Here are 100 books that The Black Towns fans have personally recommended if you like
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For most of my life, I have dedicated myself to confronting, combatting, or deconstructing white supremacy. It impacts everyone. Much of my work is about highlighting the ways Black people have refused and resisted racial discrimination, violence, and harm. We can never have too many tools, and equally important for me was being able to have tools that achieved their purpose. I wrote We Refuse: A Forceful History of Black Resistance to remind readers that there has never been a time in the history of this country when Black people have not fought back against their oppression.
Anytime I am ever asked about a book on my top list, Du Bois’s book is a staple. Is it over 700 pages? Yes. Was it written over 100 years ago? Almost! Still, Du Bois’ arguments are evergreen.
Written with accessible and some might argue biting language, Du Bois gets to the heart of what the Civil War was really fought over, not slavery, but labor. Before one can get free, you have to know why you were enslaved.
W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.
Black Reconstruction in America tells and interprets the story of…
I’m a multi-award-winning novelist and Kansas historian. Through reading letters written by African Americans in Kansas, I realized that black people were a major political force. In fact, with the settlement of Nicodemus, for the first time in American history, enough black people had gathered in one place to dominate political decisions and prevail over the white community. No one had told the story of the three black powerhouses who shaped politics on a county, state, and national level. I was thrilled when University of Oklahoma Press published my academic book. It won second place in the Westerner’s International Best Book contest.
I’m a native Kansan. I have a special appreciation for books about my beloved state. So, finding this superb work about African Americans moved me to tears. Painter writes about the great migration from the South after the Civil War. Kansas was literally regarded as “The Promised Land” due to the Homestead Act and the promise of free land. Painter is unflinching in her telling of the violence that occurred to prevent black people from leaving. The Exodus to Kansas was feverish and dangerous. She tells of heroics required to leave the South, due to black people's “fear of future evil, and their dread of renewed slavery.”
I’m a multi-award-winning novelist and Kansas historian. Through reading letters written by African Americans in Kansas, I realized that black people were a major political force. In fact, with the settlement of Nicodemus, for the first time in American history, enough black people had gathered in one place to dominate political decisions and prevail over the white community. No one had told the story of the three black powerhouses who shaped politics on a county, state, and national level. I was thrilled when University of Oklahoma Press published my academic book. It won second place in the Westerner’s International Best Book contest.
Talk about primary sources! Do any exist that Athearn didn’t manage to locate? Not only is his writing highly readable, he includes details that can only be acquired through rigorous scholarship. In Search of Canann, explores the reasons for black people’s mass migration from Kansas. The South was suddenly deprived of workers. Due to the highly political atmosphere, the Senate organized a committee to investigate the “pell-mell land rush to Kansas, an unreasoned almost mindless exodus toward some vague ideal, some western paradise, where all cares would vanish.”
Word spread across the southern farm country, and into the minds of those who labored over cotton or sugar crops, that the day of reckoning was near at hand, that the Lord had answered black prayers with the offer of deliverance in a western Eden. In this vast state where Brown had caused blood to flow in his righteous wrath, there was said to be land for all, and land especially for poor blacks who for so long had cherished the thought of a tiny patch of America that they could call their own. The soil was said to be…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
Years ago, I contributed a chapter to a book edited by Sara R. Massey. When Sara called to check on the progress of my chapter/contribution she excitedly told me about her just finishing reading Quintard Taylor’s book. She loved the book so much that she recommended I buy a copy. I promised to order the book. I kept my promise and almost missed getting my chapter to Sarabecause I appreciated Quintard Taylor’s book so much. Almost as if he was in my ear, his was a book full of did you know moments.
I understood fully when reading why Sara called. Taylor reminded me that this history is not necessarily parochial– existing only in one location; rather, behavior, social mores and moving from one place to another, telling a familiar tale. A tale, not in the sense of making up history, but showing how the racial construct established…
A landmark history of African Americans in the West, In Search of the Racial Frontier rescues the collective American consciousness from thinking solely of European pioneers when considering the exploration, settling, and conquest of the territory west of the Mississippi. From its surprising discussions of groups of African American wholly absorbed into Native American culture to illustrating how the largely forgotten role of blacks in the West helped contribute to everything from the Brown vs. Board of Education desegregation ruling to the rise of the Black Panther Party, Quintard Taylor fills a major void in American history and reminds us…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
Historians have charted the long, slow process of emancipation in Northern states. But no one has looked before at how children fared during this process. Webster’s ground-breaking work shows that it was virtually impossible for Black children in ostensibly free states to escape politics: as individuals living in a racist society, and as symbols of African Americans’ future, whatever they did or said was invariably surveilled, dissected, and judged. Racist thinking and racialised structures also severely curtailed freedom for the young.
Many Black Northern children were indentured or bound out, often in exploitative labor arrangements that restricted future possibilities. Others were confined to institutions like reformatories or orphanages, usually segregated based on pseudoscientific understandings of race that marked Black children as deviant, violent, or inferior. Circumventing the way Black suffering has been obscured in historical records, Webster manages to piece together archival fragments that show widespread victimization of Black children…
For all that is known about the depth and breadth of African American history, we still understand surprisingly little about the lives of African American children, particularly those affected by northern emancipation. But hidden in institutional records, school primers and penmanship books, biographical sketches, and unpublished documents is a rich archive that reveals the social and affective worlds of northern Black children. Drawing evidence from the urban centers of Boston, New York, and Philadelphia, Crystal Webster's innovative research yields a powerful new history of African American childhood before the Civil War. Webster argues that young African Americans were frequently left…
Paul D. Escott is the author of thirteen books focused on the Confederacy or the Union, is co-author of other volumes, and has written many articles and book chapters. He won research fellowships from the Rockefeller Foundation and the Whitney M. Young Jr. Foundation and is the Reynolds Professor of History Emeritus from Wake Forest University.
The decision to recruit Black soldiers made an enormous difference in the war and in politics. Black recruits to the U.S. Army equaled all the northern men lost in the first two years of fighting and proved themselves on many battlefields. Their sacrifice also made an irrefutable case for Black rights. Joseph Glatthaar’s book admirably tells the story of these soldiers and their white officers.
Sixteen months after the start of the American Civil War, the Federal government, having vastly underestimated the length and manpower demands of the war, began to recruit black soldiers. This revolutionary policy gave 180,000 free blacks and former slaves the opportunity to prove themselves on the battlefield as part of the United States Colored Troops. By the end of the war, 37,000 in their ranks had given their lives for the cause of freedom.
In Forged in Battle, originally published in 1990, award-winning historian Joseph T. Glatthaar re-creates the events that gave these troops and their 7,000 white officers justifiable…
I am a historian who has always been fascinated by the problem of slavery in American history. Although a “Yankee” by birth and upbringing, I have also always been drawn to the history of the American South—probably because it runs so counter to the dominant narrative of U.S. history. My childhood interest in history—especially in wars, and the Civil War in particular—was transformed in college into a serious engagement with the causes and consequences of the Civil War. I pursued this interest in undertaking graduate study, and I have devoted my entire scholarly career to the examination of slavery and emancipation—and their consequences for today.
Chandra Manning explores an essential but oddly overlooked aspect of wartime emancipation—the experiences of freed people in the “contraband” camps and other places of refuge that the federal military established in occupied Confederate territory. While this might seem like a narrow topic, Manning’s book addresses any number of larger issues surrounding the war and emancipation, and it brims with original insights. She provides an overview of life in these places of “troubled refuge,” but she also delves deeply into particular camps, showing the experiences of individual people. Manning also argues—persuasively, I think—that the camps served as training grounds in which the freed people came to stake a claim not only to freedom but also to equal citizenship guaranteed by the national government.
From the author of What This Cruel War Was Over, a vivid portrait of the Union army’s escaped-slave refugee camps and how they shaped the course of emancipation and citizenship in the United States.
Even before shots were fired at Fort Sumter, slaves recognized that their bondage was at the root of the war they knew was coming, and they began running to the Union army. By the war’s end, nearly half a million had taken refuge behind Union lines in improvised “contraband camps.” These were crowded and dangerous places, with conditions approaching those of a humanitarian crisis. Yet families…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
I am a writer who loves to read. In fact when aspiring writers ask me for advice about getting started, I tell them to read widely, and more importantly, to fall in love with reading. So much about craft can be learned from deconstructing good books to see how they work. Each of the five books I’ve selected have influenced the way I tell my stories. They have taught me to examine past works for inspiration and compelling beginnings.
Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.
I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.
Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”?
Jubilee tells the true story of Vyry, the child of a white plantation owner and his black mistress. Vyry bears witness to the South's antebellum opulence and to its brutality, its wartime ruin, and the promises of Reconstruction. Weaving her own family's oral history with thirty years of research, Margaret Walker's novel brings the everyday experiences of slaves to light. Jubilee churns with the hunger, the hymns, the struggles, and the very breath of American history.
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
The Civil War in this short novel by Bisson, who sadly died in early 2024, is part of the book's backstory. It is set in a 1950s America in which our 1860s Civil War never happened.
In Bisson’s mirror America, Harriet Tubman joined John Brown in his raid on Harper’s Ferry, resulting in a victory for the abolitionists that led to a massive slave uprising in the South, aided by radical Europeans and Mexicans seeking to reclaim territory and ultimately the formation of a new socialist utopia from the former states of the Deep South.
With this bold and radical counterfactual as the backdrop, Bisson uses a chorus of compelling narrations to imagine the more just America that could be—and the struggles it would take to realize it.
Presenting an alternative version of African American history, this novel explores what might have happened if John Brown’s 1859 raid on Harper’s Ferry had been successful. Chronicling life in a thriving black nation founded by Brown in the former southeastern United States, this dramatic story opens 100 years later, just as Nova Africa is poised to celebrate its first landing of a spacecraft on Mars. The prosperous black state will soon be tested when the granddaughter of John Brown returns from Africa to reunite with her daughter and share with her a secret that will alter their lives forever.
