Here are 96 books that Swimming with Seals fans have personally recommended if you like
Swimming with Seals.
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I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.
She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.
Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.
This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.
Near the island of Black Conch, a fisherman sings to himself while waiting for a catch. But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.
When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet…
I am an author and adventure activist who believes passionately in the power of big and small adventures to change your life for the better when you’ve been through dark and difficult times. I have written three books, all of which I describe as ‘alternative adventure stories’ because they don’t look like the usual ‘Boy’s Own’ tales of danger and derring-do (although they do include some of that, too!). I’m drawn to the words of wonderful women warriors who give me strength in times of sadness. These books have inspired me to live big and bravely in what is often a challenging but (mainly) wonderful world.
I loved this book for the wallop of its beginning, which details that the narrator, Raynor (and her husband, Moth), were driven to walk England’s 630-mile South West Coast Path because they became homeless.
This is an extraordinarily powerful example of how when life gives you lemons, an adventure can make you lemonade.
"Polished, poignant... an inspiring story of true love."-Entertainment Weekly
A BEST BOOK OF 2019, NPR's Book Concierge SHORTLISTED FOR THE COSTA BOOK AWARD OVER 400,000 COPIES SOLD WORLDWIDE
The true story of a couple who lost everything and embarked on a transformative journey walking the South West Coast Path in England
Just days after Raynor Winn learns that Moth, her husband of thirty-two years, is terminally ill, their house and farm are taken away, along with their livelihood. With nothing left and little time, they make the brave and impulsive decision to walk the 630 miles of the sea-swept South…
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
With Tales of the Seal People by Duncan Williamson, well, that is like going back to the source.
Back to a time when people sat round campfires and told old stories, and in so doing kindled the deep sense of wonder, connection with the natural world, and also a sense that we are part of that. I was lucky to have known Duncan, so I can hear his voice telling these tales as I read them.
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
At their best, anthropologists open up for readers the infinite variety of what it means to be human. Laura Watts is the best. More than just an incisive cultural analyst, Watts is a skilled poet and storyteller. Her book about renewable energy innovation in the Orkney Islands takes us, literally and figuratively, to the end of the world. We learn what it means to live in a world wrought by energy technologies. We walk among all different kinds of people who have the imagination and the gumption to try to re-imagine and re-energize that world in radically new ways. And along the way, we begin to see how all of those people come together, in one place, in odd collaborations, to make futures for the rest of us.
Making local energy futures, from marine energy to hydrogen fuel, at the edge of the world.
The islands of Orkney, off the northern coast of Scotland, are closer to the Arctic Circle than to London. Surrounded by fierce seas and shrouded by clouds and mist, the islands seem to mark the edge of the known world. And yet they are a center for energy technology innovation, from marine energy to hydrogen fuel networks, attracting the interest of venture capitalists and local communities. In this book, Laura Watts tells a story of making energy futures at the edge of the world.…
Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.
I was born in a fishing village in Yorkshire and although I live in the city now, I always feel the pull of the sea. This book is a memoir set in Orkney and London. It is about the writer’s struggle with addiction and her recovery – partly through reconnecting to the natural landscape again. Amy’s prose is clean and bright. She constructs sentences with no fat on them. Her descriptions are sharply accurate. I really related to her need to get away from London to find her way back to health. London life is intense and although I love it here, it is a constantly demanding city. Reading this novel reinforced my desire to look at things closely, notice them anew, and to remember to go and visit the sea, whenever I can.
After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy's inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney's wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her.
A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
I’m a sucker for pretty much any saga, those pieces of literature where legend and myth and history mingle into a perfect mixture of inspiration for the creative mind. This saga gives us a who’s who of historical figures, as well as poetic stories about journeys, battles, and political maneuverings. My favorite bits are the smaller, easier to overlook details though, such as the cause of Sigurd the Powerful’s death. The Orkneyinga is a consuming read about the history of Orkney through medieval eyes.
Written around AD 1200 by an unnamed Icelandic author, the Orkneyinga Saga is an intriguing fusion of myth, legend and history. The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is…
I’m a Scottish writer of historical fiction and historical romance. I’m also a history graduate with imagination, by which I mean I’m as interested in what mighthave happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent research—especially when a controversial hero is shown in a new or captivating light.
This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alivein his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.
A novel about Macbeth, King of Scotland, by the author of the "Lymond" series. 11th-century Europe is full of young kings. Macbeth - part-Christian, part-Viking - has the imagination and determination to move himself and his people out of a barbarian past and into flowering nationhood.
Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
I must have read this book hundreds of times! I teach it to creative writing students every year, and every year, I find some new connection or detail I hadn’t noticed before.
Jamie has such an unusual, peculiarly alive connection to her surroundings. She describes landscapes that are local to her – a curious combination of domestic and wild spaces and a beautifully subtle mode of narration.
It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer.
Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern…
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