Here are 90 books that The Coma Monologues fans have personally recommended if you like
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I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea.
How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.
In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition…
THE INTOXICATING INTERNATIONAL BESTSELLER ABOUT LOVE, COOKING AND MAGIC. PERFECT FOR FANS OF JOANNE HARRIS AND ISABEL ALLENDE.
'This magical, mythical, moving story of love, sacrifice and summering sensuality is something I will savour for a long time' MAUREEN LIPMAN
Like Water For Chocolate tells the captivating story of the De la Garza family. As the youngest daughter, Tita is forbidden by Mexican tradition to marry. Instead, she pours all of her emotions into her delicious recipes, which she shares with readers along the way.When Tita falls in love with Pedro, he is seduced by the magical food she cooks.…
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
The author went on a journey to discover all she could about the pink dolphins (the botos) of Brazil, but she soon found herself immersed in the folklore and myth of this very real animal. She learns that people who live with the botos believe the dolphins are shapeshifters who live human-like lives in an amazing underwater world—the Encante—where everything in life is better. Even so, they come out of the water as human beings to visit our world and interact with the locals. They can only be recognized by the hats they wear to cover the blowholes in the tops of their heads. I love the feeling this book gives that we are constantly walking with the enchanted.
By the acclaimed author of The Soul of an Octopus and the bestselling memoir The Good Good Pig.
When Sy Montgomery ventured into the Amazon to unlock the mysteries of the littleknown pink dolphins, she found ancient whales that plied the Amazon River at dawn and dusk, swam through treetops in flooded forests, and performed underwater ballets with their flexible bodies. But she soon found out that to know the botos, as the dolphins are locally called, you must also know the people who live among them.
And so in Journey of the Pink Dolphins, Montgomery-part naturalist, part poet, part…
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
Once again, the ordinary and the extraordinary are nearly one and the same. In this book, as in all of Charles’s books, the Otherworld—in this case the faery world—is with us now. Charles is a pioneer of urban fantasy and always writes entertaining and amazing books. I love his characters. They are alive and fascinating. He plays with names and gender: for example, Jack is a woman. He invites us to pay attention to the Otherworld. He also shows us that giving the faery realm its due is not running away from reality. In this novel, stories help us to heal and live in the here and now with joy and vigor.
De Lint at his best. When Jacky's boyfriend walks out, her life changes more than she could ever imagine. In a fit of angst she chops off her long blond hair then goes out to wander the streets of Ottawa. She's startled out of her reverie by a faceless gang of bikers attacking a small man whose body disappears, leaving behind only a red cap. The cap shows Jacky an unimaginable side of Ottawa and sets her on an impossible quest to save the good fairies from their evil counterparts.
Luck, magic, and love bring to life a perilous, rollicking…
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 2000s, Tahir Shah travels around Morocco collecting traditional wisdom stories and relying on the hospitality of local people for shelter and food. Shah is an outsider in a different way from the rest of the outsider authors here. Although growing up in the West, he nonetheless absorbs the Afghan culture of his family. From his Afghan father especially he learns the importance of storytelling as a way of passing on cultural values. The Moroccans know he is a foreigner but see him as an Anglo-Afghan more sympathetic than the normal Westerner. As a result, they reveal facets of their lives not normally shared with outsiders. The book shows how those seeking to understand culture must be open to finding it in all sorts of places.
Shortly after the 2005 London bombings, Tahir Shah was thrown into a Pakistani prison on suspicion of spying for Al-Qaeda. What sustained him during his terrifying, weeks-long ordeal were the stories his father told him as a child in Morocco. Inspired by this, on his return to his adopted homeland he embarked on an adventure worthy of the mythical Arabian Nights, going in search of the stories and storytellers that have nourished this most alluring of countries for centuries. Wandering through the medinas of Fez and Marrakech, criss-crossing the Saharan sands and tasting the hospitality of ordinary Moroccans, he collected…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Readers may be familiar with The Arabian Nights, the source material behind this fascinating novel. Yet, what distinguishes Jamila Ahmed’s retelling is her focus on the famed storyteller, Shaherazade, whose exposure of the Seljuk king’s wife’s infidelity sets in motion a violent chain of events in twelfth-century Persia.
In lush, sensuous prose, Ahmed fills this vividly imagined, action-packed novel with compelling characters and labyrinthine tales within tales populated with mythical adventurers and creatures with magical powers.
The elaborate, psychologically complex portrait of Shaherazade at the heart of the novel celebrates the power of storytelling while paying homage to the agency of the storyteller.
In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction.
In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire.
Having previously worked in the Urban Affairs side of academia and drawing heavily on my own experience living in the city of Portland, OR while writing my book, Moonshine, I’ve become very interested in how fantasy authors find creative ways to incorporate the supernatural elements of the genre with the extremely mundane aspects of urban planning and civics. I find that the most immersive fantasy worlds are the ones that concern themselves with the gritty details of how their societies operate on a basic logistical level, and I think a well-written fantasy city can very much shine as a character in its own right.
Harsh environments provide a compelling opportunity for fantasy authors to explore how otherworldly magic or technology can help populations build functioning civilizations and survive in such conditions. The Perfect Assassin’s setting of Ghadid, a desert city built upon massive platforms that rise above the dunes, does exactly this with an ancient plumbing system that provides its residents with water that not only fills their cups but also fuels the magic of their healers. While the water supply allows the residents of Ghadid to survive in such a harsh climate, its limitations further inform how the city handles farming, commerce, medicine, its calendar, and—most pertinently to the story—the threat of malevolent spirits from the sands below.
The assassins of Ghadid serve a higher power, dispensing justice in the shadows. Or so Amastan has been taught.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, fellow assassins are being killed off. Until, inevitably, Amastan is ordered to solve these murders. Even worse, the jaan of the murdered start roaming the dusty streets of Ghadid: restless spirits seeking any body to possess.
Time is running short, and Amastan must find this perfect assassin or become their next target.
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
While some people may not think of genies (or jinn) as monsters in the same category as Bigfoot or dragons, from a cultural and folkloric point of view they definitely are.
Most Americans probably think of the wisecracking genie in Disney’s Aladdin, but belief in genies is both serious and widespread. In his book Legends of the Fire Spiritsjournalist Robert Lebling describes how the creatures appear in the Koran (hint: it’s closer to the recent filmThree Thousand Years of Longing).
They are in some ways the Muslim equivalent of Christian angels, imbued with magical powers and viewed by the devout not as real and tangible as you or I. What I love about this book is how Lebling reveals the real stories of jinn—in both their wonder (granting wishes) and terrible vengeance (mass murder).
As with all monsters, whether you believe in them or not is…
In the magical tale of Aladdin in "The Arabian Nights", the genie that suddenly appears out of the lamp is powerful, playful and utterly mysterious. Supernatural, shape-shifting figures have been given many names over the ages - genie, demon, spirit, ghoul, shaitan and jinn. Those who have seen them believe jinn shadow us in our daily lives, causing endless mischief, providing amazing services and sometimes inducing sheer terror. "Legends of the Fire Spirits" explores the enduring phenomenon of the jinn. From North Africa to Central Asia, from the Mediterranean to sub-Saharan Africa and beyond, this riveting book draws on long-forgotten…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city.
Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.
Arabian Nightmare is a book which has hung around…
' ...a classic orientalist fantasy tells the story of Balian of Norwich and his misadventures in a labyrinthine Cairo at the time of the Mamelukes. Steamy, exotic and ingenious, it is a boxes-within-boxes tale featuring such characters as Yoll, the Storyteller, Fatima the Deathly and the Father of Cats. It is a compelling meditation on reality and illusion, as well as on Arabian Nights-style storytelling. At its elusive centre lies the affliction of the Arabian Nightmare: a dream of infinite suffering that can never be remembered on waking, and might almost have happened to somebody else.' Phil Baker in The…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
