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I am a winegrower, farmer, writer, photographer, and pop-upeuse. I fell in love with food and wine while living and working in Italy, then returned stateside to create an homage to the people and place that embraced us and taught us so much. That endeavor--the restaurant osteria pane e salute opened with my chef husband Caleb Barber—was where I curated the wine program and became passionate about wines farmed artfully. I began working as a winegrower in 2007, a personal landscape experiment that led me down the rabbit hole of growing and making wine from hybrid varieties focused on regenerative viticulture and low intervention winemaking.
Mary Oliver, as a poet and an essayist, writes with a lyric sword. Upstream is a collection of essays that reflect her willingness to lose herself in the mysteries and intricacies of the natural world. In this work, Oliver contemplates the joy of her work, her passionate eye for observation, her ability and responsibility to write and think about the flora and fauna, the flowers, the grass, the water, the sky, and how they connect us to the natural world, to each other, and to ourselves.
The sheer power of her writing and command of language has always drawn me in, what pushes me as a person, a farmer, and a writer to give into the “stream” of our consciousness, to stop and observe, but to also keep moving forward with the power of words and my experience of the world around me.
One of O, The Oprah Magazine's Ten Best Books of the Year
The New York Times bestselling collection of essays from beloved poet, Mary Oliver.
"There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . ." -Maureen Corrigan, NPR's Fresh Air
"Uniting essays from Oliver's previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet's thoughts on the natural, spiritual and artistic worlds . . ." -The New York Times
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
Wiman writes about human suffering, pain, poetry, and faith, subjects that do not often and ordinarily coalesce. He is familiar with and eloquent about the mutability of belief, about knowledge, and contingency. “Experience lives in the transitions,” he states. If there is a sense of urgency in his thinking here, there is also a sense of lightness, nuance, conjecture, and intimacy too, all of which are suited to the gravity of his subjects.
Eight years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith―responsive not only to modern thought and science but also to religious tradition―might look like. Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at…
People come to songwriting from all different directions. Some have wanted to do this since they were little kids. Some like to make their parents mad. Some are wildly talented but crippled with doubt. All I can say is that no matter which way you’re facing, I think I can help you. I say this because I’ve been teaching college-level songwriting for years now, and every semester I have students who want to meet with me for office hours. They’re all repeat customers and I’ve noticed that many of them ask repeat questions. The point of my book, Music, Lyrics, and Life, is to try to address those repeat questions because chances are good that you have them, too.
A series of poetry lectures not intended for publication, they combine to form an astounding journey into language and art. You don’t need to be a poet to love the casual way she delivers bomb after bomb, and to wish you’d been her student. I guess this is as close as I’ll get, and it’s taken a long time (I’m still not done) because I can just sit on a phrase or a page for an entire subway ride. Definitely would have failed her class, but having the lectures written out is like getting an extension without needing to grovel for it.
This is one of the wisest books I've read in years...--New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act--the fact that poetry must both guard and reveal, hint at and pull back...Also, and maybe most crucially, Ruefle's work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that's vital and welcome, that doesn't make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon…
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
Because of the way she writes about the past and the way she writes about the present. Because she is at once straightforward and lyrical. Because she writes about places and people with the same acuity and insight. Because she writes with certainty about ambiguity.
Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems.…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
This is one of my favorite books ever. Horwitz’s project was to follow famous travelers, and Blue Latitudesfollows Captain Cook on a voyage that Cook himself characterized as having gone “farther than any other man has been before.” (Trekkies take note: Cook/Kirk, “farther than any other man has been before”/”boldly go where no man has been before.” Who knew?)
Star Trek aside, Horwitz, accompanied by his hard-drinking sidekick Roger, boldly goes where Cook went, exploring history, culture, and the legacies of European colonialism on their way. In between bouts of laughter, we learn a lot about the South Pacific, then and now, and about Cook and his men themselves—not to speak of Horwitz and Roger. It’s a rollicking voyage through time and space that holds your attention throughout.
In an exhilarating tale of historic adventure, the Pulitzer Prize-winning author of Confederates in the Attic retraces the voyages of Captain James Cook, the Yorkshire farm boy who drew the map of the modern world
Captain James Cook's three epic journeys in the 18th century were the last great voyages of discovery. His ships sailed 150,000 miles, from the Artic to the Antarctic, from Tasmania to Oregon, from Easter Island to Siberia. When Cook set off for the Pacific in 1768, a third of the globe remained blank. By the time he died in Hawaii in 1779, the map of…
Crime and espionage are a lifelong fascination for me. I used to think my dad was a spy when I was young because he didn’t talk about work. Turned out he didn’t think I’d be interested in his day as a Quantity Surveyor, my Grandad was a LEO so talking about work wasn’t really a thing. Or they were both spies. Over the years I have made some good friends in the espionage community and various policing agencies and they’re kind enough to share their expertise with me. I’m a big fan of fast-moving stories with intricate plots and action and hopefully they'll draw you in as well. I hope you enjoy the books.
This book is the first in the Jaded Trilogy. It’s set in New Zealand during the 1970s. It’s a twisty plot (which I particularly love) and there are Russian spies.
NZ in the ’70s (mid-Cold War) when nothing was as it seemed and everyone had an agenda, whether it was stealing a painting, growing and distributing weed, or counter surveillance on a Russian diplomat. And things overlapped as they do in New Zealand.
This is a fun exciting book. It reminded me of what the world was like before phones became computers back when everything was analog. As a writer of spy/PI thrillers, it was a great read. (I’m a fan, I’ve read all of Nick Spill’s work including his non-fiction.)
Alexander, the curator, is sent to Auckland to escort Captain James Cook to the Auckland Art Gallery. On opening night, the priceless portrait is stolen. Alexander has to find the painting to save his career but he also has to deal with a Soviet spy whom he has been clandestinely photographing. He meets Dr. Mel Johnson who proves irresistible to him when he is invited to her female-only martial arts school. A Maori Land Rights group led by Wiremu Wilson claims to have kidnapped Captain Cook and is holding the painting ransom for lands that were seized before and after…
I taught traditional Hawaiian literature to college students and established Kalamakū Press in 1990 to publish Hawaiian folktales, narratives, autobiography, and poetry. I also worked for a decade as a writer for the Polynesian Voyaging Society (PVS), a scientific and cultural non-profit that builds and sails double-hulled voyaging canoes to explore how the Polynesians, without modern navigation instruments, found and settled Hawai‘i. Long before Europeans arrived in Hawai‘i, Polynesians discovered and lived sustainably for centuries on an isolated chain of eight islands. The practices and values of the traditional culture have a lot to teach communities struggling to find their way in an overdeveloped, overpopulated world today.
Samuel Manaiakalani Kamakau (1815–1876) was one of the most important and prolific Hawaiian scholars of the nineteenth century. His history of the ruling chiefs of Hawai‘i begins with the high chief ʻUmi, eight generations before Kamehameha I, who established the Hawaiian Kingdom in 1795, and continues to the death of Kamehameha III in 1854. Ruling Chiefs, published in 1961, was translated from Hawaiian newspaper articles that appeared in the 1860s and 1870s. The stories include Captain James Cook’s arrival in 1776, the coming of Western missionaries, and the changes that followed. All of the writings of Kamakau are highly recommended, including The People of Old, The Works of the People of Old, and The Tales and Traditions of the People of Old.
Eighteenth-century Hawaiian historian Samuel Mānaiakalani Kamakau traces Hawaiʻi’s history from ʻUmi, high chief eight generations before Kamehameha I, to the death of Kamehameha III in 1854. This volume covers the arrival of Captain James Cook, the consolidation of the Hawaiian kingdom by Kamehameha I, the coming of the missionaries, and the changes affecting the kingdom through the reign of Kamehameha III.
This history was originally written by Kamakau in Hawaiian as a series of newspaper articles in the 1860s and 1870s. The English translation was completed by a team of esteemed Hawaiian scholars including Mary Kawena Pukui, Thomas G. Thrum,…
Martin Walker studied history at Oxford, international relations and economics at Harvard, and spent 28 years as journalist and foreign correspondent for Britain's The Guardian newspaper. He divides his time between the USA, Britain and the Perigord region of France, where he produces his own Bergerac red wine, 'Cuvee Bruno'. Martin writes a monthly wine column and is a Grand Consul de la Vinee de Bergerac, a body founded in the year 1254 AD and dedicated to the support of the region’s wines.
"Award-winning writer Bahrami is a delightful guide in this thoroughly enjoyable look into the research and recovery of a group of Neandertal remains in the French Dordogne region . . . Her wide interests in travel, memoir, food, wine, and more make this exceedingly engaging title more like a French version of Under the Tuscan Sun." ―Booklist (starred review)
Centered in the Dordogne region of southwestern France, one of Europe’s most concentrated regions for Neandertal occupations, Café Neandertal features the work of archaeologists doing some of the most comprehensive and global work to date on the research, exploration, and recovery…
I’m a New Zealand philosopher who’s written a lot about the human enhancement debate. Philosophers are well known for their willingness to defend unpopular conclusions against all critics. Sometimes they engage in what I call “philosophical shit-stirring". You may think that’s a profanity but it’s actually a technical term. I’ve advocated some deliberately unpopular shit-stirring conclusions in the past. One of these is liberal eugenics - the idea that you can turn an evil like eugenics into something good by prefacing it with the feel-good term “liberal”. These dialogues are the beginning of a philosophical stock-take on what we should or might become.
There’s a lot of thoughtless talk by techno-optimistic philosophers about futures in which we all get to become superintelligent and live for thousands of years if we can apply the right tech to ourselves.
Sykes describes fascinating research on the Neanderthals, beings who were almost, but not quite, us. Reading her book, I wondered what it might have been like to grow up as the child of a union between a Homo sapiens and a Neanderthal. I found this especially useful when we consider future relationships between people determined to remain human and others who want tech to make them posthuman ASAP.
There’s so much information to gleen from Sykes to help us guess at how posthumans might treat beings whom they view as different and possibly inferior.
** WINNER OF THE PEN HESSELL-TILTMAN PRIZE 2021 **
'Beautiful, evocative, authoritative.' Professor Brian Cox
'Important reading not just for anyone interested in these ancient cousins of ours, but also for anyone interested in humanity.' Yuval Noah Harari
Kindred is the definitive guide to the Neanderthals. Since their discovery more than 160 years ago, Neanderthals have metamorphosed from the losers of the human family tree to A-list hominins.
Rebecca Wragg Sykes uses her experience at the cutting-edge of Palaeolithic research to share our new understanding of Neanderthals, shoving aside cliches of rag-clad brutes in an icy wasteland. She reveals them…
Michael Corballis is a psychologist and brain scientist. His interests lie in how the mind works, how it maps onto the brain, and how it evolved. Much of his work is published in books and scientific articles, but he has also written books aimed at a general readership. These include Pieces of Mind, The Lopsided Ape,The Recursive Mind, The Wandering Mind, and The Truth about Language.
We are accustomed to thinking of ourselves as a species mentally superior to all others. This view was challenged in the 19th century with the discovery in Europe of the Neanderthals, an extinct large-brained human-like species. Our superiority seemed to be restored by evidence that Neanderthal extinction followed the arrival in Europe of seemingly dominant Homo sapiens from Africa. Accumulating archaeological and genetic evidence is changing that comfortable picture. Another large-brained but extinct human-like species, the Denisovans, are now also known to have existed in widespread regions of Russia, Asia, and Oceania. Not only were these archaic species technologically and culturally on a par with sapiens, but they also mated occasionally with each other and with our own species. Many people throughout the world carry genetic material from them, and these have contributed to our own regional adaptations. This book challenges our view of ourselves, and implies greater affinity and…
A fascinating investigation of the origin of humans, based on incredible new discoveries and advanced scientific technology
"Conveys the thrill of archaeological discovery.”—Alexander Larman, The Observer
"Packs in startling discoveries, impressive insights and the occasional debunking of a foolish idea.”—Michael Marshall, New Scientist
Fifty thousand years ago, Homo sapiens was not the only species of humans in the world. There were also Neanderthals in what is now Europe, the Near East, and parts of Eurasia; Hobbits (H. floresiensis) on the island of Flores in Indonesia; Denisovans in Siberia and eastern Eurasia; and H. luzonensis in the Philippines. Tom Higham investigates…
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![Cat Connor Author Of [Whiskey Tango Foxtrot]](https://res.cloudinary.com/hzpwrwfdi/image/upload/c_thumb,g_face,h_160,w_160/media/profiles/Cat_Connor_rgp4bs.webp "Cat Connor Author Of [Whiskey Tango Foxtrot]")
