Fans pick 100 books like That Unearthly Valley

Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.

In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.

John McGahern’s Memoir is a chronological narrative of his experiences in County Leitrim Ireland from the age of three. His continuous prose of detailed descriptions of places, people, and incidents combined with the child’s voice create a brutal home and school environment from which his only escape is the beauty of the local landscape. His contrasting depiction of his brutal father and loving mother resurrects my parents’ behaviour. He uses the most effective order of words to create a gripping narrative to represent Irish family silence. John’s precise style creates an addictive tension hooking me to every word where I am left to ponder on what is not said. John’s narration of his experiences encouraged me to partially adopt his approach in my own memoir.

Hugo Hamilton’s 2003 autobiography The Speckled People recounts his Dublin childhood experiences of being brought up by a brutal, Gaelic-speaking and nationalist father who forbade him from speaking English and a German mother who escaped from Nazi Germany. 

Hugo’s linguistic difficulties and cultural disparities restricted his personal development where confusion and frustration led to isolation. I am fascinated by his search for self-identity through his love of English resulting in a thought-provoking narrative that reflects the powerful role of language in the representation of the self and identity formation. I can vouch for this in my own memoir where the increasing complexity of language of the ageing child highlights the stages of my linguistic and cognitive development.

This is one of the best books ever written about anything! It’s a classic that remains underappreciated even after its big role in Outliers by Malcolm Gladwell. First, it’s entertaining. The author’s team got to know dozens of white-collar and working-class families up close. They lived in these families’ homes. They slept over, watched TV, and brushed their teeth with them; accompanied them to supermarkets, doctor’s appointments, and parent-teacher conferences. It’s crazy! After reading this book it seems impossible to believe that advantageous parenting (1) doesn’t matter all that much or (2) is something “anyone can do if they put their mind to it.” In an appendix Lareau describes what a monumental, stressful, and awkward undertaking it was to observe people like specimens in every aspect of their private lives.

As an anthropologist, I am always trying to enlighten Westerners that not everyone looks or acts as they do. So, I love this book with the usually great quality photos and accurate explanations by DK. Its point is not that you might have new kids in your classroom who don’t yet speak English and maybe eat food that you don’t recognize.

The point is that there are vast differences in the ways kids grow up around the world because there are so many different cultures and customs besides Western culture. In fact, Western culture only accounts for 1.2 billion people on the planet, while the remaining 6.8 live and act differently than we do. They dress, think, worship, play, and eat differently as well. And yet (also the point), we are all one species with so very much in common. 

Read this, look and look at the photos by yourself,… show more.

Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.

In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.

If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.

Telling the story of the girl who became an international icon when the Associated Press published a photograph of her running from napalm bombing in her village in 1972, Denise Chong’s The Girl in the Picture offers insight into the day-to-day lives of South Vietnamese villagers who simply wanted to survive. Caught between the U.S.-supported South Vietnamese military and the National Liberation Front, villagers often had family members fighting on both sides of the war, not because of divergent ideological beliefs, but because repressive recruitment efforts left young men no choice but to enlist. Through the eyes of Kim Phuc, Denise Chong’s book humanizes life on the ground in a war zone and describes what happened when U.S. troops left the country.

No one wants to know a troubled, addicted family member isn't going to beat their demons. But knowing the ending at the beginning makes reading this difficult story possible. Bailey tells a relatable story that breaks down his brother's struggles and their effect upon the family in a way that those of us who share similar stories can relate to. The reader can see how and where things went wrong with Blake's brother Scott, while recognizing that there wasn't anything anyone could have done to prevent the ending.

I love this novel for its ability to describe a very small world as if it were the most important place in the universe. It captures perfectly the way in which people, visited by enormous tragedy, are able to reconstruct lives that are full of richness and humor.