Here are 100 books that The Civil War at Sea fans have personally recommended if you like
The Civil War at Sea.
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I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
Former Confederate Admiral Raphael Semmes, commander of infamous Rebel commerce raidersSumter and Alabama, presents a picturesque portrait of nineteenth-century war at sea and foreign lands with salty terminology well calibrated for landlubbers.He composes not only as a preeminent seaman, but as an accomplished international lawyer and superb narrator. He also is an unapologetic, unreconstructed Rebel. Semmes interprets his ships and men as personifying the conflict—its causes, progression, and outcome—discoursing over seamanship, meteorology, oceanography, geography, naval technology, strategy, diplomacy, international law, and constitutional theory. I found Memoirs of Service Afloatto be an erudite, compelling portrait of the Confederate mind well worth studying for its own sake as well as a great sea story. It ranks among the best Civil War memoirs.
A number of publications have appeared, first and last, concerning the author and his career, as was naturally to have been expected. The Alabama was the first steamship in the history of the world—the defective little Sumterexcepted—that was let loose against the commerce of a great commercial people. The destruction which she caused was enormous. She not only alarmed the enemy, but she alarmed all the other nations of the earth which had commerce afloat, as they could not be sure that a similar scourge, at some future time, might not be let loose against themselves. The Alabama, in consequence,…
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
Although the Civil War was principally a land conflict, naval contributions were fundamental, not just peripheral or supporting. This excellent operational and campaign overview examines social, political, and technological revolutions in Western warfare leading to and through the struggle. It deals primarily with terrestrial warfare, but unlike many such works, places waterborne operations in context and gives the navy its due. Steam propulsion and industrial superiority produced massive Union naval power for a strangling blockade, fortress-busting warship squadrons, and an unprecedented riverine fleet. The Confederacy’s coasts and seaports constituted a third major theater while in the west, rivers were avenues of invasion and conquest. Chapter 5 contains a cogent discussion of “The Unfulfilled Promise of Joint [Army-Navy] Operations.” Highly recommended as a well-integrated military-naval history.
The Civil War represented a momentous change in the character of war. It combined the projection of military might across a continent on a scale never before seen with an unprecedented mass mobilization of peoples. Yet despite the revolutionizing aspects of the Civil War, its leaders faced the same uncertainties and vagaries of chance that have vexed combatants since the days of Thucydides and the Peloponnesian War. A Savage War sheds critical new light on this defining chapter in military history.
In a masterful narrative that propels readers from the first…
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
“The cruise of a ship is a biography,” wrote Raphael Semmes about his ocean-straddling tall ship, CSS Alabama. “The ship becomes a personification. She not only, ‘walks the waters like a thing of life,’ but she speaks in moving accents to those capable of interpreting her.” In this excellent biography of Carondelet’s career, a squat, ugly, ironclad gunboat also becomes a major character along with the men who designed and built the revolutionary vessel, stoked her engines, and fired her big guns. In tactics and technology, riverine warfare was invented from scratch and indispensable to victory. This work (and Smith’s entire series on brown water war vessels) provides fresh and enlightening perspectives on every major battle down the Mississippi from Forts Henry and Donelson through Vicksburg to Red River.
The USS Carondelet had a revolutionary ship design and was the most active of all the Union's Civil War river ironclads. From Fort Henry through the siege of Vicksburg and from the Red River campaign through the Battle of Nashville, the gunboat was prominent in war legend and literature. This history draws on the letters of Ensign Scott Dyer Jordan and Rear Adm. It falls in the category of Henry Walke's memoirs.
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
Renowned naval engagements such as New Orleans and Mobile Bay are well covered by campaign studies and general histories but the Burnside Expedition is a neglected and fascinating operation described in this engaging work. With no precedent, procedures, or practice in massive joint operations, the frequently maligned General Ambrose Burnside teamed with Flag Officer Louis M. Goldsborough—commanding the Atlantic Blockading Squadron—to integrate Burnside’s “coastal division” with naval units and rag-tag merchant vessels into the first dedicated, rapid-deployment, amphibious force. In a series of engagements from February to April 1862 behind the barrier islands and in the sounds of North Carolina, they planned and executed textbook landings without a textbook, capturing the strategically vital region for the Union. With aggressive follow-up, the campaign might have shortened the conflict.
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I know I keep beating the same drum, but just try to take a look at that cover and tell me the story doesn’t look intriguing (and yes, I do see the similarities between this cover and that of The Murder on Black Swan Lane).
Like any self-respecting English mystery, this one begins with a main character discovering he’s received a bequest of an English estate and its accompanying title. This particular main character is Jason Redmond, a Captain and doctor in the Union Army during the American Civil War. At the end of the war, he returns home to find his sweetheart has married his best friend during his absence. When he receives news of the bequest, having no one to marry and still experiencing haunting memories of the tragedies he witnessed during the war, he heads to England to dispose of the estate (at least, that’s his…
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
My father was a Civil War historian, and literally, every vacation was spent traipsing over battlefields, with him pointing out the position of cannons and armies and, invariably, what military mistakes were made. Sometimes, we’d squat in the tall grass and imagine what it would look like when the enemy charged over the hill. My father related family tales with great relish, which are the basis of many of my historical stories. As a genealogist and family story lecturer, the past (especially the Civil War) has been a lifelong love. However, I must admit, I wouldn’t want to leave behind present-day comforts to live in the past.
This tome (625 pages, including notes and index) is the perfect read to settle you in the Civil War era. It comprises true-life stories (usually a page long) garnered from many sources. One becomes immersed in the times, phraseology, morals, superstitions, and humor.
The stories cover the range of bravery and cowardice (preachers that turn tail at the sound of gunfire), of soldiers that stitch up their own wounds, and terrible privations, which made me glad I live in the twenty-first century.
Fortunately, there is enough humor to lighten the heart. For instance, my favorite story is about two veterans who differ on the outcome of a fight they both participated in until finally, one laments, “Ah, a perfectly good story ruined by an eyewitness.”
B. A. Botkin was one of the greatest American folklorists. With his students he crisscrossed the country to record the stories we tell one another. From the most enduring of American events, the Civil War, come tales of bravery, cunning, pathos, humor, and faith. True or fanciful, these accounts endure because they express authentic reactions and have the power to explain, counsel, and console. Here are the stories of military leaders-Lincoln, Lee, Jackson, Sherman-as told in the ranks and at home, by freedmen, women, poets, deserters, patriots, and resisters from both sides. As important as what actually "happened," these tales…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
I am a historian who has always been fascinated by the problem of slavery in American history. Although a “Yankee” by birth and upbringing, I have also always been drawn to the history of the American South—probably because it runs so counter to the dominant narrative of U.S. history. My childhood interest in history—especially in wars, and the Civil War in particular—was transformed in college into a serious engagement with the causes and consequences of the Civil War. I pursued this interest in undertaking graduate study, and I have devoted my entire scholarly career to the examination of slavery and emancipation—and their consequences for today.
Chandra Manning explores an essential but oddly overlooked aspect of wartime emancipation—the experiences of freed people in the “contraband” camps and other places of refuge that the federal military established in occupied Confederate territory. While this might seem like a narrow topic, Manning’s book addresses any number of larger issues surrounding the war and emancipation, and it brims with original insights. She provides an overview of life in these places of “troubled refuge,” but she also delves deeply into particular camps, showing the experiences of individual people. Manning also argues—persuasively, I think—that the camps served as training grounds in which the freed people came to stake a claim not only to freedom but also to equal citizenship guaranteed by the national government.
From the author of What This Cruel War Was Over, a vivid portrait of the Union army’s escaped-slave refugee camps and how they shaped the course of emancipation and citizenship in the United States.
Even before shots were fired at Fort Sumter, slaves recognized that their bondage was at the root of the war they knew was coming, and they began running to the Union army. By the war’s end, nearly half a million had taken refuge behind Union lines in improvised “contraband camps.” These were crowded and dangerous places, with conditions approaching those of a humanitarian crisis. Yet families…
Having penned several history books, Historical Fiction is as natural to me as wooden teeth were to George Washington. And hopefully, my writing speaks as authentically. But Historical Fiction’s real attraction is that it not only adds realism and depth but also offers readers the chance to learn about our past in an enjoyable format that isn’t tedious or boring. Naturally, that’s if it's crafted well. However, history shouldn’t be just a backdrop, its myriad of events should impact the characters’ lives, and in turn, impact the reader. In that vein, Historical Fiction packs a punch to the intellect and emotions. So I hope you’ll enjoy these timeless classics.
John Jakes’s trilogy is a huge investment of time, but for those who love family sagas, American history and intriguing conflicts, it's a huge banquet to sink your teeth into. This sprawling saga drew me in with its inevitable chain of events, namely the Civil War, and how it split families and friends apart due to a military conflict, one that threatened to split the nation apart and with profound humanitarian rights at its core. Superbly written and even beautifully captured on film, John Jake’s magnum opus is a winner.
Part one of the #1 New York Times bestselling North and South Trilogy—the Civil War saga that inspired the classic television miniseries North and South—with over five million copies sold!
“An entertaining…authentic dramatization of American history.”—The New York Times
From master storyteller John Jakes comes the epic story of two families—the Hazards and the Mains. Separated by vastly different ways of life, joined by the unbreakable bonds of true friendship, and torn asunder by a country on the brink of a bloody conflict that will irrevocably change them all…
I’ve been fascinated by the Civil War my entire life. As a boy, I met a man in my Ohio hometown who spent his own youth visiting with the last, wrinkled survivors of the Union armies. His memories at once made the Civil War real and immediate for me. I soon devoured every book and walked every battlefield I could find. After earning an undergraduate degree in Civil War Studies at Gettysburg College, I completed my Ph.D. at Yale. I have authored six books on the conflict—one of which was a runner-up for the Pulitzer in History—and teach courses on the Civil War at Sam Houston State University.
John Matteson is a deft prose stylist who once more delivers in this engrossing narrative of the Civil War as seen through the eyes of five key protagonists—including the poet Walt Whitman and a young Louisa May Alcott. The characters wind up on the murderous battlefields and teeming hospital wards of Fredericksburg, Virginia. The title is admittedly deceptive; readers expecting an operational or tactical history of Ambrose Burnside’s rout on the Rappahannock won’t find it here. On the other hand, those interested in a searing meditation on all that the war did to individual human bodies and minds—and the collective American soul—will savor this haunting, smart, and elegant book.
December 1862 drove the United States towards a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln's government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country's law, literature, politics and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American. Guided by patriotism, driven by desire, all five moved towards singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr confronted…
