Fans pick 100 books like Where the Blood Mixes

Perhaps one of the most seminal plays to come out of the First Nations community, if not the Canadian theatre community in general. It starts off with the simplest of plots, seven Indigenous women plan to leave their community on Manitoulin Island to participate in the world's largest bingo game in Toronto. It’s funny, tragic, and a wonderful introduction to the colourful world which we come from. 

A historical play that tells the story of a single Cree warrior doing battle with the Canadian military. Each of the two acts approaches the story differently. The first is more linear and poetic, the second more lyrical and surreal. Many have said they loved the first act and hated the second. And vice versa. Whatever you may feel, an excellent exploration of colonization as seen through the eyes of a poet.

Many of the plays written by Indigenous playwrights are usually dark and critical. This play is a little different. It’s an unabashed comedy celebrating the Indigenous sense of humour. Essentially, the play is about two German entrepreneurs who travel to a First Nations community planning to build the world’s largest Native theme park, called Ojibway world. The play deals with stereotypes and the global marketing of culture. 

An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.

Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.

When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information. 

In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.

I loved this book because I think it is a masterpiece on the contingency of evolution and our presence.

Rewind the tape of life and times and you will get different endings: that’s a great message of freedom for me. The epic of diversity that led to the explosion of multicellular life forms in the early Cambrian concerns us too. Unmissable.

There’s so much to love about this book: the language, the location, the history, the characters. Anna, a young woman who is creating an exhibit on textiles from 19th-century Interior BC, discovers a box of the personal effects of a woman who lived decades before. Margaret is the daughter of an Aboriginal mother and a settler father. Kishkan recreates the unique beauty of the South Cariboo/Nicola valley landscape as a backdrop to this intricately woven story of family, friendship, love—and train robbers.

Jen Sookfong has written a debut novel that held my attention throughout. She describes three generations of a Chinese-Canadian family in Vancouver beginning in 1913 when Chan Seid Quan emigrates to Vancouver at the age of 17. Years later after his death at age 94, his grand-daughter, Samantha, is forced to leave Montreal in order to take care of her mother in Vancouver. She feels resentment until she begins to delve into her family’s past and discovers alienation and hardship. Author Sookfong is an expert on immigration and the fate of many Chinese people. This is a beautiful tale of family conflicts set in Vancouver’s Chinatown.