Here are 100 books that The Big Over Easy fans have personally recommended if you like
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
When I first encountered Harry Dresden, a professional wizard solving a double homicide in Chicago, I was instantly hooked by its noir, fantasy, and traditional mystery with dollops of humor. This novel—the first in The Dresden File series—kept me engaged the entire time with a fast-moving plot and interesting characters.
I could see in my mind’s eye Chicago’s skyscrapers and their reflection in Lake Michigan as Harry dug deeper into the crimes and the supernatural world. This was my first urban fantasy read, and Butcher’s ability to blend a private investigator story with the supernatural ensured it was not my last.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago…
As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put…
I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.
This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.
This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
Vanderough University prepares its graduates for life on Mars. Herbert Hoover Palminteri enrolls at VU with the hope of joining the Martian colony in 2044 as a member of its esteemed engineer corps. But then Herbert is tapped to join a notorious secret society: the Order of the Scepter and Gavel. As a new pledge, Herbert has to prove himself in a series of dangerous initiation rites, even if it means risking his life and the lives of his friends.
Many years later, when Herbert thinks the scandals of his youth are finally dead and buried, a murder occurs in…
I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.
I love Pratchett’s work so much in general that it’s really hard to pick just one. His work was side-splittingly funny but also the very best kind of satire. He had pointed things to say about society while also making you care deeply about his characters and making you laugh until your face hurts. Do you know how hard that is?
In this book, the protagonist is a con man forced into trying to resuscitate a dying postal service. He’s petty evil, the kind of selfish who has never thought about what happens to his victims. By the end, you can’t help but root for him to triumph over the much less petty but equally hidden evil of systems and big money. But you also can’t look away from the chaos of ravening stamp collectors, hapless wizards, and a literal avalanche of dead letters.
A beautiful new hardback edition of the classic Discworld novel.
Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork's ailing postal service back on its feet.
It was a tough decision.
But he's got to see that the mail gets though, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer.
Getting a date with Adora Bell Dearheart would be nice, too.
So much of our culture and our fiction comes from taking older stories and ideas and reworking, blending, and adapting them into new forms. This cultural mixture has gifted us with some of the greatest works of English literature, and I’ve always been surprised and delighted to discover what people can pull out of older works and make. It’s why my first novels have followed the theme, and why I will always have time to check out a new story that builds on older ideas to create something new.
Jenna Moran is an under-appreciated author who combines whimsy and darkness in equal measure, created worlds that are at once familiar and strange. This bittersweet picture book is her at her finest, accompanied by glorious artwork by Elizabeth Sherry as she tells the story of a picture-book world attacked by an invasion of terrible, otherworldly things—Ordinary Objects.
Earth is full. Now, when there's a new ordinary thing, it doesn't have anywhere to go. A plague of blankets, chairs, and other horrors unleashes itself upon the picture-book realm. Warning: content is fearsome.
"O.O
that is a very creepy children's book.
O.O" - C.E. Murphy, author of the Walker Papers series, The Negotiator Trilogy, and the Inheritor's Cycle.
So much of our culture and our fiction comes from taking older stories and ideas and reworking, blending, and adapting them into new forms. This cultural mixture has gifted us with some of the greatest works of English literature, and I’ve always been surprised and delighted to discover what people can pull out of older works and make. It’s why my first novels have followed the theme, and why I will always have time to check out a new story that builds on older ideas to create something new.
I have a weakness for authors who can seamlessly write in another author’s style, and The Adventure of the Sanguinary Count blends Conan Doyle and Stoker perfectly. Holmes and Watson are drawn into the tale of Count Dracula when they are called to investigate the mystery of a ship whose crew have vanished, adding their genius to the vampire hunters working to keep the Count from the shores of England. With Dracula Daily taking the online world by storm, this is the perfect time to look up another take on these classic tales.
The year is 1890. A ship is discovered adrift off the English coast, its crew missing, its murdered captain lashed to the wheel, and its only passenger is a sinister black dog. This impenetrable mystery is clearly a case for the inimitable Sherlock Holmes, but for the first time in his illustrious career the great detective is baffled. Clearly the crew have been murdered and dumped overboard, but what can account for the captain's expression of imponderable terror and his acute loss of blood, or the ship's strange cargo - fifty boxes of earth? The game is afoot, and Sherlock…
So much of our culture and our fiction comes from taking older stories and ideas and reworking, blending, and adapting them into new forms. This cultural mixture has gifted us with some of the greatest works of English literature, and I’ve always been surprised and delighted to discover what people can pull out of older works and make. It’s why my first novels have followed the theme, and why I will always have time to check out a new story that builds on older ideas to create something new.
China Mievelle’s first work, a retelling of the story of the Pied Piper from the point of view of those that he commands, is a dark and gruesome story that gripped me from the first page. Difficult family relations, grim mysteries, and an ancient fable brought into the modern world—this book has it all!
Something is stirring in London's dark, stamping out its territory in brickdust and blood. Something has murdered Saul Garamond's father, and left Saul to pay for the crime.
But a shadow from the urban waste breaks into Saul's prison cell and leads him to freedom. A shadow called King Rat, who reveals Saul's royal heritage, a heritage that opens a new world to Saul, the world below London's streets--a heritage that also drags Saul into King Rat's plan for revenge against his ancient enemy,. With drum 'n' bass pounding the backstreets, Saul must confront the forces that would use him,…
I had the great good fortune to be born into a wonderful Southern family whose idea of a good time was to gather on the front porch and tell jokes and stories. I was also blessed with a detailed fantasy life and a host of imaginary friends who developed into characters for my books. My favorite books to read have a good balance of humor and drama, nothing too grim, please, and if they are inventive and clever, then I’m all in. As for my own books, I strive to keep that balance of light and dark. I’m very lucky to have six fantasy novels published so far.
I gravitate toward authors who can mix drama and humor, which is something I strive for in my books, and Kage Baker is one of the best. Known for her wildly inventive and unpredictable plots and sardonic sense of humor, she creates characters the reader really cares about, something else I hope to achieve. The all-seeing, all-knowing Company is headed by the mysterious Dr. Zeus, who has created cyborgs to go back in time to save treasure for clients who will pay big bucks for a lost Van Gogh or missing Hemmingway manuscript. But the cyborgs aren’t heartless robots, and my favorite character, Literature Preserver Lewis, is in love with the Botonist Mendoza, who, of course, loves another. I was totally charmed by Lewis and his unending optimism.
You wouldn't take Lewis for an immortal cyborg: he looks like a dapper character from a Noel Coward play. And Joseph - short and stocky in his Armani suit, with a neatly trimmed black moustache and beard that give him a cheerfully villainous look - you'd never guess that his parents drew the Neolithic cave paintings in the Cevennes. What are these two operatives of the Company doing in an amusement arcade in San Francisco in 1996? They're looking for Mendoza, fellow cyborg of Dr. Zeus Incorporated, who has been banished Back Way Back. They're also trying to solve the…
GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
The Fourth Bear is possibly too light to be included in a list of dark fairytales, but the main character is a classic, almost noir type detective, so maybe it's ok. Nursery Crime Division, to be exact. I think Jasper Fforde may be to blame for my desire to write Jack and the Beanstalk as a dark gritty courtroom drama (maybe one day!), he blends genres together so seamlessly, and I long to be able to do it as well as he does. There's a terrifying serial killer on the loose, and I was as on the edge of my seat as I am with any thriller, even though I knew that killer was The Gingerbread Man. It follows the plot of a standard police procedural/thriller, while including Punch and Judy, Goldilocks, an illegal porridge ring, and a murderous biscuit....or is The Gingerbread Man a cake? I absolutely adore the…
Return to the world of the Nursery Crime Division in this novel from Jasper Fforde, the New York Times bestselling author of the Thursday Next series and The Constant Rabbit
The inimitable Jasper Fforde gives readers another delightful mash-up of detective fiction and nursery rhyme, returning to those mean streets where no character is innocent. The Gingerbreadman-sadist, psychopath, cookie-is on the loose in Reading, but that's not who Detective Jack Spratt and Sergeant Mary Mary are after. Instead, they've been demoted to searching for missing journalist "Goldy" Hatchett. The last witnesses to see her alive were the reclusive Three Bears,…
I’m a children’s book author, illustrator, translator, and book reviewer. I’m the author of Tofu Takes Time, illustrated by Julie Jarema, and Long Goes To Dragon School, illustrated by Mae Besom. I was born and raised in Hefei, China, and moved to the US in my 20s. Being fascinated by the differences and similarities between cultures, I love to share stories that empower children to understand the world and our connections. Children’s picture books have the potential to pass on the joy from generation to generation. As an art lover, I also find it very entertaining and soothing to simply enjoy the artwork of picture books.
It’s a funny egg tale. Humphrey has long known the cautionary tale of his grandfather, Humpty Dumpty. Eggs are fragile and bought specifically to be cracked... but what if they don’t want to be cracked and have their own ambitions and goals for life, like becoming a great egg-splorer? Humphrey’s daring and determination to become a great explorer allows him to come up with creative solutions to his problem. His imagination knows no bounds and creates delightful spreads sure to appeal to readers. This rollicking story expands the famous tale of a fragile egg to a new story about bravery, creativity, and forging your own path.
A rollicking story that expands the famous tale of a fragile egg to a new story about bravery, creativity, and forging your own path.
Eggs are fragile and bought specifically to be cracked. . . but what if they don't want to be cracked and have their own ambitions and goals for life like becoming a great egg-splorer? Humphrey has long known the cautionary tale of his grandfather, Humpty Dumpty. Being an egg means he can easily slip and crack at any time . . . but what does that mean for his dreams of becoming an egg-splorer and going…
