94 books like Survivor

I’ve always been intrigued by the behaviors of humans. Even as a child, I’ve watched how people interact with each other. We are all so different, yet we are all the same. Each of us has an imaginary box where keep some things locked up such as: our innermost desires—and our worse fears. Fears that, in a very subtle way, guide us in our life decisions. Afraid of blood… then you’d likely not choose nursing. Afraid of flying… then you probably won’t become a pilot. But what happens when we cannot avoid what we are most afraid of? This is where a horror story begins.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

My experience and expertise – I am not only a reader of horror, in particular extreme horror, but I am a published writer with several hundred writing credits. I have had hundreds of stories and articles published on many websites, magazines, and anthologies including a story in Year’s Best Hardcore Horror Volume 5. For eleven years I wrote articles on the bizarre and morbid for Girls and Corpses magazine. I have been consistently writing for 20 years, and have also helped write several independent horror films. I have written many reviews and interviews as well, most recently in Phantasmagoria Magazine.

With a Ph.D. in pharmacology, I worked in drug development for many years. Now a published author, mysteries are my passion. I love to laugh and enjoy the humor of Steve Martin and Mel Brooks, so I’ve written a medical comedy mystery series. This dysfunctional detective series, starting with Pleasuria: Take as Directed, takes place in the pharmaceutical industry, a surprisingly fertile ground for humor, and murder. I’ve also written a dark mystery series, The Guardian Angel series. This includes a serial killer, a cult leader, and a touch of vigilante justice. With my overactive imagination you’ll enjoy engaging characters and unique plots.

I’m a veteran journalist and a long-time lover of mysteries and crime fiction. My new novel, The End of The Road ties together my experience over many years covering true crime and my love of the Classics—my college major—and in particular Homer’s Odyssey. In later years, reading Margaret Atwood’s The Penelopiad, in which she recasts the return of Odysseus from the Trojan War as the story of his long-suffering wife Penelope, inspired me to tell my own tale of an arduous journey from Penelope’s perspective. Being a crime reporter and mystery aficionado helped me spin Penny’s story from a procedural and plotting standpoint; reading Homer helped me explore the literary side of her adventure.

I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.

My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.

I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”

A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.