Here are 85 books that Raven Stole the Moon fans have personally recommended if you like
Raven Stole the Moon.
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I’m Mindy Vail, and with over 25 years in education and change management, I’ve spent my career as a leadership consultant and keynote speaker. My passion for the book list I’ve put together comes from my work in guiding individuals and organizations through transformation and my dedication to helping others find their joy. Each book reflects my commitment to embracing change, nurturing leadership, and unlocking potential. My insights come from hands-on experience and a deep understanding of psychology, leadership, and personal growth, and I believe we are all ever-evolving in our journeys.
This book captivates me because Chris McCandless's quest for meaning and self-discovery mirrored my own struggles with never wanting to fit into a box determined by others. His desire to break free from societal constraints and find true fulfillment resonates with my own experiences. Jon Krakauer’s portrayal of McCandless’s adventure into the wilderness also strikes a chord with me, highlighting the extremes people go to in their pursuit of purpose and the consequences of those choices.
Reading it reminds me of the importance of embracing our own paths, even when they diverge from the norm and the profound insights that can come from stepping into the unknown.
Krakauer’s page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." —New York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all…
I’m a historian who knows women have long lived not-sad lives without children. I’ve spent years researching the full and vibrant lives women without children lived throughout history—lives that often were only possible becausethey didn’t have the responsibilities of motherhood. I’m also a woman living a decidedly not-sad life without kids. And yet, in popular imagination, a woman without kids must be longing to be a mother or grieving the fact that she isn’t. I know firsthand that it can be isolating not to have kids. But in writing about the sheer variety of lives non-mothers lived in the past, I’m trying to show that we’re not alone.
Unlike Ivey’s other book The Snow Child, which grapples with the grief of infertility (a book I also love!), this book considers the opportunities a life without children allows for.
It opens with Lieutenant Colonel Allan Forrester as he prepares to lead an expedition into Alaska in 1885. His wife, Sophie, is an explorer in her own right and plans to accompany him—until they realize she’s pregnant and decide she has to stay behind.
Spoiler: Sophie miscarries and learns she will likely never be able to carry a baby to term. But this isn’t an endpoint for Sophie: instead, it sets her on a path toward professional and creative success, as well as love and happiness in her marriage.
We’re used to reading about how motherhood gives life meaning—I loved Ivey’s portrait of how nothaving kids can do the same.
SHORTLISTED FOR THE EDWARD STANFORD TRAVEL WRITING AWARDS 2016.
Set in the Alaskan landscape that she brought to stunningly vivid life in THE SNOW CHILD (a Sunday Times bestseller, Richard and Judy pick and finalist for the Pulitzer Prize), Eowyn Ivey's TO THE BRIGHT EDGE OF THE WORLD is a breathtaking story of discovery set at the end of the nineteenth century, sure to appeal to fans of A PLACE CALLED WINTER.
'A clever, ambitious novel' The Sunday Times
'Persuasive and vivid... what could be a better beach read than an Arctic adventure?' Guardian
As a former U.S. Navy Aviation Rescue Swimmer and sponsored mountaineer, I’ve always been wired a bit differently. Whether it’s jumping from a helicopter to save a drowning person or topping out on the highest peak in the world, I’m always drawn to adventure and, specifically, stories of survival. Having operated in highly traumatic environments, I’ve gleaned a lot of wisdom through the years, which I’m now able to retell through my writing. I hope you enjoy the books on this list and they have a profound impact on you the same way they did on me!
Having climbed North America’s highest peak 3 times, Denali’s Howl describes a horrific situation on a mountain I’m all too familiar with.
The weather patterns, distance, and size of Denali make it an unforgiving peak to climb. I couldn’t put this book down as Hall recounted the dire scenario the climbers went through resulting in tragedy.
In the summer of 1967, twelve young men ascended Alaska's Mount McKinley-known to the locals as Denali. Engulfed by a once-in-alifetime blizzard, only five made it back down.
Andy Hall, a journalist and son of the park superintendent at the time, was living in the park when the tragedy occurred and spent years tracking down rescuers, survivors, lost documents, and recordings of radio communications. In Denali's Howl, Hall reveals the full story of the expedition in a powerful retelling that will mesmerize the climbing community as well as anyone interested in mega-storms and man's sometimes deadly drive to challenge the…
I’m a huge fan of Alaska—a landscape of unforgiving weather patterns, inaccessible terrain, savage animals, and undeniable pristine beauty. I’m also a nature lover and spend as much time outdoors as possible, often hiking and marveling at spectacular vistas like those found in The Damnable Legacy. But I’m also an avid observer of the human race and am fascinated by all sorts of behaviors: why we pursue our passions, how we love and grieve, and whether we can really change who we are at the core.
The initial hook inStill Points North was, for me, the opening and its description of the 4-seat plane that the author often flew in with her father. I flew in one when I went to Denali for field research for my novel, and it became not just one of those memories I’ll never forget but also experiential data for my book. I also appreciated how the author so eloquently describes the landscape, comparing and contrasting life in the wilderness with life on the East Coast. But what most impressed me was her revelation, which coincides with the experiences of my novel’s protagonist, that relationships can sometimes be more frightening and challenging than Alaska’s natural savagery.
Part adventure story, part love story, part homecoming, Still Points North is a page-turning memoir that explores the extremes of belonging and exile, and the difference between how to survive and knowing how to truly live.
Growing up in the wilds of Alaska, seven-year-old Leigh Newman spent her time landing silver salmon, hiking glaciers, and flying in a single-prop plane. But her life split in two when her parents unexpectedly divorced, requiring her to spend summers on the tundra with her “Great Alaskan” father and the school year in Baltimore with her more urbane mother.
I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.
I loved this book because it told the inner story of Southeast Alaska, a place where I grew up, a story I had never truly known. Tragic yet also easily relatable, the book tells of a family both deeply injured by and standing up against institutionalized racism. This is the Alaska that tourists do not see but that is powerfully, achingly real.
In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning.
Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the author’s life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventually…
My debut mystery novel takes place in Alaska, a setting I love and think has a distinct personality of its own. My historical novel in progress is set in Hawaii, where I grew up, and it reflects the particular diverse culture of this nostalgic venue. Another work-in-progress is set in post-apocalyptic Argentina–you can see the pattern here. Having a cast of interesting, believable characters is essential–but bringing them to life in compelling locales enriches and enlarges the story, in my mind. So many wonderful books skillfully fulfill these requirements–I hope you’ll agree these are among the best in the mystery genre!
It’s no secret that I have a real fondness for Alaska–its landscape, people, and singular quirkiness. Southeast Alaska, where this novel is set, is its own idiosyncratic microcosm.
The bars for serious drinking, the sideways rain, the grab bag of misfit characters–is John Straley at his best in this novel. In his no-holds-barred yet fond portrayal of Alaska, where his protagonist spends most of his days in an alcoholic but observant haze, the 49th state is like a walk-on character actor who ends up eating the scenery.
The First Cecil Younger investigation set in Sitka, Alaska
Cecil Younger, local Alaskan investigator, is neither good at his job nor great at staying sober. When an old Tlingit woman, unimpressed by the police’s investigation, hires him to discover why her son, a big game guide, was murdered, he takes the case without much conviction that he’ll discover anything new. But after a failed assassination attempt and the discovery of previously missed evidence, Younger finds himself traveling across Alaska to discover the truth in a midst of conspiracies, politics, and Tlingit mythology. High drama meets local color as Cecil Younger…
I’m a long-time Alaskan (and former Alaska writer laureate) with a passion for my place—its people, environment, and history. I’ve always read widely in its literature and have watched it mature from superficial “last frontier” stories into a complex and diverse wealth of authentic and well-told stories. Since 2015 I’ve reviewed books for the Anchorage Daily News and have made it my business to know and support the growing Alaska writing community. Alaska is particularly strong in nonfiction writing while fiction (other than mysteries and short stories) has been slower to develop, and I’ve chosen to highlight five examples of novels that present truths through imaginative leaps.
Set in Southeast Alaska, Jimmy Bluefeather honestly depicts both environmental and generational change.
A Tlingit-Norwegian canoe carver anticipates the end of his life while his grandson struggles with his own future and a whale biologist resists authority in favor of moral action. Heacox grounds his beautifully-written story in considerable research as well as with respect for cultural beliefs and practices.
The canoe carver in particular is well-drawn and memorable, with toughness, resilience, and humor earned from living close to the Earth and its waters, in a place of stories. A canoe journey carries the story into a wild landscape, questions about conflicts between economic development and the preservation of lands and cultural values, and understandings of human frailty and strength.
"Part quest, part rebirth, Heacox's debut novel spins a story of Alaska's Tlingit people and the land, an old man dying, and a young man learning to live." -Kirkus Reviews (starred review)
"A splendid, unique gem of a novel." -Library Journal (starred review)
"Heacox does a superb job of transcending his characters' unique geography to create a heartwarming, all-American story." -Booklist
"What makes this story so appealing is the character Old Keb. He is as finely wrought and memorable as any character in contemporary literature and energizes the tale with a humor and warmth that…
I've never been anything but a writer, despite growing up and spending my first 50 years in Alaska. Alaska has been my major topic—what else could it be in that overwhelmingly powerful place?—but it has also been my frustration, because Alaska is a real place that exists in most readers’ minds only as a romantic vision, and they resist any other version. Like the real Eskimos in my book, whose world is melting from climate change as they pump millions of barrels of crude oil from their homeland. The writers I chose are all Alaskans, like me, who tell those stories about the magical, terrifying place that lies behind the Disney version you already know.
This is an ancient, novel-length tale of a hero in the Alaska wilderness near the dawn of time, confronting the cruelty and grief endemic in a world in which survival always hangs on the luck and skill of the hunter. Oman, who died in 2018 at 102, told me 30 years ago about holding onto the Qayaq story, even through the years when her cultural practices were effectively outlawed. She grew up at a time in Kotzebue when her father, a shaman, could only tell the ancient stories of her Inupiaq people at night, in secret, vouchsafing them with her for another generation. As an adult she continued collecting them, and then, in her old age, published this graceful and haunting story, which seems to reach to us from another world.
This is a splendid presentation of an ancient northern story cycle, brought to life by Lela Kiana Oman, who has been retelling and writing the legends of the Inupiat of the Kobuk Valley, Alaska, nearly all her adult life. In the mid-1940s, she heard these tales from storytellers passing through the mining town of Candle, and translated them from Inupiaq into English. Now, after fifty years, they illuminate one of the world's most vibrant mythologies. The hero is Qayaq, and the cycle traces his wanderings by kayak and on foot along four rivers - the Selawik, the Kobuk, the Noatak…
When I was a youngster, my parents took me on 6-week journeys across the United States by car. We'd stop in a small town each night, and I would explore on foot and meet other kids at the swimming pool or ice cream shop. That slow mode of travel has become my default, and I've spent years exploring back roads, small towns, and bywaters by car, bicycle, and sailboat. I write about the strangers I've found and the "candy" I've gotten from them: strangers have lessons for all of us and are not as dangerous as we've been told.
Sometimes, when we read history, it seems so dry and different from our own lives that it's hard to comprehend. In the 1920s and 30s, June Burn homesteaded on an island in the San Juans, lived in Alaska, and traveled across the country with a donkey cart. Yet I can envision myself in her adventurous life because her views were so much like my own. She was a feminist and a strong, brave woman who used her writing as an excuse to talk to strangers.
Courage, gaiety, and a fresh approach to life are reflected in this unconventional autobiography. It is a story of twentieth-century pioneers as resourceful as ever they were in the days of the old frontier. June Burn and her husband Farrar determined to go their own sweet way, enjoying first hand living and not surrendering to the routines of a workaday world. Through the years they had some high and glorious adventures, which included homesteading a gumdrop in the San Juan Islands of the Pacific Northwest, teaching Eskimos near Siberia, and exploring the United States by donkey cart with a baby…
I have worked and lived at sea for months at a time, and I have many memories of the sea, good and bad. I have lived through extreme Alaskan storms, fished in remote coves, and worked beyond exhaustion over and over. Working at sea taught me some important lessons about life and the possibility of sudden death. I experienced the romance of the sea from a young age, and it has inspired my writing.
Spike Walker is another writer that has inspired me. Working at sea in Alaska is to tempt fate amid the savage spectacle of nature in raw form. Men are trapped on boats for weeks and even months. Even a safe journey can drive men to the edge. However, in Alaska, disaster can arise at moment’s notice—and often does. Walker tells Alaska sea stories better than anyone. In Nights of Ice, he shares seven amazing stories of disaster and survival. The stories come alive, as Walker has worked on the edge himself. Now he tells some of the greatest Alaskan sea stories ever.
Spike Walker has spent more than a decade fishing in the subzero hell of Alaska's coastal waters. This collection--coming on the heels of his classic memoir Working on the Edge--is a testament to the courage of those who brave nature's wrath each fishing season, and to the uncontrolled power of nature herself.. The crewmen in Nights of Ice face a constant onslaught of roaring waves, stories-high swells, and life-stealing ice. Tested by the elements, these seamen battle for their vessels and their lives, on every page evincing a level of courage and a will to live seldom found elsewhere in…
