Here are 100 books that Escaping Wonderland fans have personally recommended if you like
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I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
I just love this idea. A series starring the four horsemen as our heroes. It’s a pretty dire plot, set in a post-apocalyptic world with our heroine out there kicking ass and fending for herself, only to cross paths with a horseman. It’s tragic, and star-crossed, and basically everything you want in a romance novel.
They came to earth-Pestilence, War, Famine, Death-four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all.
When Pestilence comes for Sara Burn's town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed.
Too bad no one told her Pestilence can't be killed.
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
Ruby Dixon is quite the goddess herself. Literally everything she writes is gold. The Ice Planet Barbarian series introduced me to Syfy romance and I’ve re-read those books more times than I can count. I particularly enjoy the Anchor and Aspect books because of the length. It’s everything I love about Ruby Dixon, but I can’t devour it in a single night. That means one, two, sometimes even threenights of a story and characters that I love. Doesn’t get much better than that.
When I went to my neighbor's apartment to investigate strange sounds, I never expected to fall through a portal into another world. Yet here I am, a stranger in an even stranger land...and I'm stranded. In this world, might makes right, men carry swords, and gods walk the earth. Within minutes of arriving, I’m enslaved.
Fun place.
How do I get home? GREAT question. Wish I had an answer.
The one person that might be able to help me is also the one person I want to throttle most. Aron, Lord of Storms, Butcher God of Battle, is my new…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in.
Aldora lived in a bordertown on the edge of the maze. A labyrinth that spanned an eternity filled with creatures that howled through the night. She was a daughter to farmers that worked the fields and endured a quiet life as a peasant, away from the capital and its nihilistic celebrations; away from all that would look at her and discern her worth. Because to be chosen as a sacrifice was to be chosen to die. Until one night, while at the labyrinth wall, she heard a husky voice in the darkness.
Vedikus Bathyr. He prowled the overgrown passages at…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
I love everything Bex McLynn writes. There is depth to her stories unparalleled in the genre, on top of that: nobody writes a hero like Bex. I still swoon just thinking about the book Bane. Rein is as deep and complex as her Syfy work, but in a world of werewolves and moon Gods.
The hunt no longer satisfied them. They wanted more.
Nikolas has sheathed his claws. After centuries of hunting and exterminating his own people—wolf shifters cursed with Madness—all he wants is oblivion. Fortunately, a relentless huntress has targeted him, and he gladly welcomes his end by her hand.
In truth, death has never looked so lovely.
Oliviana wants her revenge, yet immortal beings who know her deadly secret have waylaid her hunt. Forced to follow Nikolas into dangerous territory, she hears whispers about an end to Madness. A ‘too-little-too-late’ cure that hinges on Nikolas being alive and well—and mated.
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.
I have never tired of Alice’s outrageous, surreal romp through the world of imagination.
It transports me to the magical strangeness not only of Wonderland but also of this world. I love the way unlikely adventures can happen, how odd friendships can arise, how reality can shift just as fantasy does. It empowers my own imagination and channels it into creativity and wonder.
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Legend has it that the author first conceived the story while rowing on the River Thames. How a session at the oars could inspire such characters as the White Rabbit and the Cheshire Cat I have no idea.
Nevertheless, I have read this book aloud more times than I can count—from beginning to end, and also in odd increments, skipping about from chapter to chapter. And yet, the sentences always surprise me with their musicality and sense of fun.
Chapter 3, for example, contains this exchange: “Mine is a long and a sad tale!” said the Mouse, turning to Alice, and sighing. “It is a long tail, certainly,” said Alice, looking down with wonder at the Mouse’s tail; “but why do you call it sad?”
Pook Press presents Lewis Carroll's world-famous novel "Alice's Adventures in Wonderland" with original illustrations by John Tenniel. This classic story, first published in 1865, relays the tale of a girl named Alice who falls down a rabbit hole into a fantasy world. As the adventure unfolds, Alice explores many magical places and meets the most curious characters. The book was a huge commercial success on its initial publication and continues to delight readers today. Alice's journey is illustrated with gorgeous black and white drawings from John Tenniel. His Alice illustrations are instantly recognisable and are the most famous of this…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I loved the Alice books as a child and even more as an adult. As a child, I loved their absurdist humor; the situations Alice gets into are ridiculous, and the ways she gets out are even more so. As an adult, I love that the absurdist humor asks really interesting questions about language and naming and self, our ideas of time and space, and social conventions and who’s in charge of them.
All this with hilariously eccentric characters and nonsense poetry that isn’t quite nonsense! To top it off, reading Alice as an adult is a trip because so many books, movies, songs, and other creative pieces have referenced events or language from the Alice books. What fun!
'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat. 'We're all mad here.'
The 'Alice' books are two of the most translated, most quoted, and best-known books in the world, but what exactly are they? Apparently delightful, innocent fantasies for children, they are also complex textures of mathematical, linguistic, and philosophical jokes. Alice's encounters with the White Rabbit, the Cheshire-Cat, the King and Queen of Hearts, the Mad Hatter, Tweedledum and Tweedledee and many other extraordinary characters have made them masterpieces of carefree nonsense, yet they also appeal to adults…
I am an Oxford local historian, and the only Oxford guide endorsed by the Lewis Carroll Society. I have helped shape Oxford’s annual Alice’s Day since the first one in 2007, and have participated in French, Dutch, Canadian, Brazilian and British TV and radio documentaries, most notably for BBC 2 and BBC Radio 4. My interest is mainly the many Oxford realities which are hidden away within the apparent fantasy of the ‘Alice’ books, an angle which has enabled me to lecture on this internationally famous topic as far away as Assam in India. Subsequently, my appreciation of Carroll’s versatility as a mathematician, photographer, inventor, diarist, and letter writer has grown steadily over the years.
Although this guide to the many English towns and cities associated with Charles Dodgson, the author of Alice, is now more than 20 years old, it remains the most accessible and comprehensive Carrollian guide for the literary tourist. Lovett, a former President of the Lewis Carroll Society of North America, provides admirably clear directions accompanied by over 200 illustrations and photographs, many coming from his own extensive collection. To quote from the cover text, Lovett takes the reader ‘from the tiny Cheshire village of Dodgson’s birth to the Surrey hillside that provides his final resting place … on a journey through Victorian Britain like no other’. True enough, and in between come locations in, most importantly, Yorkshire, Rugby, Oxford, London, the Isle of Wight, and Eastbourne.
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.
A classic work of rural magic realism from one of Britain's greatest children's novelists
Four interconnected fables of a way of living in rural England that is now disappeared.
Craftsmen pass on, or withhold, secrets of their relationship with the natural world, which gives them the material from which they create useful and beautiful things. Smiths and chandlers, steeplejacks and quarrymen, all live and work hand in hand with the seasons, the elements and the land. There is a mutual respect and a knowledge of the magical here that somehow, somewhere was lost to us. These fables beautifully recapture and…
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