100 books like Still Life

I grew up on farms, and have experienced the undercurrents that exist in small villages, which is why I like crime novels with rural settings. I worked as a couple counsellor for a while, which taught me that no fictional character can quite equal the real quirks and inconsistencies of real people—but I love those books which get close. Charles Dickens probably does it best! In my own novels I try to achieve something approaching this, in characters who break away from stereotypes and behave unpredictably. I like to think I manage to be witty sometimes, too—I really love humour, especially when it’s wordplay or subtly ironic.

I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel, The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy. 

Ever since I was a child, I loved stories where an element of danger is introduced into a peaceful setting. Armchair sleuths can solve crimes alongside the detectives and in the comfort and relative security of their own homes. I cut my teeth on Nancy Drew, Trixie Belden, and The Hardy Boys before moving on to Agatha Christie. It’s such an interactive experience when we get the same clues as the detectives and try to come to similar conclusions. These books all replicate the experience well and put the reader in the driver’s seat.

I used to hate history, until I made the startling discovery that history wasn’t about dates and wars—the stuff we had to memorize in high school—but about people. And what can be more absorbing than people? When I started my first historical series, set in the very early 20th century in my hometown of South Bend, Indiana, I delved into the local newspaper and learned that the people of the time and their problems were very much like today’s. That pulled me in, and never let go. Now, researching the 1920s, I’m meeting people who might live next door. It’s so much fun!

I know all too well that finding a diagnosis and treating a chronic health condition can be like unraveling a mystery—maybe that’s why characters dealing with these issues make natural detectives. As a mystery writer with chronic illness, I love reading about sleuths who embody the difficulties of living with health challenges yet show the tremendous capacity we still have to contribute. Many of the sleuths on this list are confined to their homes and unable to work, so solving a mystery not only adds suspense. It gives us the satisfaction of seeing these characters find their way back into the world and rediscover their sense of purpose.

Some people like realism in their stories, but I prefer something more out there. I enjoy it when a story takes place in a fictional world, be it in a fantasy land like Lord of the Rings or something sci-fi. So, it’s not surprising that when I started writing my own series, The Cyborg Crusade, I decided to invent a new world. This required a ton of work and gave me a further appreciation for the effort it takes to come up with a strange new setting. This is why I decided to make this list of books featuring either a unique world or a twist on the existing one.

I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.

I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.

I grew up on farms, and have experienced the undercurrents that exist in small villages, which is why I like crime novels with rural settings. I worked as a couple counsellor for a while, which taught me that no fictional character can quite equal the real quirks and inconsistencies of real people—but I love those books which get close. Charles Dickens probably does it best! In my own novels I try to achieve something approaching this, in characters who break away from stereotypes and behave unpredictably. I like to think I manage to be witty sometimes, too—I really love humour, especially when it’s wordplay or subtly ironic.

In my years on the crime beat, I often met good people who did bad things and criminals with good intentions and good hearts. We tend to draw a line between good and evil, putting ourselves on the good side. From that perspective, we sit in judgment, believing we are incapable of evil because it’s “over there.” Inaccessible. Unfathomable. But that line is fictional. We redraw it constantly to feel good about ourselves and avoid empathizing with the worst of human nature. What I love about these five novels is that they expose that truth. The twists remind me that even my own line is blurred and ever-shifting.