Here are 100 books that One Corpse Too Many fans have personally recommended if you like
One Corpse Too Many.
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I’ve been reading mysteries since I “borrowed” my Grandpa’s Miss Marple’s as an elementary schooler. (And yes, my maiden name really IS Marple) And I’ve always been drawn to smart, competent women characters–even better if they’re funny. Women who do their own fighting and their own detecting and then hand the killer off to the cops with a smile and a great line. These women inspired me–and now I get to write a lady who at least belongs in the room with them!
This book made me love historical mysteries. I absolutely adore the main character, Amelia Peabody, who lives in Victorian times but is very much NOT a Victorian woman: smarter and tougher than the guys and not afraid to own it. Like Amelia, Ancient Egypt has always fascinated me, and I love a good adventure.
The only thing I enjoy more is a will-they-or-won’t-why with whip-smart banter, and Amelia and Emerson deliver there, too. They drew me in immediately, with plenty of historical background, a twisty plot that kept me guessing until the end, and a great romantic payoff, too. I think the Peabody and Emerson books are the best historical mystery series ever. Fight me.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude!
In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he…
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Harriet Vane, a thinly disguised Sayers (who it seemed had fallen in love with her fictional detective, Lord Peter Wimsey), gets her own book where she goes back to Oxford to the women’s college she graduated from, to help uncover a mystery.
There is a delight in the fact that the female can be as deadly as the male, offering up a new sort of equality. This became a lovely television series starring Harriet Walter, but the book is rich and wonderful and sprinkled with untranslated Greek. You feel smarter, just holding it; it made me really wish I’d tried harder to qualify for a Rhodes scholarship back in the day.
The twelfth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by actress Dame Harriet Mary Walter, DBE - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
'D. L. Sayers is one of the best detective story writers' Daily Telegraph
Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back . . .
At first she thinks her worst fears have been fulfilled, as she encounters obscene graffiti, poison pen letters and a disgusting effigy when she arrives at sedate Shrewsbury…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
Agatha Christie has got to be considered as one of the master craftsmen of the “whodunnit”. In this novel, she presents us with an intriguing mystery and brings in her famous character, Hercule Poirot to solve it. As always, Poirot faces a varied array of possible suspects and the highly-credible reasons as to why he/she may be the guilty party. The pace is consistent and keeps the reader turning the page and trying to guess until the unmasking at the very end.
Hercule Poirot is called on to investigate the murder of a brother and sister, in this classic Agatha Christie mystery now available in an updated edition with a foreword Sophie Hannah.
“He was murdered, wasn’t he?”
When Cora Lansquenet is savagely murdered, the extraordinary remark she had made the previous day at her brother Richard’s funeral suddenly takes on a chilling significance. At the reading of Richard’s will, Cora was clearly heard to say, “It’s been hushed up very nicely, hasn’t it. But he was murdered, wasn’t he?”
Did Cora’s accusation a dark truth that sealed her own fate? Or…
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place)…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
This is the first Alex Delaware book that I read, and I became immediately hooked. Delaware is a psychologist-detective based in Los Angeles, who works very closely with his good friend, Milo Sturgis, a detective with the Los Angeles Police Department. This story has them both looking back in time to a murder that Milo failed to solve. Between them they scour the “City of the Angels” and get to grips with this old case that never quite went away.
Twisting, brutal and terrifying but ultimately redemptive, THE MURDER BOOK by New York Times No. 1 bestselling author Jonathan Kellerman, author of KILLER and BREAKDOWN, is recommended for fans of David Baldacci and Harland Coben. 'Optimism is a feature of The Murder Book although the premise is macabre . . . Kellerman ameliorates the horror with a surprising number of generous characters' (Telegraph)
Alex Delaware's relationship with his long-term partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour.
But he soon has other things to think about. He is sent…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead.
The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies.
I used to hate history, until I made the startling discovery that history wasn’t about dates and wars—the stuff we had to memorize in high school—but about people. And what can be more absorbing than people? When I started my first historical series, set in the very early 20th century in my hometown of South Bend, Indiana, I delved into the local newspaper and learned that the people of the time and their problems were very much like today’s. That pulled me in, and never let go. Now, researching the 1920s, I’m meeting people who might live next door. It’s so much fun!
I love all of Ellis Peters’ Brother Cadfael books for so many reasons.
One is the crisp excellence of writing, one is her illuminating description of her medieval setting, one is her endearing protagonist, one is her exceptional plotting. This particular title has a most intriguing plot and a thoroughly satisfying resolution.
I chose the book (which I have reread many times) with a satisfied smile. And finally, the books are set in the England I so love, even if her setting is 11 centuries ago.
In the year of our Lord 1141, August comes in golden as a lion, and two monks ride into the Benedictine abbey of Saint Peter and Saint Paul bringing with them disturbing news of war- and a mystery. The strangers tell how the strife between the Empress Maud and King Stephen has destroyed the town of Winchester and their priory. Now Brother Humilis, who is handsome, gaunt and very ill, and Brother Fidelis, youthful, comely- and mute- must seek refuge at Shrewsbury.
From the moment he meets them, Brother Cadfael senses that they are bound by something deeper than their…
After solving her first case, private eye Siobhan O’Brien is hired by Phillip Ahn, an octogenarian billionaire with his own personal island in the Pacific Northwest. Ahn, a genius in artificial intelligence, swears that Duke, his youngest child and only son, is an impostor. Is Ahn crazy, or is Duke…
I love a library, an eccentric bookshop, or the roadside book exchange cupboards where I live in rural southwest France. There is serendipity and synergy in what can be found through browsing (as opposed to purposeful searching). I am the author of five historical novels set in medieval Europe and centred on strong female leads. Idiosyncratic bookshops and lovely libraries bring unexpected twists to my research and writing. My six-year-old grandson recently started to read after his mum and I read many bedtime stories to him. It was a thrilling moment to hear him join the ranks of readers. Writing is inspired by and learned from voracious reading.
Found at Animal Kitchen Bookshop in Narberth, Wales, which has now, sadly, disappeared.
A bookshop that looked like a pet shop from the outside and was piled high with books in absolutely no order inside. After an hour’s happy trawling, I asked the owner if he had any Ellis Peters.
He fished out a box from under his desk and I took as many as I could carry.
This is my favourite Cadfael medieval murder mystery because of its setting in Gwynedd Wales and the appearance of Cadwaladr, who I was very interested in researching at the time.
Like my Welsh trilogy,The Summer of the Danesis set during ‘The Anarchy’, the civil war between King Stephen and Empress Matilda.
In the summer of 1144, a strange calm has settled over England. The armies of King Stephen and Empress Maud have temporarily exhausted each other. Brother Cadfael considers peace a blessing, but a little excitement never comes amiss to a former soldier and Cadfael is delighted to accompany his young friend, Brother Mark, on a mission of church diplomacy to his native Wales, not expecting to be caught up in yet another royal feud. The Welsh prince Owain Gwynedd has banished his brother Cadwaladr, accusing him of the treacherous murder of an ally. The reckless Cadwaldr has retaliated by landing…
I have been fascinated by England’s medieval queens since picking up a copy of Norah Lofts’ Queens of Britain as a child. I studied Archaeology at the universities of Cambridge and Oxford, focussing on the Anglo-Saxons. While my PhD and later work primarily focuses on the Tudor period, I have remained passionate about medieval queenship, writing the first biography of Queen Elfrida, as well as a longer book, England’s Queens, containing mini-biographies of every woman who served as reigning queen, consort or king’s wife. It has been a pleasure to share my top picks (from amongst many other wonderful titles), which I feel really bring England’s medieval queens to life.
There is no better place to start this list than with Empress Matilda, England’s first reigning queen. Matilda, who vied for the English throne against her cousin, King Stephen, has always been a personal favourite of mine. She came tantalisingly close, in 1141, to securing her coronation and recognition of her rule. I was therefore very excited to read Catherine Hanley’s expertly written biography. I love the detail given on Matilda’s actions, with Hanley’s research impeccably detailed. This is one of the most valuable accounts of the life of an early English monarch.
A life of Matilda-empress, skilled military leader, and one of the greatest figures of the English Middle Ages
"[Matilda] will attract a growing audience interested in stories of women challenging the male-dominated European past."-Alexandra Locking, Medieval Review
"A lively and authoritative account."-Katherine Harvey, Times Literary Supplement
Matilda was a daughter, wife, and mother. But she was also empress, heir to the English crown-the first woman ever to hold the position-and an able military general.
This new biography explores Matilda's achievements as military and political leader, and sets her life and career in full context. Catherine Hanley provides fresh insight into…
Cara Hogarth emigrated from England to Australia as a child, but always wished she hadn’t. So she studied medieval history at university in order to travel back in time and place. Now that she’s bagged a PhD (on Chaucer’s raunchy Wife of Bath), she prefers to write historical fiction in order to truly immerse herself and her readers in the past. She finds academic history a fantastic inspiration for her fiction writing, but is always seeking out historical novels that hit just the right balance between research, humor, and page-turning plot. Warning: her novels can get quite steamy!
A medieval murder mystery set in a brothel! Prostitution was one of the few ways in which a woman might earn an independent living in the Middle Ages.
Not that I’m recommending it as a career choice, mind you. Roberta Gellis has created quite the unusual whorehouse under her unfortunately beautiful Madam, Magdalene. Her employees include a blind woman, a mute Saracen, a woman of childlike intelligence, and the brothel’s cook too is deaf. Magdalene herself was accused of murder and has to live in disguise.
This is a wonderfully well-researched historical mystery that illuminates the circumstances that might force a medieval woman into prostitution.
Roberta Gellis, acclaimed author of The Roselynde Chronicles, brings medieval London to life--and death--with her latest tale of splendor and squalor. Magdalene la Bâtarde is the madam of the Old Priory Guesthouse in Southwark. She and her women are expected to engage in a number of sinful delights, but bloody murder isn't one of them--until Baldassare, the messenger, dies.
Though Baldassare wasn't a regular client of the Old Priory Guesthouse, Magdalene and her women refuse to allow his death to go unavenged. Of course, their efforts aren't completely altruistic. Chances are if they don't find the killer, they will be…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because the story and characters in it were so fascinating, and I learned a lot about the history of the time and how ordinary people lived.
Although the book is a hefty tome, I really didn’t want it to end. I couldn’t put it down and read the whole book in a couple of days. I was so delighted when Ken Follett wrote a sequel.
I loved how Follett weaved the stories of ordinary people around what was happening with the kings and queens of the day.
I also loved how he created strong female characters in an era where you would not expect to find such characters.
Pillars of the Earth inspired me to write historical fiction and lit a passion for history within me.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
