Fans pick 90 books like Polar Express

I’ve always been fascinated by the role that love plays in a satisfying life—from romantic love, to brotherly love, to friendship. Compassion and caring affect not only the recipient, but also profoundly change the life of the giver as well. That’s why I’m drawn to redemptive character arcs. I write women’s fiction, sweet Christmas stories, and literary fiction that revolve around these themes—sometimes with a hint of mystery/thriller/suspense for fun! My novella, The Christmas Club, was adapted for the screen in 2019 as a Hallmark Channel Christmas movie of the same name.

I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.  

I’ve always loved Christmas books. As I’ve gotten older, part of the attraction around Christmas is the nostalgia. Recalling the excitement as a child, the anticipation, but also the people who are no longer with us. When I started out writing, I only ever envisaged doing one book, but a little bit of success snowballed. When I was looking for ideas, I noticed my last Barton book would be released just before Christmas, and The Santa Killer was born. I wanted to write a book like Christie’s where there was the emotions around murder and crime, but also the drama of Christmas. Hopefully it’s sad, exciting, and thrilling but also poignant.

I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.

I lost my marriage. I lost my dad to cancer, and my mom to Alzheimer’s Disease (and wrote a memoir about it). Along the way, I lost my sense of superiority and entitlement. I gained the ability to laugh at myself and trust God for everything. I found that I was not as important as I had tacitly assumed. I’ve learned Jesus’s words are true: “Whoever loses his life for My sake will find it.” When I see this depicted well in a book, I think, “Thank God for writers who will tell me the truth.” Today, I’m a fiction book coach with a goal of helping writers tell the whole awful, glorious truth.

If you ask people to name a book set in the Regency period, your money is safe if you bet on them picking a Jane Austen. But the Regency was about much more than manners and matrimony. In my own areas of interest – justice, money, and financial crime – everything was changing, with the widespread introduction of paper money and cheques, the recognition that those on trial should have a defence as well as a prosecution, and the creation of modern police in the form of the Metropolitan Police. Dickens made the Victorian era famous, but the decades before good Queen V ascended the throne are equally fascinating.

Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?

I’ve always been fascinated by the role that love plays in a satisfying life—from romantic love, to brotherly love, to friendship. Compassion and caring affect not only the recipient, but also profoundly change the life of the giver as well. That’s why I’m drawn to redemptive character arcs. I write women’s fiction, sweet Christmas stories, and literary fiction that revolve around these themes—sometimes with a hint of mystery/thriller/suspense for fun! My novella, The Christmas Club, was adapted for the screen in 2019 as a Hallmark Channel Christmas movie of the same name.

I’ve always been fascinated by the role that love plays in a satisfying life—from romantic love, to brotherly love, to friendship. Compassion and caring affect not only the recipient, but also profoundly change the life of the giver as well. That’s why I’m drawn to redemptive character arcs. I write women’s fiction, sweet Christmas stories, and literary fiction that revolve around these themes—sometimes with a hint of mystery/thriller/suspense for fun! My novella, The Christmas Club, was adapted for the screen in 2019 as a Hallmark Channel Christmas movie of the same name.

Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.