Fans pick 92 books like The Doll House Caper

As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.

I am the author of two folktales in addition to several other fiction stories for children and an early childhood educator. I taught kindergarten and first grade for over twenty years. As part of our state standards, we must do a yearly unit of study on folktales. Folktales deliver universal messages to children in a non-didactic way. We can use them to address issues that young children face while also using them as resources to teach students about faraway places, customs and cultures. Folktales are in integral part of an early childhood education and it’s a unit of study that I always looked forward to. Immersing myself in them was the catalyst for recreating my own. 

I’m a children’s book author and regularly read 2-3 middle grade books a week. I love books that respect kids enough to make them think, and I seek out good books constantly, whether they are intended for kids, youth, or adults. I’m the author of the early education books It’s OK Not to Share and It’s OK to Go Up the Slide, and the ghost adventure The Griffins of Castle Cary for kids ages 8-12. I’m a graduate of Swarthmore College and the University of Wisconsin-Madison, and besides writing, I host two podcasts: BookSmitten (children’s books), and Renegade Rules (early childhood). Enjoy the books!

I decided at the age of 5 that I wanted to write and illustrate books for children. That is exactly what I have been doing the last 40 years of my adult life. I find that I walk around seeing and hearing the world as potential stories. It’s fun! I can not imagine doing anything else for a living! I recommended the 5 books that I did because they are a little strange and curious and thought-provoking. The art, as well. Therefore, they feel like they emerged from the author/illustrator from that place within, way down deep, where only authentic expression of self can be found. 

I’ve been obsessed with murder mysteries and psychological thrillers for as long as I can remember. My father’s bookshelves were full of anthologies on serial killers, which piqued my curiosity at a very early age (probably too early, but we’re not here to judge my dad’s parenting skills, okay?). As I familiarized myself with the likes of Ed Gein, Jeffrey Dahmer, Charles Manson, and John Wayne Gacy, I became enthralled by the psychology behind what makes people commit heinous acts. Now as an author myself, these same stories fuel my inspiration and keep me motivated to write books that further explore the darker side of human nature. 

I grew up in the 80s, the era of horror super-franchises. Most would be familiar with Friday the 13th, A Nightmare on Elm Street, and Halloween, but there were so many more. Oscar-winning films the decade prior like The Exorcist and Jaws ushered a new wave of new horror. Whether it was advancement in visual effects, or improvement in production, the genre was everywhere. And I couldn’t get enough. Those experiences have possessed my pen and continue to rule my reading choices. I hope you enjoy these recommendations as much as I did. There’s a lot we can learn about ourselves when we’re scared.