lives as Alex, Jacques, Henri, and Sara in Paris.
An irresistible and complex personal story that I would happily reread because I devoured this page turner too quickly! At the heart of it all is Sara, the author’s mysterious, glamorous, melancholy grandmother and a shoebox of her treasured possessions. The author, a skilled journalist, adds power to the narrative with examples of populist divisive politics and the rise of nationalism in current times.
'A near-perfect study of Jewish identity in the 20th century ... I don't hesitate to call it a masterpiece' Telegraph
After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she'd never really known. Sala Glass was a European expat in America - defiantly clinging to her French influences, famously reserved, fashionable to the end - yet to Hadley much of her life remained a mystery. Sala's experience of surviving one of the most tumultuous periods…
