Fans pick 100 books like The Civil War at Sea

Former Confederate Admiral Raphael Semmes, commander of infamous Rebel commerce raiders Sumter and Alabama, presents a picturesque portrait of nineteenth-century war at sea and foreign lands with salty terminology well calibrated for landlubbers. He composes not only as a preeminent seaman, but as an accomplished international lawyer and superb narrator. He also is an unapologetic, unreconstructed Rebel. Semmes interprets his ships and men as personifying the conflict—its causes, progression, and outcome—discoursing over seamanship, meteorology, oceanography, geography, naval technology, strategy, diplomacy, international law, and constitutional theory. I found Memoirs of Service Afloat to be an erudite, compelling portrait of the Confederate mind well worth studying for its own sake as well as a great sea story. It ranks among the best Civil War memoirs.

Although the Civil War was principally a land conflict, naval contributions were fundamental, not just peripheral or supporting. This excellent operational and campaign overview examines social, political, and technological revolutions in Western warfare leading to and through the struggle. It deals primarily with terrestrial warfare, but unlike many such works, places waterborne operations in context and gives the navy its due. Steam propulsion and industrial superiority produced massive Union naval power for a strangling blockade, fortress-busting warship squadrons, and an unprecedented riverine fleet. The Confederacy’s coasts and seaports constituted a third major theater while in the west, rivers were avenues of invasion and conquest. Chapter 5 contains a cogent discussion of “The Unfulfilled Promise of Joint [Army-Navy] Operations.” Highly recommended as a well-integrated military-naval history.

“The cruise of a ship is a biography,” wrote Raphael Semmes about his ocean-straddling tall ship, CSS Alabama. “The ship becomes a personification. She not only, ‘walks the waters like a thing of life,’ but she speaks in moving accents to those capable of interpreting her.” In this excellent biography of Carondelet’s career, a squat, ugly, ironclad gunboat also becomes a major character along with the men who designed and built the revolutionary vessel, stoked her engines, and fired her big guns. In tactics and technology, riverine warfare was invented from scratch and indispensable to victory. This work (and Smith’s entire series on brown water war vessels) provides fresh and enlightening perspectives on every major battle down the Mississippi from Forts Henry and Donelson through Vicksburg to Red River.

Renowned naval engagements such as New Orleans and Mobile Bay are well covered by campaign studies and general histories but the Burnside Expedition is a neglected and fascinating operation described in this engaging work. With no precedent, procedures, or practice in massive joint operations, the frequently maligned General Ambrose Burnside teamed with Flag Officer Louis M. Goldsborough—commanding the Atlantic Blockading Squadron—to integrate Burnside’s “coastal division” with naval units and rag-tag merchant vessels into the first dedicated, rapid-deployment, amphibious force. In a series of engagements from February to April 1862 behind the barrier islands and in the sounds of North Carolina, they planned and executed textbook landings without a textbook, capturing the strategically vital region for the Union. With aggressive follow-up, the campaign might have shortened the conflict.

Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.   

I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.

The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.  

This tome (625 pages, including notes and index) is the perfect read to settle you in the Civil War era. It comprises true-life stories (usually a page long) garnered from many sources. One becomes immersed in the times, phraseology, morals, superstitions, and humor.

The stories cover the range of bravery and cowardice (preachers that turn tail at the sound of gunfire), of soldiers that stitch up their own wounds, and terrible privations, which made me glad I live in the twenty-first century.

Fortunately, there is enough humor to lighten the heart. For instance, my favorite story is about two veterans who differ on the outcome of a fight they both participated in until finally, one laments, “Ah, a perfectly good story ruined by an eyewitness.” 

When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.

Chandra Manning explores an essential but oddly overlooked aspect of wartime emancipation—the experiences of freed people in the “contraband” camps and other places of refuge that the federal military established in occupied Confederate territory. While this might seem like a narrow topic, Manning’s book addresses any number of larger issues surrounding the war and emancipation, and it brims with original insights. She provides an overview of life in these places of “troubled refuge,” but she also delves deeply into particular camps, showing the experiences of individual people. Manning also argues—persuasively, I think—that the camps served as training grounds in which the freed people came to stake a claim not only to freedom but also to equal citizenship guaranteed by the national government.

John Jakes’s trilogy is a huge investment of time, but for those who love family sagas, American history and intriguing conflicts, it's a huge banquet to sink your teeth into. This sprawling saga drew me in with its inevitable chain of events, namely the Civil War, and how it split families and friends apart due to a military conflict, one that threatened to split the nation apart and with profound humanitarian rights at its core. Superbly written and even beautifully captured on film, John Jake’s magnum opus is a winner. 

John Matteson is a deft prose stylist who once more delivers in this engrossing narrative of the Civil War as seen through the eyes of five key protagonists—including the poet Walt Whitman and a young Louisa May Alcott. The characters wind up on the murderous battlefields and teeming hospital wards of Fredericksburg, Virginia. The title is admittedly deceptive; readers expecting an operational or tactical history of Ambrose Burnside’s rout on the Rappahannock won’t find it here. On the other hand, those interested in a searing meditation on all that the war did to individual human bodies and minds—and the collective American soul—will savor this haunting, smart, and elegant book.