100 books like Where the Blood Mixes

Perhaps one of the most seminal plays to come out of the First Nations community, if not the Canadian theatre community in general. It starts off with the simplest of plots, seven Indigenous women plan to leave their community on Manitoulin Island to participate in the world's largest bingo game in Toronto. It’s funny, tragic, and a wonderful introduction to the colourful world which we come from. 

A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.

Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture. 

An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.

Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.

When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information. 

While Janet Smith was Vancouver’s shame in the 1920s, Willy Pickton was our boogeyman in the ‘90s. How did this pig farmer get away with murdering up to 50 women?—he was convicted of only six—because the women were sex workers and drug addicts that he picked up in Vancouver’s notorious Downtown Eastside and the police really didn’t give a shit. An investigative journalist, Cameron does a great job of outlining the botched police investigation and the department’s reluctance to believe it was a serial killer. Pickton is pure evil, and what I loved about Cameron’s work is how she not only gets into his head, but tells the stories of the victims, and in doing so, helps give them back a voice.

In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.

Laisha Rosnau is a prize-winning poet, and her literary skills shine in this novel about a noble Italian family, the Caetanis, who immigrate from Italy to Vernon, BC to escape the rise of fascism. Based on a true story, this intricate novel explores the bonds of family and friendship, the contrasts in class and changing times, and the hardships and beauties of life in a rural area through the lives of three women. I was captivated by the characters and the gorgeous, insightful writing. Ofelia and Sveva Caetani and their personal secretary, Miss Juul, will stay with you forever as women creating home and family in the face of exile, loss, and sweeping change.

I loved this book for the beauty of the prose and for Harold Rhenisch’s inimitable voice, his language, his wit, his eye for detail. Rhenisch has published many books of poetry and non-fiction about the BC Interior, and it’s difficult to choose just one. I liked this, a study of the apple and the rose, of pruning trees, of BC Interior orcharding, of a unique lifestyle and culture, and of life and living. Rhenisch is one of the best Canadian writers and should be more well-known.