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I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
Here’s a book to sample and savor again and again!
I loved the combination of poetry bolstered with clear, well-sourced nonfiction text on every single spread. This tribute song to forests is based on groundbreaking work about how trees create communities and sustain the places where they grow.
While placing trees in the context of the “wood wide web,” this book transports us to a glorious range of places. Beeches in Germany, an elm tree in Central Park, tualang saplings in Malaysia, kapoks in Brazil, silver birch in China, diverse forests in Colorado—all of it brings us closer to the wisdom of trees in the places we each call home.
With lush illustrations, poems, and accessible scientific information, The Wisdom of Trees by Lita Judge is a fascinating exploration of the hidden communities trees create to strengthen themselves and others.
We clean the air and seed the clouds, we drench the thirsty land with rain. We are like wizards.
The story of a tree is a story of community, communication, and cooperation. Although trees may seem like silent, independent organisms, they form a network buzzing with life: they talk, share food, raise their young, and offer protection. Trees thrive on diversity, learn from their ancestors, and give back to their…
I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
Trees and us. We’re bound together from breath to shelter and beyond, bound together in every way. That’s the truth of this poem in words and pictures from author-illustrator Corinna Luyken.
The words are as delicate as the rustle of leaves but they’re also completely centered on the child reader. Even the punctuation is placed with care, adding pause and breath, mediating the transition from shade to light, as if the words and their accessories were meant to float off the page as the text is read out loud.
Through poetic text and exquisite illustrations of children reveling in nature, this picture book explores the various ways we as human beings are strong, creative, and connected to others. Each of us is like a tree, with roots and fruit, and an enduring link to everything else in nature. "The tree in me is strong. It bends in the wind, and has roots that go deep... to where other roots reach up toward their own trunk-branch-crown and sky."
As Corinna Luyken did in her award-winning My Heart, she again provides an invigorating conversation-starter that contains a world of truths -…
I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
This book by my friend and colleague Liz Garton Scanlon really felt as if it were speaking to my own book.
It starts out as the story of a man living all alone in a creaky house on top of a hill—then there’s that wind, and young Kate at the bottom of the hill! The text has a wonderful, irregular rhythm that flutters words around in the mind the way the wind lifts a leaf or bangs a shutter.
Look at the text leaping over a single dramatic wordless spread to create the final turn of this story. Nice afterword offers additional information and perspective on the marvels of trees.
Award-winning author Liz Garton Scanlon presents a young, rhythmic read-aloud about a girl who solves a windy problem with an environmentally sound solution: planting trees.
A wild wind blows on the tippy-top of a steep hill, turning everything upside down for the man who lives there. Luckily, Kate comes up with a plan to tame the wind. With an old wheelbarrow full of young trees, she journeys up the steep hill to add a little green to the man's life, and to protect the house from the howling wind. From award-winning author Liz Garton Scanlon and whimsical illustrator Lee White…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
The title is a refrain that rings around the world, as the children in two families, in two settings, plant a tree.
As in my book, time is a driving element here, bringing to light the cumulative effects of planting trees. Those effects, from clean air and soil retention to the bounty of fruit and the blessings of shade, are beautifully realized in the final page that brings it all back to the young characters and by inference, to the reader.
Perfect for springtime reading! In this poetic picture book with environmental themes, illustrated by award-winning artist Bob Staake, two young families in two very different parts of the world each plant a tree.
As the trees flourish, so do the families . . . while trees all over the world help clean the air, enrich the soil, and give fruit and shade.
With a nod to Kenya’s successful Green Belt Movement, Diane Muldrow’s elegant text celebrates the life and hope that every tree—from Paris to Brooklyn to Tokyo—brings to our planet. Now in paperback, this book can be enjoyed by…
I’m a nature writer living in the magical realism of the American Southwest. The seminal environmentalist Aldo Leopold said, “There are some who can live without wild animals and some who cannot.” I am the latter. In rural New Mexico, I have looked up from my writing to see so many animals pass by my window. Fox. Bobcat. Javelina. Deer. Once—a mountain lion! These are all gifts. I’ve also learned to enjoy the tracks and signs left by wild animals, their presence still palpable and resonant. For me, recognizing the endearingly small print of a spotted skunk or pocket mouse is deeply satisfying—a cure for all kinds of existential angst.
Reading Craig Child’s encounters with wild animals made me feel closer to the animals where I live. I have also had intriguing and potent experiences with ravens and mountain lions, and his descriptions brought back these powerful memories.
So many of us resonate with the wildlife winding through our lives—secretly passing through our gardens and backyards, on the trails we walk in national forests, or in the city parks where we picnic. I resonated, certainly, with this author’s reverence and awe toward nature, as well as his lively prose and sense of fun and self-deprecation.
THE ANIMAL DIALOGUES tells of Craig Childs' own chilling experiences among the grizzlies of the Arctic, sharks off the coast of British Columbia and in the turquoise waters of Central America, jaguars in the bush of northern Mexico, mountain lions, elk, Bighorn Sheep, and others. More than chilling, however, these stories are lyrical, enchanting, and reach beyond what one commonly assumes an "animal story" is or should be. THE ANIMAL DIALOGUES is a book about another world that exists alongside our own, an entire realm of languages and interactions that humans rarely get the chance to witness. "The author has…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
This unusual book is a tour through the working-class city in the middle of the last century. This is a portrait of Vancouver when working people occupied the waterfront, instead of glittering condo towers. Knight imagines taking a trip on the old No.20 streetcar that once ran the length of the city’s eastside waterfront, painting an evocative portrait of the mills, docks, flophouses, and beer parlours that occupied the strip. Then he turns the book over to a series of personal reminiscences from men and women who called the neighbourhood home. Vancouver prides itself today on being a world-class destination for the global super-rich. This is where it came from.
In Along the No. 20 Line, Rolf Knight takes the reader on a tour through working class East Vancouver of a century ago.
Knight's "through line" is literally a line: the old No. 20 Streetcar Line that ran between downtown Vancouver and the present day neighbourhood of the Pacific National Exhibition. From 1892 to 1949, when it was shut down and replaced by the No. 20 Granville / Victoria Drive bus, the No. 20 line took thousands of Vancouverites back and forth from their East Van homes to their jobs along the waterfront, on the docks, in mills, factories and…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
As I read M. Wylie Blanchet’s book, I myself was transported through time to one of the most magical and beautiful places in North America—the islands, bays, fjords, and estuaries of British Columbia.
In addition to being right on the water and immersed in the great forests, I was also, like her young children, at school, constantly learning new things about history, culture, ecology, philosophy, and even seamanship! The lively dialogue also made me feel like one of the family, conversing easily as we explored a land that was at that time, very sparsely populated by humanity.
Throughout the book, I noticed and enjoyed a theme of a rich cultural history that portrayed both the First People cultures as well as the fiercely independent and tough early Europeans who settled in select places along the coast.
After her husband died in 1927, leaving her with five small children, everyone expected the struggles of single motherhood on a remote island to overcome M. Wylie Blanchet. Instead, this courageous woman became one of the pioneers of "family travel," acting as both mother and captain of the twenty-five-foot boat that became her family's home during the long Northwest summers. Blanchet's lyrically written account reads like fantastic fiction, but her adventures are all very real. There are dangersrough water, bad weather, wild animalsbut there are also the quiet respect and deep peace of a woman teaching her children the wonder…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
An amazing play that explores the repercussions of Residential schools on the Indigenous population, and how its effects are frequently intergenerational. Winner of Canada’s Governor General’s Award for Best Drama, this play spares no one as it sheds light on the damage and healing happening in Indigenous communities across the country.
Where the Blood Mixes is meant to expose the shadows below the surface of the author’s First Nations heritage, and to celebrate its survivors. Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?
Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name…
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
There’s so much to love about this book: the language, the location, the history, the characters. Anna, a young woman who is creating an exhibit on textiles from 19th-century Interior BC, discovers a box of the personal effects of a woman who lived decades before. Margaret is the daughter of an Aboriginal mother and a settler father. Kishkan recreates the unique beauty of the South Cariboo/Nicola valley landscape as a backdrop to this intricately woven story of family, friendship, love—and train robbers.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I’m a reporter, author of nine books, and the host and producer of the Cold Case Canada podcast. I fell in love with my city’s murky underbelly on a trip to the Vancouver Police Museum in the 1990s. Axe murders, murder by milkshake, Vancouver’s first triple murder—it was all there. I’ve tried to give those true crime exhibits new life by talking to law enforcement, relatives, and friends, digging up never-seen-before photos and documents, and wherever possible, giving the victims back their voice. I run the Facebook group Cold Case Canada where people share their thoughts, and in a best-case scenario, find leads that could help solve a murder.
While Janet Smith was Vancouver’s shame in the 1920s, Willy Pickton was our boogeyman in the ‘90s. How did this pig farmer get away with murdering up to 50 women?—he was convicted of only six—because the women were sex workers and drug addicts that he picked up in Vancouver’s notorious Downtown Eastside and the police really didn’t give a shit. An investigative journalist, Cameron does a great job of outlining the botched police investigation and the department’s reluctance to believe it was a serial killer. Pickton is pure evil, and what I loved about Cameron’s work is how she not only gets into his head, but tells the stories of the victims, and in doing so, helps give them back a voice.
Verteran investigative journalist Stevie Cameron first began following the story of missing women in 1998, when the odd newspaper piece appeared chronicling the disappearances of drug-addicted sex trade workers from Vancouver's notorious Downtown Eastside. It was not until February 2002 that pig farmer Robert William Pickton would be arrested, and 2008 before he was found guilty, on six counts of second-degree murder. These counts were appealed and in 2010, the Supreme Court of Canada rendered its conclusion. The guilty verdict was upheld, and finally this unprecedented tale of true crime could be told.
