Here are 100 books that Escaping Wonderland fans have personally recommended if you like
Escaping Wonderland.
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I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
I just love this idea. A series starring the four horsemen as our heroes. It’s a pretty dire plot, set in a post-apocalyptic world with our heroine out there kicking ass and fending for herself, only to cross paths with a horseman. It’s tragic, and star-crossed, and basically everything you want in a romance novel.
They came to earth-Pestilence, War, Famine, Death-four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all.
When Pestilence comes for Sara Burn's town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed.
Too bad no one told her Pestilence can't be killed.
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
Ruby Dixon is quite the goddess herself. Literally everything she writes is gold. The Ice Planet Barbarian series introduced me to Syfy romance and I’ve re-read those books more times than I can count. I particularly enjoy the Anchor and Aspect books because of the length. It’s everything I love about Ruby Dixon, but I can’t devour it in a single night. That means one, two, sometimes even threenights of a story and characters that I love. Doesn’t get much better than that.
When I went to my neighbor's apartment to investigate strange sounds, I never expected to fall through a portal into another world. Yet here I am, a stranger in an even stranger land...and I'm stranded. In this world, might makes right, men carry swords, and gods walk the earth. Within minutes of arriving, I’m enslaved.
Fun place.
How do I get home? GREAT question. Wish I had an answer.
The one person that might be able to help me is also the one person I want to throttle most. Aron, Lord of Storms, Butcher God of Battle, is my new…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in.
Aldora lived in a bordertown on the edge of the maze. A labyrinth that spanned an eternity filled with creatures that howled through the night. She was a daughter to farmers that worked the fields and endured a quiet life as a peasant, away from the capital and its nihilistic celebrations; away from all that would look at her and discern her worth. Because to be chosen as a sacrifice was to be chosen to die. Until one night, while at the labyrinth wall, she heard a husky voice in the darkness.
Vedikus Bathyr. He prowled the overgrown passages at…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
I love everything Bex McLynn writes. There is depth to her stories unparalleled in the genre, on top of that: nobody writes a hero like Bex. I still swoon just thinking about the book Bane. Rein is as deep and complex as her Syfy work, but in a world of werewolves and moon Gods.
The hunt no longer satisfied them. They wanted more.
Nikolas has sheathed his claws. After centuries of hunting and exterminating his own people—wolf shifters cursed with Madness—all he wants is oblivion. Fortunately, a relentless huntress has targeted him, and he gladly welcomes his end by her hand.
In truth, death has never looked so lovely.
Oliviana wants her revenge, yet immortal beings who know her deadly secret have waylaid her hunt. Forced to follow Nikolas into dangerous territory, she hears whispers about an end to Madness. A ‘too-little-too-late’ cure that hinges on Nikolas being alive and well—and mated.
I worked as a paralegal for many years and know how little justice there is in this world. Passion is a requirement if you toil in that legal arena of wit and woe. Even if you lose your case, you must go on. That’s when I had the epiphany that there are other forms of justice. I also realized that the occult does not necessarily mean bad or evil. If I’m losing faith, I pick up a novel about the delicious and refreshing possibilities of justice with a twist. This is a kind of justice where there is not necessarily a courtroom; there are no judges, no lawyers, and no jury.
I will never forget this story. It’s about betrayal and street justice. Sometimes, it’s the only way to regain your soul.
When New York socialite Jo Slater meets a French countess, they become fast friends. Shortly after, bad things start to happen.
First, her husband dies under mysterious circumstances. Next, she loses everything because the beneficiary of her husband’s will is the countess. Struggling through poverty, she comes up with a brilliant plan for justice.
Just like that, the French countess had vanished, and Jo had regained her losses. Best of all, she had regained her smile; it was a certain kind of smile, like that of a Cheshire cat
When her husband of twenty years dies under mysterious circumstances, leaving his fortune--and Jo's position in society--to a mysterious French countess, Jo Slater, once one of New York's leading grande dames, comes up with an ingenious scheme to seek revenge designed to recoup her fortune and reclaim her "throne," with only a little murder standing in her way. 35,000 first printing.
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
I have always loved literature, especially for its daring use of language. That’s how I became interested in the weird and strange styles of the nineteenth century. For many scholars, the Victorian novel is the most realistic form of writing ever produced and the closest that the novel comes to cinema—so if you notice an author’s style, then something’s gone wrong because it disrupts the illusion of reality. But it doesn’t take much to realise that even the most realistic novels have styles that are highly distinct and that the Victorian period is full of other writers whose styles are bizarre, extreme, or fascinatingly eccentric.
This book has become so familiar to us through cartoons and movies that we often forget how very weird it is as a piece of writing. The book begins when Alice, bored of her sister’s company, notices a white rabbit muttering to itself “Oh dear! Oh dear!”, and starts to become curious—not, mind you, because talking rabbits are impossible, but only because they are so very intriguing.
The rest of the book shares this bemused tone: Alice will be subjected to all sorts of indignities, including a near-beheading, but as a “good” Victorian girl, she will generally accept the bizarre reality that is presented to her. Carroll’s mastery of language is key to this effect. Nearly every character sounds sensible, turning well-formed logical sentences, but they never make much actual sense, and their speeches are riddled with so many puns, double meanings, and other linguistic tricks that one can never…
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
Although I’m a cat lover, I’ve spent my career studying the evolution of lizards. As my career progressed, it never occurred to me to investigate cats. They’re too hard to study (ever tried following one?), plus, I thought there was no interesting cat research being done. Then I learned I was completely wrong—cat scientists are conducting great work using cutting-edge techniques. So I decided to teach a freshman class on the science of cats, hoping to lure in cat-loving students and then teach them how scientists study nature, using cats as the vehicle. The class was a success, but something unexpected happened: I became hooked on cat science myself!
In this concise, easy-to-read, and lavishly illustrated book, the late Juliet Clutton-Brock recounts the history of cats from their humble origins in the African bush to our beloved and diverse companions today.
I particularly like how Clutton-Brock, one of the leading zooarchaeologists of her time, blends historical accounts with her own observations on both ancient and modern-day moggies.
They can be found in pyramids, laid to rest alongside pharaohs, or mummified within the walls of superstitious British homeowners. Going to sea in a pea-green boat or fading to a Cheshire smile, they grace the pages of literature from Aesop to Eliot. They curl up on the hearth, they prowl the bar, they haunt the alleyway. With us since the dawn of culture, cats nonetheless have the shortest history of all domestic animals, a history that circumstances of breeding and temperament have made all the more elusive. What can be known about these creatures, so common yet so enigmatic,…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Legend has it that the author first conceived the story while rowing on the River Thames. How a session at the oars could inspire such characters as the White Rabbit and the Cheshire Cat I have no idea.
Nevertheless, I have read this book aloud more times than I can count—from beginning to end, and also in odd increments, skipping about from chapter to chapter. And yet, the sentences always surprise me with their musicality and sense of fun.
Chapter 3, for example, contains this exchange: “Mine is a long and a sad tale!” said the Mouse, turning to Alice, and sighing. “It is a long tail, certainly,” said Alice, looking down with wonder at the Mouse’s tail; “but why do you call it sad?”
Pook Press presents Lewis Carroll's world-famous novel "Alice's Adventures in Wonderland" with original illustrations by John Tenniel. This classic story, first published in 1865, relays the tale of a girl named Alice who falls down a rabbit hole into a fantasy world. As the adventure unfolds, Alice explores many magical places and meets the most curious characters. The book was a huge commercial success on its initial publication and continues to delight readers today. Alice's journey is illustrated with gorgeous black and white drawings from John Tenniel. His Alice illustrations are instantly recognisable and are the most famous of this…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I loved the Alice books as a child and even more as an adult. As a child, I loved their absurdist humor; the situations Alice gets into are ridiculous, and the ways she gets out are even more so. As an adult, I love that the absurdist humor asks really interesting questions about language and naming and self, our ideas of time and space, and social conventions and who’s in charge of them.
All this with hilariously eccentric characters and nonsense poetry that isn’t quite nonsense! To top it off, reading Alice as an adult is a trip because so many books, movies, songs, and other creative pieces have referenced events or language from the Alice books. What fun!
'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat. 'We're all mad here.'
The 'Alice' books are two of the most translated, most quoted, and best-known books in the world, but what exactly are they? Apparently delightful, innocent fantasies for children, they are also complex textures of mathematical, linguistic, and philosophical jokes. Alice's encounters with the White Rabbit, the Cheshire-Cat, the King and Queen of Hearts, the Mad Hatter, Tweedledum and Tweedledee and many other extraordinary characters have made them masterpieces of carefree nonsense, yet they also appeal to adults…
