Here are 72 books that On Hunting fans have personally recommended if you like
On Hunting.
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I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
Describing a series of journeys on horseback and by foot through south-east England and the Midlands during the 1820s, Rural Rides is one of the great travelogues. Cobbett was a man of many parts – journalist, soldier, farmer, politician, and social reformer. In Rural Rides he blends lyrical description with fist-shaking fury about the injustices he encountered. He writes so well that you feel that you are travelling through the countryside with him.
I’m an Australian writer and journalist. I’ve written several humour books, as well as a history of Australia in the 1960 and 1970s called The Land Before Avocado. I also write for the Sydney Morning Herald and The Washington Post and present a radio show on ABC Radio Sydney. Of the books I’ve written, the one that’s closest to my heart is my memoir Flesh Wounds.
In my book I talk about how many people miss out on the love they expect—the love of a mother, father, spouse, or child—and yet how most of us survive by finding the love we need elsewhere. In Cider with Rosie, Laurie’s father abandons his family, but Laurie’s mother shines: her frisks and gaieties, her fits of screams, her love of man. This is the childhood memoir of one of the great (somewhat unacknowledged) poets of the twentieth century.
A re-issue of the evocative and nostalgic account of Lee's country childhood in a secluded Cotswold valley. Lee describes a vanished rural world of village schools and church outings but also touches on the darker side of village life as it comes into contact with murder, rape, suicide and depression.
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
We are blessed right now with an abundance of farmers who have good stories to tell. Three hill farmers stand out: John Lewis-Stempel, James Rebanks, and Patrick Laurie, whose Native is so lyrical that it reads at times like a prose poem by Seamus Heaney. Laurie’s book is an account, season by season, of his relationship with a roughish bit of land in southwest Scotland. It is part love affair with his small farm, and the curlews and native Galloway cattle in which he has an obsessional interest, and part critique of modern farming and the industrial timber production that threatens much of the open moorland. Native is worth reading just for the quality of the prose, even if you’re not remotely interested in countryside matters.
Shortlisted for the Wainwright Prize for UK Nature Writing 2020
'Remarkable, and so profoundly enjoyable to read ... Its importance is huge, setting down a vital marker in the 21st century debate about how we use and abuse the land' - Joyce McMillan, Scotsman
Desperate to connect with his native Galloway, Patrick Laurie plunges into work on his family farm in the hills of southwest Scotland. Investing in the oldest and most traditional breeds of Galloway cattle, the Riggit Galloway, he begins to discover how cows once shaped people, places and nature in this remote and half-hidden…
I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
Whatever my current passion, from mountaineering to grafting apple trees to hiking, I like to immerse myself in the literature. Simon Armitage’s account of The Pennine Way in the Peak District (UK) is one of my favorite walking memoirs and is informative, eclectic, and funny. In addition, the route starts only a few miles from my house.
I’m walking it with my wife, in sections, so we might meet you on the way! If you’re not a walker, Walking Home may inspire you to start—even to set out on a long-distance footpath.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
I’ve always loved horses, in real life and fiction. I guzzled up pony stories as soon as I was old enough to read, then I started writing them, tales of teenage orphans adopted by distant aunts who lived in crumbling stately piles with fields full of ponies. When I started writing fiction for a living, it stood to reason horses would feature, and three decades after one trotted into my debut novel French Relations – then galloped off into the sunset in its sequelWell Groomed- they’re still a mainstay. Of the twenty novels I’ve written, more than half have horses at their heart, including my new Comptons series.
This first of Sassoon’s semi-biographical Sherston trilogy is a nostalgic amble along Edwardian English lanes, across its village greens, and over its hedges, tracing the early years of likeable, witty George Sherston before the Great War. It depicts a bygone era of pearl-clutching maiden aunts, rumbustious village cricket matches, and the rigours of the hunting field, in which enthusiastic recruit George is a terrific observer of the larger-than-life characters he encounters. He is winningly grateful to his horses for being so much better at it than him, from flighty first pony Sheila to trusty hunter Harkaway, and ‘bargain’ point-to-pointer Cockbird who is gifted to the cavalry at the book’s close, just as George accepts his commission to the Flintshire Fusiliers to fight in the Great War, saying farewell to his halcyon childhood. Sassoon, famous for his war poetry, is such a warm and intelligent writer that his affection for characters…
The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell
A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.
In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's…
When I was five years old, our reward for not squirming in church was a pony ride in a small dirt ring. Although it wasn’t until I was out on my own and working before I could take riding lessons, I never forgot the joy that aged, tired pony gave me. I soon bought my first horse, eventually moved to a horse farm, and never looked back. My novels are mostly mysteries set in the equestrian world, but they focus on the healing power of horses in the lives of characters facing complex and sometimes dangerous family situations.
A “murder light” story, unique setting, and cast of crazy characters are the hallmarks of a classic cozy mystery, and Outfoxed certainly delivers! The setting serves up a whopping dose of southern charm and fox hunting tradition, while also providing a stage for a fierce rivalry between a native son Virginian and an upstart Yankee for the coveted position of joint-Master of the Hunt. When a murder is committed during the Opening Day Hunt, everyone is shocked to realize the murderer has to be an insider. That’s when the Master of the Jefferson Hunt of Virginia, “Sister” Jane Arnold, swings into action with both the horses, hounds, and even foxes on her side. Yes, the animals speak, and it’s charming and fun. The author’s obvious love of fox hunting comes through so clearly, it prompted me to give it a try. Once. Because I must admit, it was too much…
From the bestselling author of the landmark work Rubyfruit Jungle comes an engaging, original new novel that only Rita Mae Brown could have written. In the pristine world of Virginia foxhunting, hunters, horses, hounds, and foxes form a lively community of conflicting loyalties, where the thrill of the chase and the intricacies of human-animal relationships are experienced firsthand--and murder exposes a proud Southern community's unsavory secrets. . . .
As Master of the prestigious Jefferson Hunt Club, Jane Arnold, known as Sister, is the most revered citizen in the Virginia Blue Ridge Mountain town where a rigid code of social…
Long before I was an author of romantic fantasies, I was an avid reader of all things romance. Genre romance. Fantasy Romance. Romantic Fantasy. Romantic suspense. An adventure where the characters smile at each other for a heartbeat longer than usual. Give me even a hint of attraction between two characters, and I’m hooked. Give me life-or-death stakes and a first kiss that takes hundreds of pages, and I’m addicted. As a psychologist, helping young adults sort through real-life romance dilemmas is one of my favorite parts of the job. Now that I get to write these stories, I’ve made it my mission to devour all the best high-stakes YA romances I can find—or write.
A sharpshooter with high walls around her heart, Margaret lives alone in her family’s falling-apart mansion. Alone, that is, until charming alchemist Wes shows up and makes her an offer she can’t refuse: partner up in the dangerous hunt for the last living mythical creature, and bring her mother home. This delightful twist on the grumpy/sunshine trope will transport you to the mythical forest and candlelit manor with its lyrical writing. The vibes alone in this story cannot be beat. Add the promise of a hunt and a well-earned slow-burn romance, and this book will soothe your soul like a warm sweater on an autumn day.
A MAGICAL SECRET. A MYTHICAL HUNT. AND A LOVE THAT COULD RISK EVERYTHING.
In the dark, gothic town of Wickdon, Maggie Welty lives in an old creaking manor. Maggie's mother is an alchemist who has recently left town, leaving Maggie with just her bloodhound for company. But when Maggie spots a legendary ancient fox-creature on her porch, her fate is changed forever. Whoever tracks down and kills the hala in the Halfmoon Hunt will earn fame and riches - and if Maggie wins the hunt, she knows her mother will want to celebrate her. This is her chance to bring…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
I found this to be a hard list to put together because there are so many excellent books on animal history--on any given day I could have presented a completely different list. However, this was the one book that absolutely had to be on my list. Hilda Kean’s Animal Rights was the book that started me on this journey. I first encountered this book when I was a grad student, and it has shaped my thinking on animal history in many important ways over the years. Animals and concerns for their welfare have always been important to me in my personal life, but I hadn’t thought about incorporating human-animal histories into my scholarship until I read this book. It was a real game-changer for me. This is a very good introduction to some of the shifts in thinking that took place regarding relationships between humans and nonhuman animals in Britain…
In the early twenty-first century animals are news. Parliamentary debates, protests against fox hunting and television programmes like Animal Hospital all focus on the way in which we treat animals and on what that says about our own humanity. As vegetarianism becomes ever more popular, and animal experimentation more controversial, it is time to trace the background to contemporary debates and to situate them in a broader historical context. Hilda Kean looks at the cultural and social role of animals from 1800 to the present at the way in which visual images and myths captured the popular imagination and encouraged…
Although I’ve written non-fiction articles on films and British history for magazines, my fiction reflects my love of science fiction, which goes right back to when I watched Thunderbirds, Captain Scarlet, and Star Trek on television as a child. You can read – or watch – the stories as straightforward adventures in imagination, or take away clever commentaries on contemporary problems. The possibilities are endless, and I always enjoyed conjuring stories and scribbling them down – though it took a long time for those scribbles to translate into publishing success! My first novel, Unreachable Skieswas published in 2018 by Mirror World, with Exile in 2019 and Ascent in 2020 completing the trilogy.
Chock full of great characters, political scheming, spaceships, and conflict, Elizabeth Moon’s terrific space saga features a strong, believable female protagonist in Heris Serrano. As the story begins, Heris has been forced to resign from a space fleet she’d lived for, banished to what she believes to be a dead-end job on a private cruiser. The layers of intrigue that underly the action and interactions throughout the story are beautifully realised, and the characters are all recognisable individuals, distinct, human, flawed, each looking for a path to follow. A page-turner that will have you looking for Book 2 (Sporting Chance) as soon as you’ve read it
Heris Serrano was an officer born of a long line of officers, and a life serving in the ranks of the Regular Space Service was all she had ever known and all she ever wanted - until a treacherous superior officer forced her to resign her commission. This was not just the end of a career path; it was the end of everything that gave her life meaning. But even ex-Fleet captains have to eat, and Heris finds employment as 'Captain' of an interstellar luxury yacht, working for the eccentric Lady Cecelia de Marktos. Being a rich old lady's chauffeur…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
My favorite part of the book was the world-building. The setting was a joy to explore, with lush, green cities, clean technology, forests, people living in small communities and relying on barter, and the whole solarpunk aesthetic.
The understanding of morality in this world is largely based on people’s interactions with nature and animals. Those who don’t treat the world with the respect it deserves have to face dire consequences from the Order of the Vengeful Wild, which was an interesting aspect of the book. The story itself was not bad, but didn’t make such an impression on me as the world it was set in.
Orfeus the musician is searching for hope in the heart of danger...
In a lush future, plants have stripped most of the poison from the air and bounty hunters keep resource hoarders in check.
Orfeus only wants to be a travelling singer, famed and adored. She has her share of secrets, but she’s no energy criminal, so why does a bounty hunter want her dead? Not just any bounty hunter but the Wolf, most fearsome of all the Order of the Vengeful Wild.
Orfeus will call in every favor she has to find out, seeking answers while clinging to her…
