54 books like The Polynesian Family System in Ka'u, Hawai'i

Hawaiian Antiquities, published in 1903, was translated into English from the nineteenth-century writings of David Malo (1795–1853). Malo was a major scholar of Old Hawai‘i who spent his life among the courts of the kings and chiefs, where he learned traditional practices and oral traditions. His writings cover a wide range of topics, including cosmogony, origins and genealogy, social classes, geography (land, sea, and sky and clouds, winds, and rains), the calendar (seasons, months, and days), flora and fauna, fishing and farming, houses and canoes, food and clothing, sports and games, religious worship and observances, healing practices and necromancy, and traditions about the ancient kings of Hawai‘i.

Samuel Manaiakalani Kamakau (1815–1876) was one of the most important and prolific Hawaiian scholars of the nineteenth century. His history of the ruling chiefs of Hawai‘i begins with the high chief ʻUmi, eight generations before Kamehameha I, who established the Hawaiian Kingdom in 1795, and continues to the death of Kamehameha III in 1854. Ruling Chiefs, published in 1961, was translated from Hawaiian newspaper articles that appeared in the 1860s and 1870s. The stories include Captain James Cook’s arrival in 1776, the coming of Western missionaries, and the changes that followed. All of the writings of Kamakau are highly recommended, including The People of Old, The Works of the People of Old, and The Tales and Traditions of the People of Old.

Hawaiian Fishing Traditions celebrates famous Hawaiian fishermen. Fish was the main source of protein. The first story, by Moke Manu, tells of Kū‘ula-kai, who became deified as a god of fishermen because of his power to control fish. He built the first fishpond, in Hāna, Maui, to supply the chief and people with food. His son ‘Ai‘ai, featured in the second story, continued his father’s good work by locating offshore fishing grounds and teaching the people how to catch fish, practice conservation, and distribute the catch with generosity. Also included are the stories of other legendary fishermen and of battles with man-eating sharks. Two articles in the appendix describe the vast array of traditional fishing methods; a third article gives an anthropological account of the worship of shark gods.

How did Polynesians navigate without instruments in voyaging canoes made with stone-age tools to discover and settle an isolated island chain in the middle of the Pacific, over 2,000 miles from their ancestral homelands in Tahiti and the Marquesas? Their navigational practices are lost in time, but the Polynesian Voyaging Society was established in 1975 to explore how it might have been done. Low tells the story of the society’s early work, a marvelous combination of adventure, exploration, and research that contributed to the contemporary revival of the spirit, pride, values, and traditions of the ancient culture. Also highly recommended on this subject are books by the three founders of the Polynesian Voyaging Society: artist and scholar Herb Kawaianui Kane, anthropologist Ben Finney, and writer and waterman Tommy Holmes.

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

One of my working titles for my book was A Country All Its Own, a phrase pulled from this exquisite novel set in Hilo, Hawaii. Ball plays with the theme of disappearance throughout, and it’s basically the female version of Australia Stories. Kinau, the narrator, is also shaped by her mother’s stories and haunted by the disappearance of her father, and the death of her ex-husband's stepson, who comes to the island in search of his own destiny. Original and breathtaking in its craft and message, Ball is an accomplished storyteller.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.

When I was growing up, all I learned about my home was the year Hawaiʻi became a state.

My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.

Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.

Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and… show more.

This coming-of-age story is powerful, immediate, and like a bloody scraped knee, painfully evocative of the transition between childhood and adulthood. I loved this book for its ability to show all the complicated rules, expectations, and entanglements of being a kid trying to make sense out of adult behavior. Set in ‘Ewa Beach, Hawai‘i, in 1982, Landon and Luke face prejudices of class and race, their parents’ alcohol abuse and valium popping coping mechanisms, and sheer dysfunction. Landon shares his reality with heartbreaking twelve-year-old clarity.   

I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved.