80 books like Jimmy Bluefeather

Unlike Ivey’s other book The Snow Child, which grapples with the grief of infertility (a book I also love!), this book considers the opportunities a life without children allows for.

It opens with Lieutenant Colonel Allan Forrester as he prepares to lead an expedition into Alaska in 1885. His wife, Sophie, is an explorer in her own right and plans to accompany him—until they realize she’s pregnant and decide she has to stay behind.

Spoiler: Sophie miscarries and learns she will likely never be able to carry a baby to term. But this isn’t an endpoint for Sophie: instead, it sets her on a path toward professional and creative success, as well as love and happiness in her marriage.

We’re used to reading about how motherhood gives life meaning—I loved Ivey’s portrait of how not having kids can do the same.

Kantner’s book, from 2004, is the first literary novel, in my judgment, to present an authentic view of contemporary Alaska.

The story (thinly disguised from the author’s own life) is told by a white boy growing up in a remote northern part of Alaska, living with his family as an earlier generation of Inupiaq people did. The boy fits in with neither the modernizing Inupiaq of a nearby village nor the white world, although he is very much at ease with the natural world and the skills his life demands.

When he later tries city life, the contrast is stark and painful. Kantner presents both worlds in exquisite detail as he explores larger themes about values, choices, and human relationships. Ordinary Wolves won the Milkweed National Fiction Prize.

Set in the 1990s, this very engaging novel tracks the arrival of a young, angry, and confused Tara Marconi to a southeast Alaska town and then follows her as she matures alongside a set of memorable and often damaged characters.

The depictions of small-town life and the fishing industry are well-wrought, as are the conflicts that many Alaskans face with themselves, their pasts, and the environment. This counts as a coming-of-age story but is unique in its depiction of a strong, smart, and adaptable young woman finding her true, independent self in a place where self-realization is not just allowed but encouraged.

At its most basic, The Alaskan Laundry is a testament to how places and spaces shape us, and how we find where we belong. 

Alaska’s Indigenous people—expert storytellers and artists—have yet to author many works of fiction, so it’s a pleasure to have discovered this new novel by a writer of Inupiaq heritage.

Set in 1893 during a smallpox epidemic, Sivulliq features two viewpoint characters—an Inupiaq mother whose small daughter is kidnapped by a commercial whaling captain and a Black whaler on the whaling ship. The fast-paced plot follows the family’s efforts to find the ship and rescue the child, while life aboard the ship is narrated by the reluctant whaler.

The historic truths brought to life here include the devastation of Native Alaskans from disease and famine, the prevalence of Black whalers and the often-brutal conditions on board, and Inupiaq spiritual connections (then and now) to the land and ancestors. 

I’m recommending Raven Stole the Moon for a few reasons. First, it addresses maternal guilt and loss, which are important themes in my novel. Second, it incorporates Native Alaskan mysticism, drawing on the author’s Tlingit heritage. I am always intrigued by spiritual lore, and one of my characters, who also has a Native Alaskan background, relies on nature to anticipate—or even predict—the future. And finally, I’m an overall fan of the author (who also wrote The Art of Racing in the Rain) and found the book to be entertaining—and let’s face it, entertainment is one of the key reasons we read!

This is an ancient, novel-length tale of a hero in the Alaska wilderness near the dawn of time, confronting the cruelty and grief endemic in a world in which survival always hangs on the luck and skill of the hunter. Oman, who died in 2018 at 102, told me 30 years ago about holding onto the Qayaq story, even through the years when her cultural practices were effectively outlawed. She grew up at a time in Kotzebue when her father, a shaman, could only tell the ancient stories of her Inupiaq people at night, in secret, vouchsafing them with her for another generation. As an adult she continued collecting them, and then, in her old age, published this graceful and haunting story, which seems to reach to us from another world.

This story has a great combination of romance and suspense and action. You gotta love Sam, who's just trying to keep his family's rescue organization going and has such strong loyalty toward his family. And Nora's courageous and feisty, just trying to survive from a dangerous situation. Carmen’s books are low on the explicit and violence/gore scale, which is perfect when you want to go on a ride without all of the extraneous cursing and whatnot. 

Although I happen to know that poet Anne Coray intended this to be an environmentalist novel (a town threatened with doom by a giant mining operation), this beautifully written story set in the fictitious town of Lost Mountain in remote Western Alaska is an example of how Alaskans come together in the face of threats to the beauty and natural wonder of our great land. It may be about the land, but it is the cast of quirky characters that makes it human. 

Sometimes, when we read history, it seems so dry and different from our own lives that it's hard to comprehend. In the 1920s and 30s, June Burn homesteaded on an island in the San Juans, lived in Alaska, and traveled across the country with a donkey cart. Yet I can envision myself in her adventurous life because her views were so much like my own. She was a feminist and a strong, brave woman who used her writing as an excuse to talk to strangers.

I first read this novel when I was 11–my parents had it in the study, and for some reason, I picked it up one day–probably because there was nothing on TV, and I couldn’t stop reading. I was captivated by this book; it was like nothing I’d ever read, describing a place that was so different from my midwestern home.

It’s the story of Alaska and its history–told in a pacy, thrilling way. I still remember this book 40 years on, which says something!