Here are 100 books that A Civil War Treasury of Tales, Legends and Folklore fans have personally recommended if you like
A Civil War Treasury of Tales, Legends and Folklore.
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My father was a Civil War historian, and literally, every vacation was spent traipsing over battlefields, with him pointing out the position of cannons and armies and, invariably, what military mistakes were made. Sometimes, we’d squat in the tall grass and imagine what it would look like when the enemy charged over the hill. My father related family tales with great relish, which are the basis of many of my historical stories. As a genealogist and family story lecturer, the past (especially the Civil War) has been a lifelong love. However, I must admit, I wouldn’t want to leave behind present-day comforts to live in the past.
I’ve read this book several times and absolutely loved the protagonist, a 16-year-old orphan who joins the army because he is hungry. The story unfolds through the company journal entries that James is charged with writing.
I was amused by his down-home spin, youthful complaints, observations, and humor, which gave the reader a glimpse into the swing between a soldier’s boredom and excitement. Of course, given that it is written in the vein of a young teen, I didn’t have to look up a single word, making it a fairly quick read.
The Civil War JOURNAL OF JAMES EDMOND PEASE is now in paperback with an exciting repackaging!
Ignorant to the bitter realities of military life, 16-year-old James enlists in the Union Army at the dawn of the Civil War. When his lieutenant assigns him to be the company historian of the G Company of the 122nd Regiment, New York Volunteers, he is initially at a loss as to what exactly he is supposed to record. As the days pass, James settles into his role, but he cannot take comfort in it. His country is divided by a bloody war, and his…
My father was a Civil War historian, and literally, every vacation was spent traipsing over battlefields, with him pointing out the position of cannons and armies and, invariably, what military mistakes were made. Sometimes, we’d squat in the tall grass and imagine what it would look like when the enemy charged over the hill. My father related family tales with great relish, which are the basis of many of my historical stories. As a genealogist and family story lecturer, the past (especially the Civil War) has been a lifelong love. However, I must admit, I wouldn’t want to leave behind present-day comforts to live in the past.
I picked this easy-to-read novel because I’m an Okie! And, while I know of the few battles fought in Kansas, Missouri, and Indian Territory (we weren’t called Oklahoma until 1907), they are not the usual Civil War locations written about.
I liked the major character, a young boy driven to sign with the Union Army after the family farm was attacked by Confederates. That happened in my family (as it did for many if you study family history), stirring sympathy and anger.
I loved that you not only got the Union but the Confederate, as well as Stand Watie’s Cherokee side of the fighting and I cared about characters on all sides. The writing is 1950’s style, but the story and well researched history overcomes that.
Winner of the Newbery Medal * An ALA Notable Children’s Book * Winner of the Lewis Carroll Shelf Award
A captivating and richly detailed novel about one young soldier who saw the Civil War from both sides and lived to tell the tale.
Earnest, plain-spoken sixteen-year-old Jeff Bussey has finally gotten his father’s consent to join the Union volunteers. It’s 1861 in Linn County, Kansas, and Jeff is eager to fight for the North before the war is over, which he’s sure will be soon.
But weeks turn to months, the marches through fields and woods prove endless, hunger and…
My father was a Civil War historian, and literally, every vacation was spent traipsing over battlefields, with him pointing out the position of cannons and armies and, invariably, what military mistakes were made. Sometimes, we’d squat in the tall grass and imagine what it would look like when the enemy charged over the hill. My father related family tales with great relish, which are the basis of many of my historical stories. As a genealogist and family story lecturer, the past (especially the Civil War) has been a lifelong love. However, I must admit, I wouldn’t want to leave behind present-day comforts to live in the past.
I love a book with maps, and this has two. The author crafted sixteen fictional characters, each with their own voice, no two alike, populating both sides of the Civil War. Male, female, black, white, Northern, or Southern, these fictional characters represented all aspects of the population.
I was halfway through the book, flipping back and forth to keep the characters straight when I realized a list at the back identified each character's affiliation. Who was my favorite? Each touched me, although my heart lurched when the teen who joined to escape his father’s beatings was killed.
I am humbled by the author’s tight writing and accomplishment in weaving so many characters together. I’ll definitely read it again.
Winner of the Scott O'Dell Award for Historical Fiction * ALA Best Book for Young Adults * ALA Notable Children's Book
In this brilliant fictional tour de force, which the New York Times called "a deft, poignant novel," Newbery Medal-winning author Paul Fleischman re-creates the first great battle of the Civil War from the points of view of sixteen participants.
Northern and Southern, male and female, white and black. Here are voices that tell of the dreams of glory, the grim reality, the hopes, horror, and folly of a nation discovering the true nature of war.
My father was a Civil War historian, and literally, every vacation was spent traipsing over battlefields, with him pointing out the position of cannons and armies and, invariably, what military mistakes were made. Sometimes, we’d squat in the tall grass and imagine what it would look like when the enemy charged over the hill. My father related family tales with great relish, which are the basis of many of my historical stories. As a genealogist and family story lecturer, the past (especially the Civil War) has been a lifelong love. However, I must admit, I wouldn’t want to leave behind present-day comforts to live in the past.
I picked this book because I was intrigued by how on earth a girl could pass for a boy in the close confines of a military unit while obviously sharing tents. It is told from the point of view of real-life Sara Edmonds, who donned boy’s clothing and enlisted in the Union Army.
I was surprised she managed the deception for two years, during which she served as a fighter, nurse, post rider, and spy. Occasionally, something stretched believability, but if I had a critique, it would be often there was too much internal thought over being discovered. However, in the end, I admired her tenacity and dedication to the cause. Since I like to stay moored in time, I appreciated the timeline of the war at the back of the book.
Historical fiction at its best, this novel by bestselling author Marissa Moss tells the story of Sarah Emma Edmonds, who masqueraded as a man named Frank Thompson during the Civil War. Her adventures include serving as a nurse on the battlefield and spying for the Union Army, and being captured by (and escaping from) the Confederates. The novel is narrated by Sarah, offering readers an in-depth look not only at the Civil War but also at her journey to self-discovery as she grapples with living a lie and falling in love with one of her fellow soldiers. Using historical materials…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
This novel begins just after the American Civil War and Emancipation, but it foreshadows the horrific legacy of slavery. The titular character, a Black man named Sam who is now free, goes in search of Tilda, the wife whom slavery ripped away from him. Meanwhile, her Confederate enslaver drags Tilda westward, refusing to give up the woman he thinks he owns. How do you rebuild a society and a family in the wake of slavery’s devastation? Pitts explores this question unforgettably, acknowledging the inevitable violence but with a glimmer of hope. Freeman put me through a whole gamut of emotions. It rung me out and gave me a soothing cup of tea at the end.
Freeman, the new novel by Leonard Pitts, Jr., takes place in the first few months following the Confederate surrender and the assassination of Abraham Lincoln. Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged." At the same…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
Lois Leveen uses a mixture of fact and well-researched speculation to bring Mary Bowser, a largely unknown Civil War hero, to the page. Free and educated in the North, Mary Bowser returned to slavery to spy on the Confederacy in the household of Jefferson Davis. This much, at least, is known about the woman. Leveen imagines Bowser’s early life, braids in national history, and leaves us breathless with wonder at the courage and audacity required to complete the assignment Bowser accepted.
I love novels that pick up where the historical record ends, especially novels that do so lovingly and with such tender respect for the real woman lost in history.
Based on the remarkable true story of a freed African American slave who returned to Virginia at the onset of the Civil War to spy on the Confederates.
Author Lois Leveen combines fascinating facts and ingenious speculation to craft a historical novel that will enthrall readers of women’s fiction, historical fiction, and acclaimed works like Cane River and Cold Mountain that offer intimate looks at the twin nightmares of slavery and Civil War. A powerful and unforgettable story of a woman who risked her own freedom to bring freedom to millions of others, The Secrets of Mary Bowser celebrates the…
As a reader and writer, I am drawn to stories that have implications for the wider world. I love characters who are put in a box by others—whether based on race, religion, gender, or societal norms—yet they fight against those constraints, proving they have value beyond anyone’s expectations. I write historical fiction because I am an unabashed history nerd. I write Jewish (or Jewish adjacent) stories because I believe it is essential for every reader to find themselves in a book. I also believe it is essential that that same book opens a world of understanding to others.
I love stories that teach me something I didn’t know, even when it’s an ugly truth—especially when it’s an ugly truth. I studied History as an undergrad. I even wrote a paper on Sherman’s March to the Sea, but I’d never heard of Ebenezer’s Creek. In the midst of this shameful episode in the Civil War, Tonya Bolden gives us hope, truth, love, and utter cruelty. As heart-rending as this story is, I wanted to read it again immediately upon finishing it. Its honesty is as important as its poignancy.
When Mariah and her young brother Zeke are suddenly freed from slavery, they join Sherman's march through Georgia. Mariah wants to believe that the brutalities of slavery are behind them, but even as hope glimmers, there are many hardships yet to come. When she meets a free black named Caleb, Mariah dreams in a way she never dared . . . of a future worth living and the possibility of true love. But even hope comes at a cost, and as the difficult march continues toward the churning waters of Ebenezer Creek, Mariah's dreams are as vulnerable as ever.
I have been researching and writing about the era of the American Civil War for something over half a century. My passion for the subject remains strong today, having just published my seventh book. Given the seemingly endless amounts of material from soldiers and civilians alike, I have enjoyed deeply researching neglected subjects and writing about them in a way that appeals to both historians and general readers. For me the Civil War never grows stale, there are always little-used sources to research and fresh ideas to consider. The American Civil is omnipresent in my life—not excluding weekends and holidays!
I began reading Seasons of War while in a hospital waiting for my wife to come out of surgery. To my great surprise, I became so engrossed in this beautifully written and deeply moving book that it took my mind off any anxiety I was feeling.
First of all, Sutherland evokes a time—1861 to 1865—and a place—Culpeper County, Virginia—that turned out to be the great crossroads of the American Civil War. The two sides camped in, marched through, and fought over this strategic piece of real estate. This is the story of soldiers and civilians, of military campaigns, and the home front.
The book is filled with memorable figures from Jeb Stuart to Ulysses S. Grant to long-suffering women and children. Sutherland’s prose is venturesome, at times earthy, and always compelling.
The story of Culpeper County, Virginia, is a unique one in Civil War history. Nestled in one of the South's most strategically important locations, it was occupied by the Northern army, recaptured by the Confederacy, and finally ceded to the North. Told largely through the diaries, papers, and correspondence of residents, common infantrymen, and such eminent personalities as Robert E. Lee, Walt Whitman, Ulysses S. Grant, Clara Barton, and Stonewall Jackson, all of whom spent time in Culpeper, this story wonderfully captures both the intimacy and grandeur of war. Sutherland's account of the war is unlike any other. Both a…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
The widening partisan divide between Red and Blue in the United States today gives me nightmares.
I read a lot of history, so I know how closely today’s divisions resemble those before the Civil War. Which is why Omar El Akkad’sAmerican War resonates so deeply with me.
In 2074, four Deep South states secede over the passage of new legislation banning fossil fuels—and a Southerner assassinates the President.
The Red and Blue states are now at war again. And that’s my nightmare brought to life.
A Best Book of the Year: The Guardian, The Observer, New York Times, San Francisco Chronicle and The Washington Post.
2074. America's future is Civil War. Sarat's reality is survival. They took her father, they took her home, they told her lies . . .
She didn't start this war, but she'll end it.
Omar El Akkad's powerful debut novel imagines a dystopian future: a second American Civil War, a devastating plague and one family caught deep in the middle. In American War, we're asked to consider what might happen if America were to turn its most devastating policies and…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
