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I have always been fascinated by medicine and the people who are there to care for us when needed. I have worked as a nurse and midwife, and the thought that someone, anyone, could actively harm those in their care is horrific. But it happens. At first, I read medical thrillers as I would have read any murder mystery, but now, post-Shipman et al., I also want to know why they kill. I think that these books give us some ideas about this, but we can still never really know what goes on in the mind of a murderous doctor or nurse, and that’s what makes these books so thrilling.
Robin Cook is the Grandaddy of medical thriller writers, and I read this not long after it first came out. It is the chilling story of a medical student who investigates why normally fit and healthy patients are suddenly lapsing into coma.
There is a strong and intelligent female protagonist, which is important to me. Yes, she can cry and even fall into the arms of a man, but she needs to be intelligent and stay strong, and Susan does that here. At the time, I was impressed by the level of authenticity but didn’t believe that anyone in the medical profession would ever deliberately hurt or kill their patients. Now, of course, we know better.
I re-read it before writing this and can honestly say that this book stands the test of time and is still relevant today.
The blockbuster bestseller that kickstarted a new genre--the medical thriller--is now available in trade paperback for the first time. They called it "minor surgery," but Nancy Greenly, Sean Berman and a dozen others--all admitted to Boston Memorial Hospital for routine procedures--were victims of the same inexplicable, hideous tragedy on the operating table. They never woke up. Susan Wheeler is a third-year medical student working as a trainee at Boston Memorial Hospital. Two patients during her residency mysteriously go into comas immediately after their operations due to complications from anesthesia. Susan begins to investigate the causes behind both of these alarming…
I have always been fascinated by medicine and the people who are there to care for us when needed. I have worked as a nurse and midwife, and the thought that someone, anyone, could actively harm those in their care is horrific. But it happens. At first, I read medical thrillers as I would have read any murder mystery, but now, post-Shipman et al., I also want to know why they kill. I think that these books give us some ideas about this, but we can still never really know what goes on in the mind of a murderous doctor or nurse, and that’s what makes these books so thrilling.
This is the newest book I have chosen and is a slick psychological thriller where the doctor concerned is being forced to do something terrible. That’s not a spoiler; we know that from the very beginning.
The author manages to convey the very real horror of having to kill in order to save the life of a loved one, which is a more comforting thought than that the person we are trusting with our life might choose to take it on a whim.
The pace of this story is relentless, and the pressure that builds as the time for the terrible deed comes near is very deftly handled. It was a real page-turner that I read in one sitting.
I have always been fascinated by medicine and the people who are there to care for us when needed. I have worked as a nurse and midwife, and the thought that someone, anyone, could actively harm those in their care is horrific. But it happens. At first, I read medical thrillers as I would have read any murder mystery, but now, post-Shipman et al., I also want to know why they kill. I think that these books give us some ideas about this, but we can still never really know what goes on in the mind of a murderous doctor or nurse, and that’s what makes these books so thrilling.
I liked this book firstly because of the level of authenticity, something that is very important as a nurse myself. The reader needs to be able to suspend disbelief and if there is a detail that is wrong, it becomes impossible to fully believe in the story. Getting this right requires a lot of research, particularly if the writer does not come from a medical background.
As with Jack Jordan’s book, I liked that the reader could feel sympathy for the surgeon, and could understand why she behaved as she did.
The story in this book also has some unexpected twists, and I enjoyed the tantalizing slow reveal of the back story so that the reader eventually comes to understand what has happened and why.
Before my world came crashing down, I had it all. The successful career I dreamed of. The beautiful red-brick home where I could relax in front of the fire. The handsome, devoted husband whose blue eyes and charming smile always made me feel safe.
As I call time of death, my voice is steady. My colleagues stand hushed around me, their eyes on me, confused, concerned.
I have never lost a patient until today.
My hands tremble inside their gloves. I slide down the cold tiled walls, my heart racing in my chest.
I have always been fascinated by medicine and the people who are there to care for us when needed. I have worked as a nurse and midwife, and the thought that someone, anyone, could actively harm those in their care is horrific. But it happens. At first, I read medical thrillers as I would have read any murder mystery, but now, post-Shipman et al., I also want to know why they kill. I think that these books give us some ideas about this, but we can still never really know what goes on in the mind of a murderous doctor or nurse, and that’s what makes these books so thrilling.
This book is different because the protagonist actually starts her murderous spree before she is a nurse and throughout the story, there are always good reasons for the crimes she commits, which helps you develop an understanding and even relate to her problems, if not her methods of dealing with them. Becoming a nurse just enables her sociopathic and psychopathic tendencies, which is very worrying.
The author is not from a medical background, but the nursing side is well-researched, even if I have a few questions about the authenticity of the medical aspects (like the actions of the drugs used.)
There are lots of twists and turns in this cat-and-mouse story as Lissa learns more about herself and the people she works alongside, which makes it a real page-turner.
The NUMBER ONE bestselling psychological thriller from Valerie Keogh!
'Keogh is the queen of compelling narratives and twisty plots' Jenny O'Brien
'A wonderful book, I can't rate this one highly enough. If only there were ten stars, it's that good. Valerie Keogh is a master story-teller, and this is a masterful performance.' Bestselling author Anita Waller
Do No Harm...
Bullied, overlooked and under-appreciated, Lissa McColl learns at an early age to do very bad things.
As a nurse, she is respected and valued for the first time in her life. But Lissa hates her job and the selfish, rude and…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.
This is a book about time and the garden: all gardens, but also a particular one: that of the Dower House at Morville, where the author arrived in 1988 to make a new garden of her own. Katherine Swift takes the reader on a journey through time, back to the forces which shaped the garden, linking the history of those who lived in the same Shropshire house and tended the same red soil with the stories of those who live and work there today. It is an account which spans thousands of years. But is also the story of one…
I’ve been fascinated by history since I was a fairly sickly child, which means I was gradually drawn towards the history of medicine. Add to that having a hereditary blood clotting condition and you can see why this topic appeals to me! I have a BA and a PhD in History from University College London and have held posts in the universities of Cambridge, Newcastle, Reading, and then at The Open University. I’ve also held visiting professorships in Vienna, Texas, and Minnesota and have published six books as well as editing others. I’m sort of retired but still writing and lecturing.
Go on. Give yourself a treat! Read the book which started it all! There’s nothing quite like reading the original source. Harvey wrote in Latin but this is a good translation with an excellent introduction by Andrew Wear, an expert on the period. And as a bonus, the Everyman edition includes The Anatomy of Thomas Parr – an account of the dissection of a Shropshire farmer said to be 152 years old, performed by Harvey himself. What killed Parr? Coming to London, a city “full of the filth of men”. Be warned!
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Women’s fiction was my go-to genre after discovering Danielle Steele many years ago. I progressed from epic emotional family dramas to chick lit/romcoms, wanting to read books that made me laugh and gave that feel-good feeling. I love a happy ever after, and don’t mind knowing that the main characters will end up together because for me it’s all about the journey. I’ve been so lucky since being an author, to have received lots of emails and social media messages, telling me how much my books have either helped someone, inspired someone, made them laugh, given them hope, and generally left them with a warm feeling in their heart.
Melody Bittersweet is a ghostbusting medium and she is the funniest, most brilliant character I have ever read.
I totally adore her and want her to be my best mate. The author made me laugh so many times when reading this book, and then at times, quickly flipped my laughter to tears when talking about the sensitivity of losing loved ones.
Also, the relationship between the main character and her love interest was hot, hot, hot! This book is everything a book should be, absolutely hilarious, totally entertaining, and spookily sexy and once you start it you won’t be able to put it down!
I read the whole book with a big fat grin on my face. Just brilliant!
Welcome to Chapelwick, a leafy English town in the hills of Shropshire, where chocolate fudge cake comes served with a side of murder.
Scarborough House is haunted, and it’s not doing much for Donovan Scarborough’s investment portfolio. No one wants to buy a place with levitating crockery, or (the wrong kind of) rhythmic pounding throughout the night.
Luckily, Melody “I-See-Dead-People” Bittersweet has just launched her own ghostbusting agency with best friend Marina, geeky, keen Arthur, and a one-eared pug called Lestat. They’re quick to take the case, even if it has already sort of (definitely) been given to Leo Dark,…
I am passionate about solving problemsof any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He musthave had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!
Helen Moorwood digs deep into the connections between “William Shakespeare” and the Stanley family whose massive marble tombs in Tong church are a sight to behold and weave a tale worthy of any detective novel.
She digs deep into the genealogy of the Stanleys and explores each and every rabbit hole to get to the truth!
As a practicing pagan, and nature writer, I write books about how to reconnect to nature, how to rediscover and connect to your inner self, and your sense of spirituality. I grew up in the wilds of a large national park (Dartmoor) and have found that this colours and shapes everything I do. I spent thirty years living and working in London, and missed Dartmoor every day I was away. Whilst living in the city I had to learn ways to connect to nature, which is how I discovered my spiritual path. I was lucky enough to stage an escape and return home at forty-seven, and have been writing about it ever since.
I first fell in love with this book as a teenager. I first discovered it when the BBC did a fabulous adaptation of the novel and I was compelled to go and read the novel.
The book follows the story of Prudence Sarn, a woman living with a facial disfigurement at the time of the Corn Laws and the Napoleonic Wars. Her brother decides to make his fortune growing corn on the family farm, and promises Pru a cure for her facial scars if she helps him, however, his obsession with money soon turns them towards disaster, and the local community turn on Pru, accusing her of being a witch.
Returning to academic study in my forties, I wrote my PhD novel and thesis on the life of Mary Webb, a nature mystic, and it just served to make me love the novel even more. Webb’s descriptions of rural Shropshire…
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
Anyone who has spent any time in the world of journalism can recognise the flawed but ultimately lovable character of Thorn Marsh, Marika Cobold’s main character, who like far too many reporters, myself included, is far too often concentrated on her work rather than on living in the real world of human relationships.
Journalistic ethics should define us and our work, but Thorn falls from grace (or rather crosses a line). When her paper is taken over, she is placed on a mid-week supplement and is pushed for heart-warming clickbait. She actually makes up a story about an angel appearing on the Heath, crossing many a journalistic line in doing so.
Cue a tale about love, honour, loyalty, and how to pick yourself up when you’ve done wrong – and had wrong done to you. I loved Thorn. Hopefully she will reappear in another novel by Marika Cobbold one day…
"A mystery and an elegy for the death of old-fashioned journalism, it's a book that will warm your heart" The Observer
"Splendid . . . Funny, poignant, perceptive and plenty of sharp elbows along the way" Val McDermid
Thorn Marsh was raised in a house of whispers, of meaningful glances and half- finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband.
When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their…
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