Fans pick 100 books like Our Oriental Heritage

This classic, written by the authors of the 11-volume The Story of Civilization, is a must-read for those who want to understand everything, from history to economics, from foreign policy to politics. I have read and re-read this book multiple times as it is my go-to book for when I rethink issues and problems. This short collection of essays offers simple yet critical lessons on geography, biology, economics, religion, and government all of which help explain the foreign policies of empires and states.  

The best way to start one’s reading about Japanese history is to pick a short overview written by an expert who writes well. This decades-old book is a splendid example of that and still the best in my opinion. Hall was an American who grew up in prewar Japan and spent his later years as a distinguished scholar of premodern Japanese history at Yale University. The book is a joy to read and identifies the main historic events from prehistoric time up through the American occupation that ended in 1952.

The Pyramids of London has the most ornate, baroque alternative-history setting of any novel in the entire history of fantasy novels. Seriously. To start with, every kind of mythology is true in whatever region that mythology developed. Also, the pharaohs of Egypt have been vampires for thousands of years. Plus, when they die, vampires might become stars. Which are also gods. Plus France is ruled by the Fae. At night, when the Fae Court of the Moon arises in Paris, gravity suddenly drops dramatically.

Insert a murder mystery into this wildly ornate setting, plus fully realized characters you both believe in and root for, and off you go, on a fantastic journey through a world that is like nothing you’ve ever seen before.

This book cemented my commitment to being a photographer. The images are stunning jewels frozen in silver from ancient places in countries like India, Ireland, Egypt, & Tibet. Printed beautifully in warm black and white tones along with inspiring quotes, every image speaks to me: slow down, pay attention to what you see and feel. And focus on the light and the shadow.

The English General Fuller may be said to have taken Alexander’s program and imagined applying it to World War II. Had Hitler cooperated with Stalin’s unhappy subjects, he might have won the war in Russia. The same reasoning applied to Hitler’s opponent, England.

Had England given freedom to India before the war started, the Japanese would have found Asia far harder to conquer. Churchill and Chamberlain agreed that India must remain part of the Empire. Alexander knew better. He made the top Indian kings his allies, not his subjects.

Collins’ remarkable book is resolutely sociological and global. This path-breaking work formulates questions about the origins of thought and philosophical reflection in a comparative perspective. Avoiding traditional forms of Eurocentrism, Collins locates the Presocratic and Post-Socratic thinkers in social networks of groups and schools and the creative innovations of these schools are situated in a broader historical study of intellectual communities that include Ancient China, Ancient India, and Japan, and in a more recent context the interweaving constellations of Judaic, Christian, and Islamic thought. The work concludes with detailed analyses of the intellectual networks of early modern and modern philosophy (including the Vienna Circle, Analytic Philosophy, Wittgenstein, Phenomenology, Existentialism, and beyond). This work remains one of the great attempts of a social theorist to map the major currents of world thought and intellectual culture. The task first broached by Collins—to reconstruct the global social, political, military, and intellectual contexts… show more.

This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.

Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.

I read it again recently and enjoyed it just as much as the first time.

Serialized in 1934 by Hinode (Sunrise) magazine, this is one of Japan’s most famous crime novels by one of Japan’s most famous novelists, Edogawa Ranpo. It stars his most famous character,  Detective Kogoro Akechi, in a battle of wits against the titular Black Lizard, a melodramatic female jewel thief, as she attempts to steal the priceless “Star of Egypt.”

I have a huge love affair with pulp fiction, and much of Ranpo’s work can definitely be classified as pulp, despite the fact that the term did not really exist in Japan at the time. Although a bit dated, it is still an enjoyable read. 

Despite the drawing style, this really isn’t a kid's book.

Another Dad friend of mine, also into comics, mentioned he was reading it to his daughter. She was into it. I’d had the series from my pre-parent days. The conversation inspired me to give it a try with my then 5-year-old son, a Thomas the Tank engine superfan. He was hooked instantly.

The entire series is about 2,800 pages, so it covered a lot of bedtime stories. An intricate, sprawling story, loosely based on the life of the Buddha. It hit me even harder on my second reading while occasionally fielding some pretty heavy questions from my son.

This is a masterpiece of historical fiction, philosophy, casual nudity, and general Japanese weirdness. Way better than anything ever read to me as a kid. Easily one of the best things I’ve read as an adult. And this is coming from a… show more.

This is a first book, covering Aiyar’s years in China as a political correspondent for the Indian Express and The Hindu. Because she is Indian, Aiyar’s perspective differs from Americans’ viewpoints, which drew me, as I’ve been to both India and China. Aiyar tracks the impact of rapid growth on her informants’ sense of self and place—and then compares China’s growth to India’s. It’s a fast-paced, lively book featuring lots of interaction between Aiyar and her students, their families, and other informants—a thoughtful portrait of a culture shifting from tradition into an unknowable future, written by a journalist constantly aware of the radical differences between Indian and “new Chinese” values and sensibilities.