96 books like The Blue Bistro

Although not coastal, this book’s Palm Springs setting is full of swimming pools and a feeling of escape to somewhere new. I laughed, I cried, and I adored the dynamic between Patrick and his adorable niece and nephew.

Secondary characters, such as the three neighbors and other family members, added depth and emotion to the story. I seriously read this book in 24 hours!

Malibu Rising was the first book I read by Taylor Jenkins Reid. As soon as I finished, I read three more of her novels. All of them made me feel great. Hers are stories you can lose yourself in and come out feeling refreshed and optimistic.

Malibu Rising centers around the adult Riva siblings, children whose parents stopped parenting long before the kids were equipped to care for themselves. Particularly impacted is Nina, the oldest, who has spent her life making choices that prioritize the well-being of everyone except herself. 

This is a book about dealing with old wounds, the kind that hide under the surface of successful lives. It’s a story that takes us on multiple journeys of self-discovery and healing. For me, a book doesn’t get more “feel good” than that.

Something Blue has some of the best possible ingredients for a great women’s fiction novel—forgiveness, personal transformation, friendship that blossoms into more, and the icing on the cake is that it’s set in London! The book focuses primarily on Darcy, who finds herself alone and friendless for the first time in her life. She’s not particularly likable at the beginning of the novel. Still, Giffin does an excellent job of making the reader connect with Darcy, invest in her transformation, and root for a happy ending. Although I don’t have much in common with Darcy, her experiences with pregnancy and childbirth in London caused me to reminisce about my own time living in London and the birth of my first child there. Due to the beautiful descriptions of the setting and the subject matter, it was like a walk down memory lane when I read Something Blue. 

The two main characters in Who Do You Love stayed with me long after I read this book, and I’ve found them popping into my thoughts again and again over the years – a sure sign of well-written characters. It’s the story of two people who come in and out of each other’s lives and how their love changes and evolves over time. Full of joy, heartbreak, hope, and loss, this love story will draw you in and stick with you.

Mildred starts out trying to fulfill all the traditional roles society expects of women as a wife and mother.  But she discovers, through travails, that she is too smart, too talented, and too natively ambitious to settle for those limitations. As Mildred gains success in the “man’s world,” she becomes the provider for everyone around her. She learns the bitterest lessons imaginable as her men and her daughter, first use her, then betray her. Against her will, Mildred Pierce becomes a fearless female in a cold cruel world. She triumphs in the end as a woman of courage, relying not on the unreliable love of others, but on her own independent spirit.

This book is powerful to me because of the intense mother/daughter conflict she relates. My mother was lovely, well-read, and held an important position at our state university. However, she was also extremely critical of her children. Because I never rebelled against my mother, I was entranced with Joanne Harris’ young character, Framboise, who plans and carries out a rebellion against her mother that is worthy of the French resistance. Many years later, when Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation.

The past and present are inextricably entwined in a scrapbook of recipes and memories that Framboise inherited from her now-deceased mother. The journal contains the key to the tragedy that indelibly marked that summer of her ninth year. The mother… show more.

Until I watched the PBS/Masterpiece series Victoria, I hadn’t heard of the Chartists, a working-class group in Britain who were determined to improve their political influence. So when I stumbled across Longing—a book set against the backdrop of the Chartist Movement in Wales, the country of my ancestors—I picked it up with greedy hands. An English lord travels to Wales to oversee his recent inheritance of land and mines. But Alexander is bewildered by the seething hostility from the local villagers and the ominous silence about their reasons. When he uncovers the poor working conditions in his mines, he patiently seeks to prove that he, too, feels a Longing for the beauty and charm of his adopted country—and will do whatever it takes to make things right.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.

Higgs whisks us away to 18th century Scotland in this sweeping, epic historical romance trilogy. The Scottish landscape is practically its own character as we follow the saga of Jaime, Leanna, and Rose in their quest for happiness, justice, and love. You’ll feel the misty air on your cheeks and want to wrap up against the brisk Scottish chill as you read. You’ll dine on delectable cuisine, and be left wanting more of this enchanting country and her people.

It follows German immigrant Fidelis Waldvogel and his family, and other characters in a small rural town in North Dakota in the years of and in between the First and Second World Wars.

The way the earthy and believable characters confront complex human issues intertwined with family, betrayal, death, are deftly told by a master storyteller. This one sits on my bookshelf for re-reads. I am in awe of Erdrich’s storytelling ability; you know these characters, you can smell the inside of the butcher shop, you feel a boy’s exhilaration as he watches a plane fly overhead.