91 books like Survivor

I’ve always been intrigued by the behaviors of humans. Even as a child, I’ve watched how people interact with each other. We are all so different, yet we are all the same. Each of us has an imaginary box where keep some things locked up such as: our innermost desires—and our worse fears. Fears that, in a very subtle way, guide us in our life decisions. Afraid of blood… then you’d likely not choose nursing. Afraid of flying… then you probably won’t become a pilot. But what happens when we cannot avoid what we are most afraid of? This is where a horror story begins.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

With a Ph.D. in pharmacology, I worked in drug development for many years. Now a published author, mysteries are my passion. I love to laugh and enjoy the humor of Steve Martin and Mel Brooks, so I’ve written a medical comedy mystery series. This dysfunctional detective series, starting with Pleasuria: Take as Directed, takes place in the pharmaceutical industry, a surprisingly fertile ground for humor, and murder. I’ve also written a dark mystery series, The Guardian Angel series. This includes a serial killer, a cult leader, and a touch of vigilante justice. With my overactive imagination you’ll enjoy engaging characters and unique plots.

I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill. 

A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.

I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”

Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.

My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.