65 books like Hawaiian Fishing Traditions

Despite the scholarly title, this book is a highly readable account of traditional Hawaiian culture in Ka‘ū, the southernmost district of the Big Island of Hawai‘i. Mary Kawena Pukui (1895–1986) was a preeminent Hawaiian scholar, author, composer, hula expert, and educator. She was born and raised in Ka‘ū, a remote, rural area where the old culture endured outside of the Westernization of the islands. In 1935 she traveled home with anthropologist E.S. Handy to gather information from her elders. Their book provides details and insights about the district’s history and ecology, the legendary setting (gods and spirits), the extended household and kinship system, the life cycle of individuals, manners and customs, and the relationships between people and ancestral spirits and animals.

Hawaiian Antiquities, published in 1903, was translated into English from the nineteenth-century writings of David Malo (1795–1853). Malo was a major scholar of Old Hawai‘i who spent his life among the courts of the kings and chiefs, where he learned traditional practices and oral traditions. His writings cover a wide range of topics, including cosmogony, origins and genealogy, social classes, geography (land, sea, and sky and clouds, winds, and rains), the calendar (seasons, months, and days), flora and fauna, fishing and farming, houses and canoes, food and clothing, sports and games, religious worship and observances, healing practices and necromancy, and traditions about the ancient kings of Hawai‘i.

Samuel Manaiakalani Kamakau (1815–1876) was one of the most important and prolific Hawaiian scholars of the nineteenth century. His history of the ruling chiefs of Hawai‘i begins with the high chief ʻUmi, eight generations before Kamehameha I, who established the Hawaiian Kingdom in 1795, and continues to the death of Kamehameha III in 1854. Ruling Chiefs, published in 1961, was translated from Hawaiian newspaper articles that appeared in the 1860s and 1870s. The stories include Captain James Cook’s arrival in 1776, the coming of Western missionaries, and the changes that followed. All of the writings of Kamakau are highly recommended, including The People of Old, The Works of the People of Old, and The Tales and Traditions of the People of Old.

How did Polynesians navigate without instruments in voyaging canoes made with stone-age tools to discover and settle an isolated island chain in the middle of the Pacific, over 2,000 miles from their ancestral homelands in Tahiti and the Marquesas? Their navigational practices are lost in time, but the Polynesian Voyaging Society was established in 1975 to explore how it might have been done. Low tells the story of the society’s early work, a marvelous combination of adventure, exploration, and research that contributed to the contemporary revival of the spirit, pride, values, and traditions of the ancient culture. Also highly recommended on this subject are books by the three founders of the Polynesian Voyaging Society: artist and scholar Herb Kawaianui Kane, anthropologist Ben Finney, and writer and waterman Tommy Holmes.

I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved. 

In this unusual novel, still in print after a century, Hula is a bewitching teenager raised on a Maui cattle ranch and proficient on horseback, among other talents. 

She attracts male attention, some acceptable by standards of the time (today she seems awfully young for her older suitors), and some markedly inappropriate even then. Drama ensues against a period-piece Maui backdrop: almost no cars on the island, few roads, and day-long steamer trips along the coast for sea travel from one town to another. 

The literary style and point of view, with the author hopping from one character’s head to another, often in a single paragraph, can at once surprise and delight modern readers. Armine von Tempski, who grew up on Maui, set other novels there, but Hula, her first, remains uniquely intriguing – especially for Maui lovers!  

This collection of short stories offers a contemporary Hawaiʻi full of flawed characters who face challenges both unique to the islands and universal in motivation.

Kahakauwila explores the concept of paradise and the price paid for it. They are stories that capture the spirit and tenacity of Hawaiʻi, the nuanced layers of its social fabric, and brings me home every time I read them. 

The first time I read it, I was alone in a cabin in the woods in the middle of my first writing residency. Suddenly I was no longer pressed up against a wood stove trying to stay warm. Through her gifted storytelling, all the sights and sounds and smells of home came rushing in, both comforting and familiar.

You don’t need to know Hawaiʻi to enjoy this book, but by the end of reading it, you will feel like you do.

We meet the protagonist Kai and her daughter Michaela as they navigate some of life’s most difficult moments. They are grieving and lost as Kai struggles to navigate her new life and the dauting prospecting of supporting Michaela all on her own.

Luckily they meet Belle, a wildly successful businesswoman who takes them under her wing as she mentors Kai. Throughout the story, Belle teaches 7 rules that will ensure success for any of us in life and in business.

The book is so compelling that you won’t realize you are learning business principles until you reach the ending with satisfaction and realize that you are smarter and better prepared for having read it. This is another book I simply couldn’t put down!

This coming-of-age story is powerful, immediate, and like a bloody scraped knee, painfully evocative of the transition between childhood and adulthood. I loved this book for its ability to show all the complicated rules, expectations, and entanglements of being a kid trying to make sense out of adult behavior. Set in ‘Ewa Beach, Hawai‘i, in 1982, Landon and Luke face prejudices of class and race, their parents’ alcohol abuse and valium popping coping mechanisms, and sheer dysfunction. Landon shares his reality with heartbreaking twelve-year-old clarity.   

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.