100 books like The Air War, 1939-1945

Beautifully written masterwork on one of the most important wars of the 19th century. It takes the reader from the experience of ordinary soldiers in battle to key debates around the cabinet table, in a rare display of dexterity and understanding of all levels of war. You will enter Grant’s HQ from where he ran the critical Western theater of operations and sit across from Lincoln as he makes the key decision for a hard war that let the Union maximize its resources and win. And you will walk into Lee’s HQ where the Confederacy lost the war in bursts of Southern hubris that led to two ill-conceived invasions of the North that provoked the final crushing.  

Beevor has a rare gift of presenting war at the level of both the ordinary soldier and the generals and distant leadership making decisions both good and bad. His sources range from letters home, to diaries, to dispatches on both the Soviet and German side. He writes without flinching about the horrors of war, or too overtly playing the cheerleader as so many military histories do, to their detriment. 

Bloodlands is a story about the dead. Using archives made available after the break-up of the Soviet Union, Mr. Snyder sheds light on both Stalin’s and Hitler’s brutality.

In a confined area that includes just eastern Poland, Ukraine, Belarus, and the Baltic countries, 14 million civilians died from the 1930s to the end of the war. Most were either starved or shot. Even more startling were the plans to kill millions more.

Stalin said, “a single death is a tragedy, a million deaths are a statistic.” Mr. Snyder reminds us of the tragedy.

Connects military gamblers from Frederick II to Hitler, demonstrating that “rolling the iron dice of destiny” (Bismarck) by starting wars they hoped would be short but even though they knew they could not win if they went long instead, was always the German national tradition. I learned a great deal from this key book about the irrationalities of decisions made to go to war, contrary to the assumption in most analysis that decision-makers weigh the odds with care. And how many wars are started with a roll of the dice and without a real plan to win them? Or at least, no Plan B once Plan A goes awry, as it always does. 

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

I recommend this book because it gives a broader picture of the women who changed the way women participate in society forever. It wasn’t just building bombs, liberty ships, and planes that women had a part in. It was everything! When I’ve talked to women who lived during that time, and when I read this book, I realized how many ways women changed during that period of history.

The author recreated as a novel the adventures of a handful of Navy officers whose tiny Patrol Torpedo Boats more than held their own against the full might of the Japanese Navy during the fall of the Philippines. Told in the first person by three of the principal characters, we meet Douglas MacArthur, seasick and soaking wet, as he flees Manila in an overloaded PT Boat, and eventually reaches a smaller island from which he is flown to safety in Australia. And we see and are in awe, of these young naval officers. In 1951, when I was ten and perched on my father's shoulders, I saw MacArthur from just a few feet away as he passed during a Chicago parade. I became fascinated with the man and his legend, and here he is presented as a very human creature.

Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

I’d recommend this book to fans of The Notebook and serious history buffs alike.

Molly and Max are childhood friends who grew up across the street from one other in Toronto. They know and trust each other implicitly, so when an attraction develops between them as young adults, Molly and Max quickly tumble into love. What’s the issue? She’s Protestant, he’s Jewish, and Depression-era Canada is boiling with antisemitism.

Structurally, Letters Across the Sea is a classic World War II novel; Graham makes it stand out with loads of fascinating Canadian history and an unflinching look at the brutal conditions of the Pacific Front.