Here are 89 books that Raving Upon Thames fans have personally recommended if you like
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I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
When I was growing up, the fabled 1969 Woodstock music festival was a byword for the alternative drop-out culture of hippiedom then at its height.
Even today, people remember it and the town that gave it its name (although it's actually located 40 miles from the site of the festival). What’s perhaps less well known is that Woodstock first became Hippie Central several years before, after Bob Dylan and his manager Albert Grossman moved there, and it continued to attract musicians and artists long afterwards.
This book tells an often shocking tale of excess – drink, drugs, and sexual shenanigans. (And incidentally, Donald Fagen now divides his time between Woodstock and New York.)
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.
This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?
Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.
When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts-work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book…
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
This is the most fun you’ll ever have reading about music history, guaranteed. Gioia focuses on outsiders, renegades, and people at the margins of society who launched musical innovations that were later adopted – and legitimized – by leaders of mainstream culture.
“So don’t be surprised,” he warns early on, “if a woman’s erotic love song gets turned into a scriptural utterance by a king. That’s how the history of music unfolds, especially for anything innovative or transgressive.”
I especially appreciated how, in examining music’s 4,000-year history, Gioia never fails to highlight contributions by women, which sets his book apart.
The phrase "music history" likely summons up images of long-dead composers, smug men in wigs and waistcoats, and people dancing without touching. In Music: A Subversive History, Gioia responds to the false notions that undergird this tedium. Traditional histories of music, Gioia contents, downplay those elements of music that are considered disreputable or irrational-its deep connections to sexuality, magic, trance and alternative mind states, healing, social control, generational conflict, political unrest, even violence and murder. They suppress the stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact,…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
You thought you knew everything there was to know about The Beatles. I thought I did. I was wrong.
Craig Brown somehow manages to tell a very familiar story with details that either you never knew or had forgotten. He isn’t scraping the barrel: the book is full of excellent stories about the Fab Four, and sheds new light on where the band came from and where they ended up. It’s more than 600 pages long, and beautifully written, but a very easy read.
SHORTLISTED for the Baillie Gifford Prize's 25th Anniversary Winner of Winners award
WINNER OF THE BAILLIE GIFFORD PRIZE 2020
A Spectator Book of the Year * A Times Book of the Year * A Telegraph Book of the Year * A Sunday Times Book of the Year
From the award-winning author of Ma'am Darling: 99 Glimpses of Princess Margaret comes a fascinating, hilarious, kaleidoscopic biography of the Fab Four.
John Updike compared them to 'the sun coming out on an Easter morning'. Bob Dylan introduced them to drugs. The Duchess of Windsor adored them. Noel Coward despised them. JRR Tolkien…
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
Of all the legendary bands that are part of the history of Rock and Roll, Pink Floyd is the one that appears to have the least amount written about them. That is why this book is so important and so good. Other books had touched on their history, but none of them went as deep and thorough as this one.
Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions…
I love books that take the reader to another country. Travel (even vicariously in a book) takes us out of our comfort zones and inspires us to open our minds to other cultures, ways of life and thought. These books constantly challenge us, not only to understand different surroundings, but also to understand unique people, to embrace adventures, glamour and romance and to share these new and meaningful thoughts and ideas with others.
A Theatre for Dreamers captures the halcyon days of the 60s artistic community on the Greek Island of Hydra. It focuses on the international bohemian set, including the authors Charmian Clift and George Johnston. Among the artists, poets and hangers-on are a Norwegian couple—Axel Jensen and Marianne Ihlen—and a young, charismatic Canadian by the name of Leonard Cohen. It is narrated by the likable ingenue Erica, a novitiate novelist in her late teens whose mother’s dying wish was for her daughter to go off on an adventure. Erica is like Nick Carraway, mainly on the periphery of events, observing and learning from the more experienced, glamorous people she has fallen in with. Interesting fact: author, Polly Samson, is married to David Gilmour of Pink Floyd.
'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes
Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever.
'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
I’ve loved the Regency era since first reading Jane Austen’s novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than I’d ever dreamed. Though their culture and traditions aren’t like ours, I’m fascinated by how much about the lives of those men and women is familiar—the same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
Having gotten a taste of the sights of London, delve deeper with this exhibition guide packed with illustrations, paintings, and photographs of the things people owned and used during the Regency period and beyond. My favorite part of this book is the many essays contributed by leading historians who really know their stuff—everything you need to know about Regency art, architecture, science, and culture is right here.
This book provides a portrait of the city of London in a period when Britain enjoyed cultural, artistic, technological and material pre-eminence. It was a time when the foundations were laid for much later wealth and power. The importance of Britain in the early 19th century has been taken up by the Kulturstiftung Ruhur in Essen, who, in co-operation with the Museum of London have mounted an historical exhibition at the Villa Hugel near Essen (June-December 1992), for which this book serves as the catalogue. The exhibition itself is very broad in scope, ranging from artistic masterpieces by Turner and…
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
Dominic wrote two very good crime books in a short series before publishing Vine Street.
I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.
The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.
What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and…
***BEST CRIME BOOKS OF 2021 - THE TIMES/SUNDAY TIMES*** ***CRIME BOOK OF THE MONTH - THE TIMES***
'Brings the obsessional dread of James Ellroy to 1940s London.' IAN RANKIN
'Extraordinary...a career-defining performance.' THE SUNDAY TIMES
'This is crime writing of the highest quality' DAILY MAIL
SOHO, 1935. SERGEANT LEON GEATS' PATCH.
A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.
The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.
I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.
Two sassy girls. Two billionaire British brothers. One beautiful city of culture, history. And love.
KINGSLEY Tall, handsome, rich, and British. I thought I had it all as the bachelor son of one of England’s ancient aristocratic families. The girls. The parties. The money. The power. But that was until I spent a semester at an American high school. That was until I met her.
SCARLETT That bad boy Brit, Kingsley Heath-Harding, broke my heart, but that was a long time ago in high school. He fled back to the UK, and I thought I would never see him again.…
