58 books like Recollections

When I was growing up, all I learned about my home was the year Hawaiʻi became a state.

My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.

Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.

Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and… show more.

Pau Hana is a concise overview of the immigration of workers from around the Pacific and the world, which created Hawai‘i's multiethnic community in the nineteenth and early twentieth century. The immigrants were recruited by the Hawaiian Monarchy and white sugar planters as laborers for their highly profitable plantations. Workers arrived from China, Portugal, Japan, Puerto Rico, Korea, the Philippines, and even Norway, and settled in the islands. Takaki details the work they did, the camp housing, the abuses and retaliation, the opium and alcohol, the gambling and prostitution, and the worker strikes that eventually resulted in better wages and working conditions.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.

Westlake, a poet of Native Hawaiian ancestry, incorporates influences from Chinese Taoist and Japanese haiku poetry, Dada concrete poetry, the writings of Kerouac and Bukowski, as well as local pidgin and Hawaiian literary traditions. Westlake’s editor and friend Richard Hamasaki writes that the early poems are “calm, contemplative, and serene, often playful, celebratory”—humans interacting with nature, from rain, moonlight, and mountains, to bugs, frogs, and dandelions: “Looks of disbelief: / I’m on my knees / Washing a rock.” The later poems are political: “Westlake blasts away at Waikiki’s rampant tourism and American materialism, which replaced the native culture in his native land. He wonders, “how we spose / feel Hawaiian anymoa / barefeet buying smokes / in da seven eleven stoa ...?”

We meet the protagonist Kai and her daughter Michaela as they navigate some of life’s most difficult moments. They are grieving and lost as Kai struggles to navigate her new life and the dauting prospecting of supporting Michaela all on her own.

Luckily they meet Belle, a wildly successful businesswoman who takes them under her wing as she mentors Kai. Throughout the story, Belle teaches 7 rules that will ensure success for any of us in life and in business.

The book is so compelling that you won’t realize you are learning business principles until you reach the ending with satisfaction and realize that you are smarter and better prepared for having read it. This is another book I simply couldn’t put down!

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved. 

Frank Leong is a wealthy shipping industrialist who moves his family from China to Oahu at the turn of the nineteenth century. Frank is murdered, which completely destroys his family. Whispers of an ancient parable haunt the Leongs, of a red string that connects someone to their perfect match but can also punish for mistakes in love. Frank’s pregnant teenage granddaughter, Theresa, is the next target to suffer from her family’s curse. The story is told from multiple points of view in this tragic multigenerational story of secrets and betrayal. My own interest in family history made this novel resonate deeply within me as several generations of women fail in their relationships.

This coming-of-age story is powerful, immediate, and like a bloody scraped knee, painfully evocative of the transition between childhood and adulthood. I loved this book for its ability to show all the complicated rules, expectations, and entanglements of being a kid trying to make sense out of adult behavior. Set in ‘Ewa Beach, Hawai‘i, in 1982, Landon and Luke face prejudices of class and race, their parents’ alcohol abuse and valium popping coping mechanisms, and sheer dysfunction. Landon shares his reality with heartbreaking twelve-year-old clarity.   

Hawaiian Fishing Traditions celebrates famous Hawaiian fishermen. Fish was the main source of protein. The first story, by Moke Manu, tells of Kū‘ula-kai, who became deified as a god of fishermen because of his power to control fish. He built the first fishpond, in Hāna, Maui, to supply the chief and people with food. His son ‘Ai‘ai, featured in the second story, continued his father’s good work by locating offshore fishing grounds and teaching the people how to catch fish, practice conservation, and distribute the catch with generosity. Also included are the stories of other legendary fishermen and of battles with man-eating sharks. Two articles in the appendix describe the vast array of traditional fishing methods; a third article gives an anthropological account of the worship of shark gods.