Here are 64 books that Terminal World fans have personally recommended if you like
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I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For me, the worst thing about New York is getting stuck in traffic.
In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.
In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.
As the sea level rose, every street became a canal, every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city.
New York Times bestselling author Kim Stanley Robinson delivers a bold and brilliant vision of New York in the next century.
'New York may be underwater but it's better than ever' - New Yorker
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
One thing I love about a book is if it goes beyond established tropes—and that’s what China Miéville is all about. From the aging, overweight biochemist protagonist to his insectoid girlfriend to a world full of politics, steampunk, and Lovecraftian influences, this had me from the first page and stayed with me years after I finished it.
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
I get bored when aliens always seem to land on the National Mall in Washington or hover over Los Angeles, so I was delighted to discover that at least one alien ship prefers to land in the lagoon off Lagos, Nigeria.
It’s a city as big or bigger than New York, after all. There is the challenge of dealing with very enigmatic visitors, but the time is the present and readers get a whirlwind tour of one of the world’s megacities. It’s like having the most highspeed guide you can imagine… who happens to be one of the most compelling SF writers today.
Three strangers, each isolated by his or her own problems: Adaora, the marine biologist. Anthony, the rapper famous throughout Africa. Agu, the troubled soldier. Wandering Bar Beach in Lagos, Nigeria's legendary mega-city, they're more alone than they've ever been before.
But when something like a meteorite plunges into the ocean and a tidal wave overcomes them, these three people will find themselves bound together in ways they could never imagine. Together with Ayodele, a visitor from beyond the stars, they must race through Lagos and against time itself in order to save the city, the world... and themselves.
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.
Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.
Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.
Jax and Danny-Boy, scrambling to get by in a near-future San Francisco ravaged by plague, become fellow artists in their united struggle to stop a tyrannical general from taking over
As a boy I was fascinated by stories about going to other planets, which has persisted even though I became a research chemist who wished to understand. I am curious where society will go, and some of my SF books strongly suggest what not to do if we go there. With my writing, I want to entertain, but leave the reader with something to think about. I hope this list will show the writing I enjoy, and maybe you will too.
The fifth book on my list was a difficult choice; so many to exclude. I chose this because it is about the colonization of an alien world, in this case one tidally locked to a red dwarf. The description of the planet is good, although it begs the question of why the atmosphere did not freeze out on the dark side. I was struck by the highlighting of some of the sociological problems of colonizing such a strange world. It touches on the scientific aspects, the sociological aspects of being that far from home, and the economic issues. There is also a good story; I found it both entertaining and imaginative.
How would you survive on a planet that doesn't spin?
An awe-inspiring Planetary Romance from Terry Pratchett's co-author on the Long Earth Books
The very far future: The Galaxy is a drifting wreck of black holes, neutron stars, chill white dwarfs. The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous Galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light ...
I have always been a very imaginative individual and even now I think of my imagination as a place I can escape to. I build worlds and dimensions in my head and visit them often especially when I'm writing my own books, poems, or drafting characters. I'm a very visual individual and pay attention to detail so these imagined worlds can become quite complex and intricate. That's why I have always loved adventure, it's such a privilege to be given access to other worlds and minds through the medium of books. You get a chance to wander around someone else's imagination – what a way to escape, what an adventure in and of itself!
I loved this book for many reasons growing up but I think first and foremost because it was one of the first books I had ever seen with an illustration of a black child on the front cover aimed at children around my age. It was also turned into a TV series and I remember realising at this point in my early teens that there are so many ways that a book can be interpreted. Not just in the minds of their readers but through different creative mediums and this really excited my imagination as I have been acting since I was small and very involved in many different forms of music. This made Whizziwig, a story about possibility at every turn as the subject matter is also about chancing upon an alien life form in your backyard with whom the protagonist becomes friends. Plus, it was the first…
Whizziwig is an alien - a very special alien who makes wishes come true, but only wishes made for someone else! Every wish granted gets his space ship one step nearer to becoming repaired. But every wish granted also causes chaos for Ben and his family.
I love people who are totally lost because they are on the brink of their greatest discovery–their true nature. Even as a little boy I remember seeing that everyone has a purpose in life, but that is hidden to them. I have always felt that every step of the way, life seems to be a little off-track. But through authentic stories, I came to an understanding that right now, everyone is doing great things with their lives, even if they can’t see it.
This is the real-life account of a professor who gets caught up in “The Phenomena,” a term used to describe the appearance and interaction with extraterrestrial activity and encounters.
Diana Pasulka is a professor of religious studies who is researching the similarities between encounters with angels and demons, which are very similar in description to encounters with aliens and UFOs. Professor Pasulka is blindfolded and driven by a NASA scientist to a desert in New Mexico, where she is shown a secret “UFO crash site.” She doesn’t believe any of it. She says the ground is covered for miles by deteriorating aluminum cans that the government placed there over fifty years ago to obscure the UFO crash site and hide it. Later, her friend, Dr. Gary Nolan, a Stanford University scientist, verifies the objects from the crash site are not from this “universe.”
More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. American Cosmic examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system that is changing and even supplanting traditional religions.
Over the course of a six-year ethnographic study, D.W. Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens…
Looking back, I was surprised at the things I'd done and the distance I'd traveled from my lower-middle-class upbringing in an industrial town. Destined for a life on the hot beds at the steel mill, I worked my way through college, found a job as a cub copywriter, learned documentary filmmaking, won an EMMY Award, moved to Hollywood, and started my 'sho biz' career.
What I love most about this story is the fresh new take on ‘the aliens among us.’ The author picks a ‘backwoods country boy’ to confront and eventually be chased by powerful creatures from outer space. Lucky for the country boy, he is given some superpowers to help him survive.
I liked how the story moved along with snappy enthusiasm (this is the first of six volumes).
The adventure begins when JB Tucker, a simple, backwoods country boy–born and raised in the Carolina swamps–accidentally becomes infected with tiny, autonomous alien tech.
The hundreds of millions of sub-molecular robots coursing through his bloodstream have evolved far beyond their original design and capabilities. The freak pairing of the off-world medical protocols and JB’s unique human body chemistry result in immediate and dramatic consequences.
Now, relentlessly hunted by off-worlders intent on both the retrieval of their stolen technology and his utter destruction, JB finds himself thrust into the center of an intergalactic conflict that he can neither comprehend, nor escape.…
Growing up on a small farm, my brother and I listened to crudely recorded Star Trek episodes. We didn’t have much, but our imaginations gave us infinity. Then life happened. To reclaim childhood wonders after losing myself in a long tech research career at Bell Labs, I transitioned into planetary science. Now I ‘live in space,’ but remotely, through cold machines. What will the future hold for people who actually live on other worlds, touching and smelling alien soil and solving alien challenges in their thoroughly alien lives? When I write, I dream, understand (sometimes), and strive to pass the experience on to new generations of readers and dreamers.
Realistic space settlement stories balance infinite optimism against terrifying risk. The celebrated authors of this science fiction masterpiece explore this cosmic equation without mercy. The veritable utopia of Camelot, mankind’s first interstellar settlement, is about to go very, very, very wrong. After reading this book, I stopped visiting the river behind my house and I lost sleep for weeks. It taught me that when we audaciously plan our real-world space settlements, the details really do matter. Living on another planet requires the consideration of thousands and thousands of important details… and unfortunately, the doomed settlers of Camelot have overlooked one.
The two hundred colonists on board the Geographic have spent a century in cold sleep to arrive here: Avalon, a lush, verdant planet light-years from Earth. They hope to establish a permanent colony, and Avalon seems the perfe
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
Sterling burst onto the SF scene with a crash and clatter when I was in high school, and this book, while perhaps not his very best work, is certainly his most creative.
I loved the fact that the aliens were investors rather than conquerors and also the fact that human beings were diverging along so many different vectors that we were rapidly becoming alien to one another.
THE FUTURE OF MANKIND CAN TAKE ONE OF TWO DIRECTIONS...
The Mechanists are ancient aristocrats, their lives prosthetically extended with advanced technology. The Shapers are genetically altered revolutionaries, their skills the result of psychotechnic training and artificial conditioning.
Both factions are fighting to control the Schismatrix of humankind.
The Shapers are losing the battle, but Abelard Lindsay--a failed and exiled Shaper diplomat--isn't giving up. Across the galaxy, Lindsay moves from world to world, building empires, struggling for his cause--but more often fighting for his life.
He is a rebel and a rogue, a pirate and a politician, a soldier and…
