Here are 100 books that The Conspiracy Against The Human Race fans have personally recommended if you like
The Conspiracy Against The Human Race.
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Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.
Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.
This book is gorgeous. It’s about a group of spoiled-rotten high school friends who have started to drift apart after attending college. There’s an interesting backstory to this novel, too: Ellis wrote the first draft in eight weeks while high on crystal meth (don’t believe me? Read the Rolling Stone interview).
The minimalist prose and haunting theme of how overindulgence leads to chronic emptiness make a nihilistic meditation on excess.
NEW YORK TIMES BESTSELLER • The timeless classic from the acclaimed author of American Psycho about the lost generation of 1980s Los Angeles who experienced sex, drugs, and disaffection at too early an age. • The basis for the cult-classic film "Possesses an unnerving air of documentary reality." —The New York Times They live in a world shaped by casual nihilism, passivity, and too much money in a place devoid of feeling or hope. When Clay comes home for Christmas vacation from his Eastern college, he re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches,…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?
This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.
However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.
It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.
There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.
From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.”
To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.
Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.
Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
I’m an author, visual artist, and film producer. I’m originally from Mexico but studied fine art in London at Central St Martins School of art with a scholarship. I’ve had a wild career of writing, packaging, developing, and publishing books for more than a decade. You can see some of my visual art in galleries, museums, and my Instagram @leopoldoleopoldo or in my most recent illustrated novel Monarca. My forthcoming novel, Piñata, is a supernatural possession story driven by the real horrors of colonialism in my native Mexico. I wrote it as an outlet for a simultaneous love and rage at the world, history, my country, and current events.
It may be odd of me to include a book of academic lectures in a list like this, but I think Calvino’s Six Memos are accessible and valuable to anyone who appreciates literature and its “family tree.”
Its forward-thinking nature is sourced from Calvino’s deep knowledge and love for literature’s history and growth over time.
He pulls on so many different threads throughout and I love it as a reminder, a memo, from a genius like Calvino that the fabric of future great works are woven from those long threads stretching back to great works of the past.
It showed me in very simple concepts in literature, such as Lightness, Exactitude, Quickness, Visibility, and Multiplicity, echoed with me also in visual art. It’s one of those books I keep re-reading…
Italo Calvino's brilliant reflection on what makes great literature, from the classics to more contemporary works, punctuated with personal details about Calvino's own writing processes.
At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself.
I’m a law professor who has been teaching and writing in the area of intellectual property for 20 years. As my career went along, I came to realize how important it is to not just mechanically apply the legal rules but to think about why they are there. Intellectual property law—a 7 trillion-dollar legal regime governing one-third of the U.S. economy—continually guesses as to how the minds of artists and audiences work. The more I read about neuroscientific advances, the more I realized that these guesses are often wrong and need to be updated for a new technological age.
The lion’s share of commentary about the influence of neuroscience on our system of laws has focused on criminal law. What does it mean to punish people for actions that are really the product of biology rather than conscious choice? Alces grapples with what this means for criminal law and its concepts of moral responsibility and builds a thoughtful and compelling argument. But what I really liked was his equally sharp analysis of what this different conception of human agency means when it comes to tort and contract law—legal regimes that we are much more likely to confront in our daily lives.
Law relies on a conception of human agency, the idea that humans are capable of making their own choices and are morally responsible for the consequences. But what if that is not the case? Over the past half century, the story of the law has been one of increased acuity concerning the human condition, especially the workings of the brain. The law already considers select cognitive realities in evaluating questions of agency and responsibility, such as age, sanity, and emotional distress. As new neuroscientific research comprehensively calls into question the very idea of free will, how should the law respond…
Kevin Davis is the author of three non-fiction books about the criminal
justice system, The Wrong Man,Defending the Damned and The Brain Defense. Davis has also authored eight
nonfiction children’s books. He’s an award-winning journalist and magazine
writer based in Chicago.
This was a much-needed cautionary examination of the increasing hype
about neuroscience. Following a period in which neuroscience suddenly
became a pop culture phenomenon, Brainwashed aims to tamp things down. The book
takes issue with how mainstream media trumpeted studies that supposedly show
how the brain “lights up” when we kiss, listen to music or engage in other
activities. Satel and Lilienfied explain what brain scans and neuroscientific
reports really reveal and don’t reveal.
What can't neuroscience tell us about ourselves? Since fMRI,functional magnetic resonance imaging,was introduced in the early 1990s, brain scans have been used to help politicians understand and manipulate voters, determine guilt in court cases, and make sense of everything from musical aptitude to romantic love. But although brain scans and other neurotechnologies have provided ground-breaking insights into the workings of the human brain, the increasingly fashionable idea that they are the most important means of answering the enduring mysteries of psychology is misguided,and potentially dangerous.In Brainwashed , psychiatrist and AEI scholar Sally Satel and psychologist Scott O. Lilienfeld reveal how…
My professional background is in working with children, my career began as an NNEB nursery nurse and I did many jobs (nanny, childminder, preschool, reception class, after school club, primary school, special school, and in learning support). I then trained as a teacher of adults and went on to be a college lecturer. I am now a senior university lecturer, but my heart has always been in the early years. I am passionate about highlighting the incredible work that is going on in the early years and in schools and have a strength-based, empowering, and optimistic view, which I try to instill in my students. Working with young children is a privilege and a joy.
This book is changing the way we view children’s development. It explains brain development in a really easy-to-understand way and it gives a completely child-centred view.
Reading this book will help you to understand children and their behaviour and it will ultimately make you a better practitioner. It is a ‘must’ for anyone working with children.
Highly Commended: Nursery World Awards 2017 Professional Book of the Year
Early Childhood and Neuroscience is a practical guide to understanding the complex and challenging subject of neuroscience and its use (and misapplication) in early childhood policy and practice.
The author begins by introducing the definition and history of neuroscience. The reader is then led through structured chapters discussing questions such as: Why should practitioners know about neuroscience? How can neuroscience help practitioners better provide for babies and children? and Is it relevant? Topics covered include the nature vs. nurture debate through the lens of neuroscience, epigenetics, the first 1001…
I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
I like the smell of rain. But I can’t explain what it actually smells like. Afterall, olfactory sensation is the “mute sense”—the one without words. To describe a certain smell, you are most likely using a metaphor like rosy smell or vanilla-like smell. Not only does smell have few words to describe it, but it is also a sensation with still a lot unknown. Barwich’s Smellosophyis a fascinating combination of science, philosophy, and history to explore the importance of this mysterious sensation in our society. While digging into philosophical and historical questions to explore how people in the past thought about the perception of smell, Barwich also interviews neuroscientists, perfumers, and chemists to explore how the modern science, as well as industry, is trying to figure out what the nose tells the brain and how the brain understands it.
"Offers rich discussions of olfactory perception, the conscious and subconscious impacts of smell on behavior and emotion." -Science
Decades of cognition research have shown that external stimuli "spark" neural patterns in particular regions of the brain. We think of the brain as a space we can map: here it responds to faces, there it perceives a sensation. But the sense of smell-only recently attracting broader attention in neuroscience-doesn't work this way. So what does the nose tell the brain, and how does the brain understand it?
One of my long-standing interests, as a political philosopher, has been to examine the deployment of state power and the state forms (what I call states of affairs) the capitalist mode of production takes in order to preserve its economic order. Since I completed my doctorate, which was on the articulation of settler-colonial power in relationship to remaining settler states, I have largely been invested in thinking politics: how dominant politics maintain the current order, how counter-hegemonic politics disrupt this order.
Considering the legal apparatus as part of the state, Pashukanis puts forward the “commodity-form” theory of law in order to conceptualize the apotheosis of law under and fundamental to capitalism. Following Lenin, and against the claims of many of his Soviet philosopher contemporaries, Pashukanis argues that the withering away of the state should also imply the withering away of law. In making this argument he also examines the construction of legal relations and the legal subject. Pashukanis’ analysis has been revisited and revived in critical legal studies giving rise to scholarly studies such as China Miéville’s Between Equal Rights—which is how I initially discovered it, being a fan of Miéville’s fiction!
E. B. Pashukanis was the most significant contemporary to develop a fresh, new Marxist perspective in post-revolutionary Russia. In 1924 he wrote what is probably his most influential work, The General Theory of Law and Marxism. In the second edition, 1926, he stated that this work was not to be seen as a final product but more for "self-clarification" in hopes of adding "stimulus and material for further discussion." A third edition was printed in 1927.Pashukanis's "commodity-exchange" theory of law spearheaded a perspective that traced the form of law, not to class interests, but to capital logic itself. Until his…
