100 books like The Care and Feeding of Waspish Widows

Maya Rodale always writes strong, clever heroines, and this book features one of her very best. Beatrice Goodwin has been tossed around by life, but she’s come home to her first love: Goodwin’s, her family’s once-fashionable department store in Gilded Age New York City. The one person standing in the way of her plans to make it the finest store in New York… her other first love, Wes Dalton, whose heart she broke years ago. He wants revenge. She wants her store. They’re both smart, funny, and oh so good at their shared profession, you know they’ll be unstoppable together.

Nobody tops Loretta Chase when it comes to writing a woman on a mission. Leonie Noirot comes from a long line of swindlers and con artists, but her business sense at fashion is no fake. When she runs up against a man who thinks he can both outsmart her and humble her, just because he’s a wealthy marquess, well… he’s in for a revelation. Leonie’s determined to win their bet and make her own fortune, and then fall in love. Simply marvelous.

This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.

This is about a mathematics prodigy in a steampunk version of 19th century China, who wants to study at the Imperial Academy in Peking….except that she’s a young woman and not allowed to enroll in the all-male academy. Needless to say, this does not stop Anlei, who disguises herself as a man, scores top marks on the exam, and falls in love with one of her fellow students at the same time. Brilliantly lush writing, inventive world-building, and a mathematical romance to make my nerdy heart sing.

This graphic novel which was first serialized on the platform Webtoons, takes place in the near future. People are able to alter their physical appearance using new technology. Most people do use it, except for some who have “Egan’s Syndrome” which means they are too sensitive to modify their bodies in this way.

Sunati finds herself attracted to Austen, a young woman who lives her life “unmodded”. It’s actually a very sensitive love story told with some really stunning artwork.

The way Rey handles butch-femme relationships never fail to impress me, and I think so much of it comes down to how expertly she manages to make her butch characters so non-toxic in their masculinity. They support without taking over, lead without diminishing, and her characters are so often imperfectly doing their best that you root for them even when you know they’re about to do something they’ll regret. Twice Shy puts two women together who’ve both divorced their exes, and listening to Kiera Grace perform Quinn and Amanda tentatively finding their way to each other was as sweet as Amanda’s bakery’s cupcakes. Oh, I should warn you, though: any Rey book will make you hungry. Bring snacks.

This historical novel also explores the lives of lesbians in the 1950s, but in a very different way: it is told in dual narratives, from the point of view of two teen girls growing up and coming out six decades apart. In 1955, eighteen-year-old Janet finds a series of books about women who love other women: lesbian pulp novels. Sixty-two years later, Abby is studying classic 1950s lesbian pulp fiction. It’s a cleverly constructed story and I love how the two stories are woven together.

From a queer history perspective, the book is well-researched and illuminates the danger and fear faced by so many queer people during the Lavender Scare, and the important role played by lesbian pulp novels in a time when young queer girls rarely saw others like themselves. 

Another story that explores the connection between grief and memory is this YA gothic mystery.

The story is set at a remote private school, following Felicity, who has returned to Dalloway School after taking time off following the mysterious death of her girlfriend. The story takes readers through Felicity’s grief of losing her partner, interwoven with the mystery of how she died.

Readers see this grief and memory through Felicity’s eyes, but as the mystery grows, readers will be left to question how much of the grieving memories we see are authentic. The school itself is rich with a dark history of death and witchcraft, and each character responds to this history differently – sometimes curiously, sometimes concerningly reveling in centuries-old grief.

Five women find salvation in each other in a beachside hamlet on Uruguay’s eastern coast. With no running water or electricity, the isolated Cabo Polonio becomes their sanctuary, a place where these cantoras (women who "sing”) can exercise their voice – something denied them as queer women under the Uruguayan dictatorship of 1970s and 80s.

The book follows the friends over the span of 35 years as they continue to return to this family home of theirs, sometimes together, sometimes with new lovers. Beautifully written, the book is brimming with heart and is a testament to the power of activism and solidarity. 

The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.

I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.