Here are 12 books that Postmortems fans have personally recommended if you like
Postmortems.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
From early on, I found myself captivated by the concept of a dystopic future for humanity. Years later, a 20+ year police career cemented the notion that people are not inherently good and that if a dystopic future is at all possible–we as a species will make it a reality. My love of science fiction, especially all forms of dystopia, combined with a hard-earned street-level grit and a love of action. Whether writing solo or with my amazing co-author, Dr. Gareth Worthington, I often inject these elements into my stories. I hope you enjoy the books on this list as much as I did!
I’m an action guy. It drives me. So when you have a very well-developed sci-fi dystopia that asks tough questions about consumerism, corporate power, and our growing addiction to tech, and it’s loaded with action, I’m in.
This is that book, and while the actual writing is not always to my specific taste, the overall presentation is masterful. And did I mention action-packed? Looking back, Stephenson’s depiction of our addiction to technology is basically prophetic. Put this one on your list.
The “brilliantly realized” (The New York Times Book Review) breakthrough novel from visionary author Neal Stephenson, a modern classic that predicted the metaverse and inspired generations of Silicon Valley innovators
Hiro lives in a Los Angeles where franchises line the freeway as far as the eye can see. The only relief from the sea of logos is within the autonomous city-states, where law-abiding citizens don’t dare leave their mansions.
Hiro delivers pizza to the mansions for a living, defending his pies from marauders when necessary with a matched set of samurai swords. His home is a shared 20 X 30…
Ever since childhood, I’ve been dazzled by the idea of virtual worlds described by pixels, first in ancient computer games, and then in novels that gave the rudimentary graphics of decades past a vivid new life—from the hallucinatory realities in Philip K. Dick’s novels to William Gibson’s Neuromancer to most of all, Neal Stephenson’s Snow Crash. As a young writer, I stepped sideways into a dream assignment: Helping make the Metaverse real. After writing about it for two decades, however, I’m still learning about it now.
Julian wrote “A Rape in Cyberspace,” a widely-discussed Village Voice article about transgression in LambdaMOO, a very early virtual world (known as a MUD, for multi-user dimension) depicted completely in text.
Expanding this story into a deeper exploration of its fascinating user community, My Tiny Life was incredibly influential to me as a very young writer—convincing me that online games and virtual worlds offered endless stories and insights into the human condition.
His book remains crucial to understanding virtual worlds. Indeed, as I write in my own book, a senior developer at Meta desperately tried to get colleagues to read it, so they didn’t repeat past mistakes. Sad to say they didn’t, and so they did.
This is the true story of a journey into LambdaMOO, a virtual Eden, where race, gender and identity were infinitely malleable and whose visitors thought they had escaped from all usual cultural limits. Until a brutal rape and ideological warfare between high and low castes brought the virtual and real worlds into seizmic collision. "LambdaMOO is a new kind of society, where thousands of people voluntarily come together from all over the world. What these people say or do may not always be to your liking; as when visiting any international city, it is wise to be careful who you…
Ever since childhood, I’ve been dazzled by the idea of virtual worlds described by pixels, first in ancient computer games, and then in novels that gave the rudimentary graphics of decades past a vivid new life—from the hallucinatory realities in Philip K. Dick’s novels to William Gibson’s Neuromancer to most of all, Neal Stephenson’s Snow Crash. As a young writer, I stepped sideways into a dream assignment: Helping make the Metaverse real. After writing about it for two decades, however, I’m still learning about it now.
While many game developers have often referred to the virtual world they were building as inspired by the Metaverse of Snow Crash, the term never quite caught on outside their industry—until seasoned media executive and venture capitalist Matthew Ball came along.
Hitting the shelves exactly 30 years after Neal Stephenson’s novel was published, Matt changed all that, explaining the concept in terms that the broader business world could understand. Also highly recommended for delving into the financial and technical challenges that must be surmounted to create a fully instantiated Metaverse.
The term "metaverse" is suddenly everywhere, from debates over Fortnite to the pages of The New York Times to the speeches of Mark Zuckerberg, who proclaimed in June 2021 that "the overarching goal" of Facebook is to "bring the metaverse to life."
But what, exactly, is the metaverse? As pioneering theorist and venture capitalist Matthew Ball explains, it is the successor to the mobile internet that has defined the last two decades. The metaverse is a persistent, 3D, virtual world-a network of interconnected experiences and devices, tools and infrastructure, far beyond mere virtual reality. And it is poised to revolutionise…
Ever since childhood, I’ve been dazzled by the idea of virtual worlds described by pixels, first in ancient computer games, and then in novels that gave the rudimentary graphics of decades past a vivid new life—from the hallucinatory realities in Philip K. Dick’s novels to William Gibson’s Neuromancer to most of all, Neal Stephenson’s Snow Crash. As a young writer, I stepped sideways into a dream assignment: Helping make the Metaverse real. After writing about it for two decades, however, I’m still learning about it now.
From a certain angle, metaverse platforms are the quirkiest example of the social media revolution, where grassroots creators express themselves online to gain fans, influence, and (on the very high end) a full-time income.
Deeply and thoughtfully reported by someone who started her own journalist career in social media, Taylor’s book is a must-read on the rise of the social media revolution, from the early 2000s era of blogging (when I got my own start) to the video sharing powerhouse of TikTok—and evolving to a broader ecosystem forecast to be half a trillion dollars in value by 2027.
'A terrific history of the online creator economy.' The New York Times
'This book is about a revolution. It has radically upended how we've understood and interacted with our world. It has demolished traditional barriers and empowered millions who were previously marginalized. It has created vast new sectors of our economy, while devastating legacy institutions. It is often dismissed by traditionalists as a vacant fad, when in fact it is the greatest and most disruptive change in modern capitalism.'
Acclaimed Washington Post reporter Taylor Lorenz presents a groundbreaking social history of the internet-revealing how online influence and the creators who…
All my books (I hope!) sweep the reader into another world – it’s one of my favourite themes in the books I love to read, as well as write. When I was about seven, I first read some of the books which would shape my life, including Elidor by Alan Garner and A Wrinkle in Time by Madeleine l’Engle, which brought me right out of my own life and into worlds as varied as the frightening interstellar realm of Camazotz and the battlefields of Elidor. I’ve been trying to capture that sense of ‘being swept away’ in my own work ever since.
All of Vashti Hardy’s books are brilliant, but I recommend Crowfall because Hardy creates an incredibly immersive world – the island of Ironhold – and characters including a mechanical sea monster, a pet robot, and a very brave boy named Orin. When Orin discovers his island is under threat, and ends up being put to sea in a rickety boat, how can he save his family and home? An unforgettable adventure.
A rip-roaring, island-hopping adventure - and unforgettable ecological fable - from the award-winning author of Wildspark and Brightstorm. 'Hardy has drunk from the same cup as Philip Reeve and Philip Pullman.' - LITERARY REVIEW
Ironhold is an orderly place where "industry brings prosperity", and where nature is pushed aside for progress. But when Orin Crowfall, a lowly servant boy, learns that the island itself is in grave danger, that knowledge makes him a target of powerful forces. He narrowly escapes on a small boat, but then faces a fight for survival with his robot friend, Cody, in the stormy ocean,…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
A fantasy read by the husband-wife author team Tiffany Roberts. This is a dystopian/insane asylum twist on Alice in Wonderland, featuring some absolutely gorgeous imagery and a Cheshire Cat hero named Shadow. Shadow is a character to swoon over—charming, heroic, and mysterious—he’s the book boyfriend you’ve been waiting for.
He’s deadly, seductive, and completely unhinged. He’s also her only chance of escape.
Alice knows Wonderland is just a virtual world operated inside an asylum to which she’s been wrongfully committed, but she can’t find her way out—can’t find her way back to the life she lived before she woke beneath titanic trees and towering flowers. With the terrifying Red King searching for her and chaos all around, her only hope of escape lies in Shadow, a tall, mysterious being with glowing eyes, sharp claws, and a haunting grin who may be the maddest of them all.
I’m one of those odd people who always needs to know why. Why do computers work, why do societies break down? Why do humans kill? Why are cat videos so irresistible? All of those questions explore what it means to be human, but science fiction takes those questions to the extreme, pitting people against the most extreme environments and situations in order to see how they’ll react. To me, that never grows old, and the books I love the most are the ones that do it the best. In my humble opinion, of course.
The world of Otherland is Earth, and the people are human, but woven into that familiar landscape is a virtual world that hasn’t quite happened yet. Imagine a virtual, digital world in which your avatar can ‘feel’. Why would you ever want to leave?
I first read Otherland soon after I started playing MMORPGs [Massively Multiplayer Online Role Playing Games]. MMORPGs provide a ‘persistent’ world in which your character can fight, craft, build, or just socialize with other players. As such, it can become very immersive, and that’s just through the power of the imagination and some pixels on a screen. Now, imagine how immersive a virtual world would be. And how dangerous.
Otherland started me thinking about technology and how humans relate to new innovations. It also inspired some of my own writing.
Otherland is a universe ruled by Earth's wealthiest and most ruthless power-brokers, The Grail Brotherhood. Surrounded by secrecy, incredible amounts of money have been lavished on it and two generations have laboured to build it. Now it is claiming Earth's most valuable resource - its children.
LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.
A Russian novel with a top-notch translation, Alterworld is a controversial series, but one that is etched into LitRPG history and is legitimately worth reading.
The story’s terminally ill protagonist cheats death by uploading his consciousness to a game world, trapping himself in-game, and unlocking a whole slew of issues to overcome. Be forewarned: the series is mired in controversy for several reasons, not least of which being the author’s mercurial political stance. Initially hyper-critical of government, the author becomes famous and suddenly changes his tune. If you binge read the series, this jump to pro-national propaganda will stick out like a sore thumb, but it’s a bit like a trainwreck that’s difficult to look away from. It’s odd and serves to make the series that much more interesting.
A page-turning LitRPG debut in the tradition of Nam Heesung, Legendary Moonlight Sculptor, and Ernest Cline, Ready Player One. Bestseller #1 for years 2013, 2014 and 2015. Bestseller #1 at Audible in 2016. Translated to Korean, German, Polish and Czech languages. A new pandemic - the perma effect - has taken over Earth of the near future. Whenever you play your favorite online game, beware: your mind might merge with the virtual world and dump its comatose host. Woe be to those stuck forever in Tetris! And still they're the lucky ones compared to those burning alive eternally within the…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
As someone who has played and enjoyed Massively Multiplayer Online Games (MMOGs) before, I find the way they walk the line between fiction and nonfiction to be absolutely fascinating.
In this book, Andrew Groen approaches the players of the game Eve Online as a historian and chronicler, aiming to record the monumental events that took place within the confines of the game. The way that Groen wins the trust of these players, enabling him to tell a sprawling story of battles and betrayals that exist within a strange space, reality, and fiction, is wonderful.
Empires of A History of the Great Wars of EVE Online is the incredible true story of the dictators and governments that have risen to power within the real virtual world of EVE Online. Since 2003, this sci-fi virtual world has been ruled by player-led governments commanding tens of thousands of real people. The conflict and struggle for power between these diverse governments has led to wars, espionage, and battles fought by thousands of people from nations all over the world. There have been climactic last stands, wars for honor and revenge, and spies who caused more damage than a…
I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.
Edward Wright is portalled into an RPG world as a bad guy, but he’s determined to use his dark powers for good. What’s lovely about The Wraith’s Haunt is that Edward doesn’t just build a dungeon. He builds a community. He offers shelter for the disenfranchised, many of them monsters, and knits a motley, heart-warming alliance for the betterment of all. And this is all done within the comfortable progression architecture of a classic dungeon core LitRPG.
Dark forces have extended Edward Wright an offer of incredible power at a terrible cost...
...and Edward has chosen to make them regret it.
When Edward is swept into the world of Ivalis as a Dungeon Lord, the Dark's most powerful servant, he has no servitude in mind. He'll oppose the evil plans of the Dark god Murmur, whatever it takes.
Through only his wits and his guts to help him survive a weakened arrival, Edward must rise to power if he is to earn the right to live another day.
