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I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
When I was growing up, the fabled 1969 Woodstock music festival was a byword for the alternative drop-out culture of hippiedom then at its height.
Even today, people remember it and the town that gave it its name (although it's actually located 40 miles from the site of the festival). What’s perhaps less well known is that Woodstock first became Hippie Central several years before, after Bob Dylan and his manager Albert Grossman moved there, and it continued to attract musicians and artists long afterwards.
This book tells an often shocking tale of excess – drink, drugs, and sexual shenanigans. (And incidentally, Donald Fagen now divides his time between Woodstock and New York.)
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.
This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?
Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.
When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts-work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
I grew up in south-west London, and still live here.
My formative years were spent going to rock gigs in local clubs, pubs, and colleges, when bands like Genesis, Black Sabbath, the Soft Machine, and Pink Floyd were still playing in small venues. Queen’s Brian May went to my school, as did half of the Yardbirds.
This book reflects that era, particularly the amazing goings-on at Eel Pie Island in Twickenham, where gigs were held in a crumbling hotel infested with hippies and other ne’er-do-wells… including me and some of my closest friends.
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
A Subversive History of Music is not just fascinating, but scholarly, thought-provoking, and accessible.
I’ve always believed that music springs from the least expected sources, most of them “unofficial”, and Gioia seems to agree. The central idea is this: musical innovation never springs from society’s officially approved sources, but from its despised outsiders, those with little or no power in everyday life – women, black people, young people – who develop their ideas in isolation from the mainstream.
Very often they live in port cities like New Orleans or Liverpool, which are flooded with influences from elsewhere.
The phrase "music history" likely summons up images of long-dead composers, smug men in wigs and waistcoats, and people dancing without touching. In Music: A Subversive History, Gioia responds to the false notions that undergird this tedium. Traditional histories of music, Gioia contents, downplay those elements of music that are considered disreputable or irrational-its deep connections to sexuality, magic, trance and alternative mind states, healing, social control, generational conflict, political unrest, even violence and murder. They suppress the stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact,…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
The Love You Make is pure pop pablum. It’s almost tabloid-like in its recounting of the Beatle’s relationships, their drug use, and their many petty squabbles. Written by Brian Epstein’s assistant (Brian Epstein, of course, was the Beatles’ manager), Brown has some stories to tell. Full of photos too. This one’s a lot of fun if you don’t take it too seriously.
Here is the national bestseller that Newsday called “the most authoritative and candid look yet at the personal lives…of the oft-scrutinized group.” In The Love You Make, Peter Brown, a close friend of and business manager for the band—and the best man at John and Yoko’s wedding—presents a complete look at the dramatic offstage odyssey of the four lads from Liverpool who established the greatest music phenomenon of the twentieth century. Written with the full cooperation of each of the group’s members and their intimates, this book tells the inside story of the music and the madness, the feuds and…
My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
That’s right; it’s an entire book of musical notation. Like I said, this list is for players, not civilians.
I love that every note on every original Beatles record is transcribed here, right down to Ringo’s drum fills on “You Won’t See Me” and the guy saying “number nine” a hundred times on “Revolution 9.”
I love sitting down with my kid, who plays guitar, and discovering exactly how to recreate the parts we can’t work out by ear. I love seeing how the Beatles fit the gears together to make the wheels turn on these songs and how they used chords and notes that I have on the piano at my house, too.
(Transcribed Score). A fitting tribute to possibly the greatest pop band ever - The Beatles. This outstanding edition features full scores and lyrics to all 210 titles recorded by The Beatles. Guitar and bass parts are in both standard notation and tablature. Also includes a full discography. Songs include: All You Need Is Love * And I Love Her * Baby You're a Rich Man * Back in the U.S.S.R. * The Ballad of John and Yoko * Blackbird * Can't Buy Me Love * Come Together * Drive My Car * Eleanor Rigby * From Me to You *…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
In the space of one year (1970), the Beatles broke up, James Taylor became an overnight star, and Simon and Garfunkle reached the height of their popularity, Crosby Stills Nash & Young formed a wildly successful group and then disbanded. Their stories intertwine in unexpected ways, embroidered with interactions of dozens of other rock icons who would shape the music of the seventies.
Set against a backdrop of world-changing historical and political events, Fire and Rain tells the extraordinary story of one pivotal year in the lives and music of four legendary artists, and reveals how these artists and their songs both shaped and reflected their times. Drawing on interviews, rare recordings, and newly discovered documents, acclaimed journalist David Browne allows us to see,and to hear,the elusive moment when the '60s became the '70s in a completely fresh way" (Mark Harris, author of Pictures at a Revolution ).
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
I love seeing the scraps of paper on which George wrote his songs like "Something" or "While My Guitar Gently Weeps".
I love seeing all his crossings-out and he offers some good commentary too. George comes over as a thoroughly nice person, but you do need strong wrists to read this book. (Gosh, I’m recommending heavy books!)
"For me, the essence of this book is the lyrics and I believe they stand the test of time because they are written about man's eternal quest, dilemmas, joys and sorrows. George's lyrics were, in my opinion, the most spiritually conscious of our time" - Olivia Harrison
Cherished by fans and collectors, I Me Mine is the closest we will come to George Harrison's autobiography. This new volume has been significantly updated since the 1980 original. For the first time I Me Mine - The Extended Edition covers the full span of George Harrison's life and work, exploring his upbringing…
I was born in 1954, the same year as rock and roll. I am a product of the era that spawned me. I was that kid at school who would rather read his music mags than his school books. Over a rich and varied career, I have turned those passions into my profession. I have been a singer in a band, a music journalist, a broadcaster with the BBC national radio network, and have had several music related books published by major publishers. I have also been an academic specialist in my field and have managed to turn all those lifelong interests into a Ph.D. and an M.Phil.
I grew up with the Beatles. I went from 8 to 16 in the time it took the band to go from Love Me Do to Let It Be. I measure my own growth from infancy to adolescence during their lifespan.
The Beatles were more than a band to anyone of my age. They were a planet we all lived on. There have been hundreds of books about them, but few are more insightful than this one by their suave and urbane press officer.
Derek started off his career as a hard-bitten newspaper hack of the old school. Working with the Beatles changed his life. I can relate to that. The Fab Four changed all our lives.
'The sharpest memoir written by one of the Beatles' inner circle.' Observer
Derek Taylor's iconic memoir is a rare opportunity to be immersed in one of the most whirlwind music sensations in history: Beatlemania. As Time Goes By tells the remarkable story of Taylor's trajectory from humble provincial journalist to loved confidant right at the centre of the Beatles' magic circle. In charming, conversational prose, Taylor shares anecdotes and reminiscences so vivid and immediate that you find yourself plunged into the beating heart of 1960s counterculture. Whether watching the debut performance of 'Hey Jude' in a country pub or hearing…
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
Published in 1968, this is the only authorised biography of the Beatles.
Davies was in the room when Lennon and McCartney were songwriting, providing insights worth the price of admission alone. He could have interviewed more of the outriders but on the other hand, this is a brilliant account of their claustrophobic world.
There's only one book that ever truly got inside the Beatles and this is it. The landmark, worldwide bestseller that has grown with the Beatles ever since.
During 1967 and 1968 Hunter Davies spent eighteen months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to friends, family and colleagues. There when it mattered, he collected a wealth of intimate and revealing material that still makes this the classic Beatles book…
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