100 books like Pau Hana

When I was growing up, all I learned about my home was the year Hawaiʻi became a state.

My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.

Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.

Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and… show more.

John Dominis Holt grew up in a wealthy chiefly family, with Hawaiian, Tahitian, and white ancestors. His memoirs give a detailed, colorful account of the wealthy Honolulu neighborhood around Fort and Beretania Streets, where he grew up in the 1920s and 30s and where “Hawaiian-ness was strongly mixed with British, American, and Asian influences.” Unforgettable are Holt’s accounts of learning about the worship of sharks from an old Hawaiian fisherman and living in the lively working-class district of Kalihi, where his religious mother moved the family to escape the decadence of Fort and Beretania Streets. Holt describes the experience as “a protracted hula ‘auwana” (modern hula), where a multiracial group of several thousand people “lived in comparative harmony,” speaking Hawaiian, Asian languages, and pidgin English, the lingua franca of plantation communities.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.

Westlake, a poet of Native Hawaiian ancestry, incorporates influences from Chinese Taoist and Japanese haiku poetry, Dada concrete poetry, the writings of Kerouac and Bukowski, as well as local pidgin and Hawaiian literary traditions. Westlake’s editor and friend Richard Hamasaki writes that the early poems are “calm, contemplative, and serene, often playful, celebratory”—humans interacting with nature, from rain, moonlight, and mountains, to bugs, frogs, and dandelions: “Looks of disbelief: / I’m on my knees / Washing a rock.” The later poems are political: “Westlake blasts away at Waikiki’s rampant tourism and American materialism, which replaced the native culture in his native land. He wonders, “how we spose / feel Hawaiian anymoa / barefeet buying smokes / in da seven eleven stoa ...?”

This recommendation is a work of fiction. Overall, Allende is an incredible storyteller whose characters seem so real that by the end of the book, you feel like you know them in the same way you know family or an old friend. Island Beneath the Sea, set in 18th - 19th century Haiti then in New Orleans, is a story that illustrates the beautiful messes we create in our lives through those that we love and those that we hate. Drawing on the chaos of American slavery and the Haitian Revolution, Allende’s book draws on themes related to slavery, politics, history, and family drama all of which illustrate what can happen when cultural values (i.e. social constructions of race) are attached to specific bodies (i.e. Black and White women).

When I begin researching a new historical subject I usually turn first to children’s books for a quick, broad overview. For Southern USA plantation life, Kalman’s book, part of the Historic Communities series, is a perfect introduction to the subject of southern plantations, with splendidly detailed drawings of homes and outbuildings, a glossary of terms, and many photographs from the latter decades before emancipation. Its focus is split between the planters’ lives and the lives of those they enslaved, introducing readers to every facet of this setting and the challenges faced by those who lived there. A great springboard into the subject for homeschooling.

This book is the best analysis written by the forerunner of Atlantic history in Ireland. Based on an astonishing amount of literary and historical sources, it is an outstanding insight into the complex and lengthy process of English colonization of Ireland set within the broader Atlantic and European context. 

Although not exclusively focused on the Caribbean, the articles in this volume illuminate the long and complex history of sugar production in the early modern Iberian world, beginning with the Iberian Peninsula itself and expanding into the Atlantic island groups and across the Atlantic to the Caribbean and Brazil. The last article focuses on sugar production in seventeenth-century Barbados, underscoring that a long history of sugar cultivation preceded the better-known establishment of sugar production in the English and French islands. Here the reader will learn how sixteenth-century Europeans eagerly incorporated sugar into their cuisines and diet, at times consuming prodigious quantities. Together these articles present a fascinating and often surprising early history of a commodity that has had a huge impact on the world.

Between 1640 and 1660, England, Scotland, and Ireland experienced civil war, invasion, religious radicalism, parliamentary rule, and the restoration of the monarchy. None of that will surprise historians of Britain, but they may not realize the impact of these events on Britain’s new colonies across the Atlantic. Some of them remained loyal to the king until his victorious opponents sent the first major Transatlantic expeditionary force to subdue them. 

Pestana shows how war and rebellion in Britain increased both the proportion of unfree labourers and ethnic diversity in the colonies. Neglected by London, several of them developed trade networks; some entered the slave trade. By 1660, the English Atlantic had become religiously polarized, economically interconnected, socially exploitative, and ideologically unstable.

Set in 1940s India in the lead up to Independence, the backdrop is the rarely written about North-East India. The protagonists; Layla, (well-educated and independently-minded) and Manik (a free-thinker with a sense of adventure) are an unusual couple for the core romance but his work takes them to the remote tea plantations of Assam. I have written about the tea gardens in my India Tea Series, but largely from a British and Anglo-Indian point of view. Patel’s vivid depiction of this way of life is informed by her own upbringing, as the daughter of tea planters. It’s rich in detail with wonderful descriptions of Assam and keen observations of the British managers and Indian workers. As it builds towards Partition, the drama and tension are brilliantly evoked through Layla’s eyes.