Here are 100 books that Where the Blood Mixes fans have personally recommended if you like
Where the Blood Mixes.
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Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Perhaps one of the most seminal plays to come out of the First Nations community, if not the Canadian theatre community in general. It starts off with the simplest of plots, seven Indigenous women plan to leave their community on Manitoulin Island to participate in the world's largest bingo game in Toronto. It’s funny, tragic, and a wonderful introduction to the colourful world which we come from.
Winner of the Dora Mavor Moore Award for Best New Play
Nominated for the Governor General's Award
This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life.
The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of Native theatre and writing in Canada today.
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture.
A consortium of German developers shows up on the fictional Otter Lake Reserve with a seemingly irresistible offer to improve the local economy: the creation of “Ojibway World,” a Native theme park designed to attract European tourists, causing hilarious personal and political divisions within the local community.
The Berlin Blues concludes Drew Hayden Taylor’s Blues quartet, showcasing contemporary stereotypes of First Nations people, including a fair number that originate from Indigenous communities themselves, to the often outraged delight of his international audiences.
Yet Europeans and other ethnic groups are not exempt from Taylor’s incisive but good-humoured caricatures. Central to the…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.
Copper Thunderbird is a play on canvases based on the life of Norval Morrisseau. Inside the power-lines which Morrisseau boldly defined in his art were the colours he experienced between his Ojibwa cosmology, his life on the street, and his spiritual and philosophical transformations to become the Father of Contemporary Native Art and a Grand Shaman. Appearing simultaneously in this multi-layered drama as a small boy, a young warrior and an old man, Morrisseau confronts his many selves over the Faustian destiny he encountered during his vision quest—a momentary terror that led to a life wracked by both triumph and…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.
Set along the Pacific Northwest Coast in the 1950s, Ravensong tells the story of an urban Native community devastated by an influenza epidemic. Stacey, a 17-year-old Native girl, struggles with the clash between white society's values and her family's traditional ways, knowing that her future lies somewhere in between. Celia, her sister, has visions from the past, while Raven warns of an impending catastrophe before there is any reconciliation between the two cultures. In this passionate story about a young woman's quest for answers, author Lee Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
As I read M. Wylie Blanchet’s book, I myself was transported through time to one of the most magical and beautiful places in North America—the islands, bays, fjords, and estuaries of British Columbia.
In addition to being right on the water and immersed in the great forests, I was also, like her young children, at school, constantly learning new things about history, culture, ecology, philosophy, and even seamanship! The lively dialogue also made me feel like one of the family, conversing easily as we explored a land that was at that time, very sparsely populated by humanity.
Throughout the book, I noticed and enjoyed a theme of a rich cultural history that portrayed both the First People cultures as well as the fiercely independent and tough early Europeans who settled in select places along the coast.
After her husband died in 1927, leaving her with five small children, everyone expected the struggles of single motherhood on a remote island to overcome M. Wylie Blanchet. Instead, this courageous woman became one of the pioneers of "family travel," acting as both mother and captain of the twenty-five-foot boat that became her family's home during the long Northwest summers. Blanchet's lyrically written account reads like fantastic fiction, but her adventures are all very real. There are dangersrough water, bad weather, wild animalsbut there are also the quiet respect and deep peace of a woman teaching her children the wonder…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
A mule-drawn wagon train moves precariously along a narrow road carved out of a steep rock wall—this book lives up to the promise of its cover. The book jacket blurb entices lovers of history like me: “British Columbia is regularly described in superlatives both positive and negative—the most spectacular scenery, the strangest political campaigns, the mildest winters, the most rain, the most aggressive resource developers, the biggest peace and environmental movements, the closest Canadian ties to Japan and China, and the richest native culture.” The author, Jean Barman, is one of my mentors and an inspiration to everyone who is interested in British Columbia history.
British Columbia is regularly described in superlatives both positive and negative - most spectacular scenery, strangest politics, greatest environmental sensitivity, richest Aboriginal cultures, most aggressive resource exploitation, closest ties to Asia. Jean Barman's The West beyond the West presents the history of the province in all its diversity and apparent contradictions. This critically acclaimed work is the premiere book on British Columbian history, with a narrative beginning at the point of contact between Native peoples and Europeans and continuing into the twenty-first century. Barman tells the story by focusing not only on the history made by leaders in government but…
I have a B.S. degree in Medical Technology and connect my stories with science. The more I began researching problematic issues in our society for the subject matter of my trilogy, the more I began to empathize with the different kinds of suffering that people endure. I’ve incorporated traumas in all of my Euphoria trilogy stories, from illicit drugs, illnesses, loss, burns, skin regeneration, and human trafficking. Societal awareness is my passion; presenting issues to people who don’t realize these problems are as widespread as they actually are.
I like how
Twisted Lies addressed a young woman’s trauma and loss using fiction. C.B.
Clark’s writing style flows smoothly and has a lot of description. Clark brings
realistic problems like alcohol as a focus in the character’s life, but also
intertwines romance and mystery in the characters. I laughed and cried as I
read Twisted Lies. The case behind the story had me guessing up until the end.
Athena Cooper's tragic past drives her to seek solace in a bottle. The addiction threatens her legal career, and she risks spiraling out of control. When her dog engineers a meeting with an all-too-handsome hunk, it's lust at first sight…until she discovers his identity.
Businessman Russell Crawford is desperate to find the woman who cheated him out of his inheritance. His shock when she's the gorgeous redhead he'd met briefly is only intensified when she claims his father was a murderer.
Athena and Russ declare a truce and join forces to investigate the mystery of her parents' disappearance from an…
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
There’s so much to love about this book: the language, the location, the history, the characters. Anna, a young woman who is creating an exhibit on textiles from 19th-century Interior BC, discovers a box of the personal effects of a woman who lived decades before. Margaret is the daughter of an Aboriginal mother and a settler father. Kishkan recreates the unique beauty of the South Cariboo/Nicola valley landscape as a backdrop to this intricately woven story of family, friendship, love—and train robbers.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting…
