91 books like Denali's Howl

This book captivates me because Chris McCandless's quest for meaning and self-discovery mirrored my own struggles with never wanting to fit into a box determined by others. His desire to break free from societal constraints and find true fulfillment resonates with my own experiences. Jon Krakauer’s portrayal of McCandless’s adventure into the wilderness also strikes a chord with me, highlighting the extremes people go to in their pursuit of purpose and the consequences of those choices.

Reading it reminds me of the importance of embracing our own paths, even when they diverge from the norm and the profound insights that can come from stepping into the unknown.

Unlike Ivey’s other book The Snow Child, which grapples with the grief of infertility (a book I also love!), this book considers the opportunities a life without children allows for.

It opens with Lieutenant Colonel Allan Forrester as he prepares to lead an expedition into Alaska in 1885. His wife, Sophie, is an explorer in her own right and plans to accompany him—until they realize she’s pregnant and decide she has to stay behind.

Spoiler: Sophie miscarries and learns she will likely never be able to carry a baby to term. But this isn’t an endpoint for Sophie: instead, it sets her on a path toward professional and creative success, as well as love and happiness in her marriage.

We’re used to reading about how motherhood gives life meaning—I loved Ivey’s portrait of how not having kids can do the same.

The initial hook in Still Points North was, for me, the opening and its description of the 4-seat plane that the author often flew in with her father. I flew in one when I went to Denali for field research for my novel, and it became not just one of those memories I’ll never forget but also experiential data for my book. I also appreciated how the author so eloquently describes the landscape, comparing and contrasting life in the wilderness with life on the East Coast. But what most impressed me was her revelation, which coincides with the experiences of my novel’s protagonist, that relationships can sometimes be more frightening and challenging than Alaska’s natural savagery.

I’m recommending Raven Stole the Moon for a few reasons. First, it addresses maternal guilt and loss, which are important themes in my novel. Second, it incorporates Native Alaskan mysticism, drawing on the author’s Tlingit heritage. I am always intrigued by spiritual lore, and one of my characters, who also has a Native Alaskan background, relies on nature to anticipate—or even predict—the future. And finally, I’m an overall fan of the author (who also wrote The Art of Racing in the Rain) and found the book to be entertaining—and let’s face it, entertainment is one of the key reasons we read!

Faith of Cranes leans more on the inspiration than being an outright adventure, but an adventure it is. It’s a quiet, lilting, beautifully written memoir about home and community, and a former wildlife biologist’s attempt to recover his own sense of hope amidst the ravages of climate change. His story is adeptly tied to the history and lifecycle of the sandhill cranes he chronicles throughout the book, as well as his community, its natural beauty and the eccentric neighbors he shares it with. Ultimately, with the birth of his daughter, his hope is restored, at least to a point.  

I know this book’s journalist co-author, so I may be a bit biased. But I’ve also had scary grizzly encounters—many during my arctic traverse—and few books capture the terror as does this account of a twenty-five-year-old blinded permanently in a bear attack.

Dan Bigley had not embarked on a grand adventure; he was on a trail through the woods, returning from a day of salmon fishing. Like me, Dan used to take troubled kids into the outdoors, so I easily identify with him. His true adventure, and true courage, shows in how he mended his life and even gave it new meaning.

After five reconstructive surgeries, he reconnected with a woman he’d fallen for just before the trauma and resumed his role as a caring member of his community.  

Though this book is 17 years old, it is still a compelling memoir about a young man’s journey to find his “place” in Alaska, and the exploits he has along the way. Heacox describes in elegant detail his paddling adventures, encounters with wildlife, his work as a ranger, and his struggle with humanity and how we are all, including himself, tampering with the natural world we love. A wonderful personal adventure interspersed with rich characters, history, and internal conflict.

For five months, the wildlife biologist and his filmmaker wife, on skis and on foot, shadowed the Porcupine caribou herd’s spring migration from boreal forest wintering grounds to their nursery on Alaska’s tussock-studded tundra—“North America’s Serengeti,” or, to the Gwich’in Indians, who depend on the animals for subsistence and spiritual nourishment, “The Place Where Life Begins.”

The couple’s journey impresses me as a long-distance feat, and with its poetic rendering, but foremost with its conservation angle. They raised awareness of fossil fuel extraction that threatens lifeways, both the Gwich’in’s and the caribou’s; after their trip, they ventured to Washington D.C. to lobby for the wildlife refuge’s protection.

The book’s highlight for me is the couple tentbound, whispering—out of consideration—amidst thousands of birthing caribou cows.

Hoping to gain perspective on his troubled marriage, the deaths of friends, and the vagaries of middle age, charter-boat captain Lynn Schooler commits to a walkabout along the “Lost Coast,” one of Southeast Alaska’s wildest stretches.

What begins as a voyage of introspection soon becomes a grueling march—through pelting rain, jungle-like brush, and ankle-busting boulder fields—that climaxes in a long face-off with a rogue bear and the terrifying crossing of a meltwater torrent.

Just getting to this trail-less wilderness in Glacier Bay National Park tests Schooler's mettle; waves pound his small vessel, and boat-swallowing currents threaten his entry into Lituya Bay. On my Brooks Range traverse, I too was moving steadily toward home (in my case, Nome) a knowledge that powered each step and oar stroke.

I love this beautifully-told story with its bold message about believing in yourself and the power of forgiveness. This native Alaskan legend tells of two old women from long ago. When the tribe faces severe famine during a dangerously cold winter, they abandon the two old “useless” women with no food, leaving them to starve.

Now, the two old women must learn to believe in themselves and fight the elements to survive. They remember forgotten wisdom from their youth–how to make snares and find fish under the ice. They not only survive, but thrive. But once they do, their ultimate challenge is to forgive those who left them to die. Because now the tribe is struggling and will not survive without their help.