100 books like The Dollhouse

As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

I’ve always loved dollhouses, from the one my mom built for me when I was ten, to the ones I refinished and decorated as an adult with my own kids. There’s something magical and mysterious about miniature rooms, tiny furnishings, and dolls who may have secret lives unknown to us. My first novel, Time Windows, features a dollhouse found in an attic that allows Miranda to see through its windows into different times in her real house’s past. In my second dollhouse novel, Sweet Miss Honeywell’s Revenge, Zibby’s antique dollhouse turns out to be teeming with ghosts. I am intrigued by other authors’ novels of dollhouses, and I hope you will enjoy those on this list as well as my own two creepy tales.

I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.

I’m a children’s book author and regularly read 2-3 middle grade books a week. I love books that respect kids enough to make them think, and I seek out good books constantly, whether they are intended for kids, youth, or adults. I’m the author of the early education books It’s OK Not to Share and It’s OK to Go Up the Slide, and the ghost adventure The Griffins of Castle Cary for kids ages 8-12. I’m a graduate of Swarthmore College and the University of Wisconsin-Madison, and besides writing, I host two podcasts: BookSmitten (children’s books), and Renegade Rules (early childhood). Enjoy the books!

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.

I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.