66 books like No One Will Miss Her

I have zero fascination with celebrities, but remain a sucker for a showbiz memoir as told by a true raconteur. And though you might never have known it from the pretty-boy reputation cemented firmly by his 80’s era film oeuvre, Rob Lowe ranks right up there with George Hamilton in both his having known pretty much everybody in Hollywood, but also having a great story to tell about each one. At turns self-deprecating, deeply touching, brutally honest, and laugh-out-loud funny, Lowe’s Stories doesn’t dish any dirt—so if that’s what you’re looking for, you might want to look elsewhere. But if you’d like an inside peek at Hollywood as told by a Gen-X icon in his own words (no ghostwriters here!), you can’t go wrong here.

I have a hard time understanding why this book didn’t do better than it did commercially because it was a well-executed technical endeavor. Even more, than the really well-done twist ending, the biggest thing I really liked about Alex Pavesi’s book was that the story was told through the eyes of an editor as she reads a series of short stories.

I experienced the stories in real-time with her, but at the end of each, she critiqued them, with the result being an ongoing series of, well, let’s call them easter eggs for me. Again and again, throughout the whole book, she kept pointing out details I’d missed in each story that had a deeper meaning. It’d be easy for this format to get old, but it never did, at least for me. Then, should we take these stories and piece them together as bricks in the wall for the… show more.

Before her mega-hit Gone Girl, Gillian Flynn penned this diabolical noir set in the deep South. It’s an edgy story, presenting a gallery of disturbed characters—including the deeply troubled protagonist, a journalist who returns to her hometown to report on the murders of two young girls.

Some books I forget a week or two after reading, others just stick with me for a year or more, and some leave bootprints in my mind forever. This is one of the latter.

Few writers can compare to Grann in his storytelling skills and his ability to bring historical lives to contemporary realities. I admire the way Grann turns his research into a compelling narrative, bringing me into the 1920s Southwest—a world that often is not part of our idea of the Roaring Twenties.

In focusing on the tragedies the Osage suffered, the book opens up a new understanding of the Roaring Twenties that has little to do with speakeasies and lavish parties. And this, for me, is the power of Grann’s book to expand our understanding of this iconic era through this long-ignored story of the Osage people. While I liked the movie version of the book, nothing compares to Grann’s compelling storytelling voice. 

I can’t remember the last time I had this much fun reading a novel, but if you take this one for a spin you’ll find out what I mean. Aguilar is a screenwriter and a former reporter, and it shows here in the visual flair with which he constructs his scenes and his eye for detail as he follows the adventures of young wannabe journalists trying to make their bones in the cutthroat offices of The Washington Post. The characters are witty, winsome, and way better looking than anyone I ever knew during my own short stint as a local TV guy—but who cares? This is an absolute romp, which will have you rooting for a happy ending and for love to conquer all.

My wife found this on my Kindle among the Michael Crichton and Jack Carr, and couldn’t believe I bought it—but after having made the delight of her acquaintance on Twitter, I decided to give Gigi’s latest novel a try. And boy, am I glad that I did! A screenwriter (Stepmom) and veteran Los Angelino herself, Levangie knows the ins and outs of the Hollywood lifestyle where showbiz is the only biz and the characters are always jockeying to be seen but never to be believed. No mysteries here—just a lot of laughs, with an endearing protagonist who provides the center of gravity to an orbit of crazy family and friends. Highly recommended.

Three things landed this book on my list.

First, I love the ol’ book-within-a-book mystery trope, and this is probably the finest example I’ve encountered. Again, an editor reads her dead author’s book for clues, and I got to experience that in real-time with her. Second, the central clue around which the story revolves—the dead author’s note explaining why he ostensibly committed suicide—and its role in resolving the mystery was one of the most original formulations I can remember in recent years. It was nicely done. Finally, the story within the story hearkens back to the Golden Age of detective fiction, an era for which I have a soft spot (as a glance at the amount of Agatha Christie on my bookshelves will attest).

Since finishing it, I’ve recommended this book to a half-dozen people and have yet to have somebody tell me later that they weren’t happy with the… show more.

As the rest of this list hints, mystery stories involving unhappily married couples aren’t my usual go-to when picking something to read, nor is it something I particularly enjoy writing about. Maybe that’s a good thing, given the standard advice of “Write what you know,” but generally, the formula (and trust me, it is a formula) bores me. 

But at the time I came across this book, I was dabbling with the idea of writing an alternating-first-person-POV book in the way this novel does (as an aside, check out Lucy Foley’s books for other great examples of that device if you’re a fan of it too). I saw the acclaim the book had received and figured, hey, Geneva Rose must have done something right; maybe there’s something there for me to learn here. So, I started the book planning to listen to it mostly as a lesson in this technique.… show more.

Linwood Barclay is adept at dreaming up quirky characters. Find You First frequently switches between points of view, but there is no confusion because the characters are distinct and interesting.

On the face of it, this is a tale of two men with too much money. Tech billionaire Miles donated sperm as a student and wishes to trace his natural children. Meanwhile, sleazy Jeremy, a Jeffrey Epstein-style character, is trying to silence his victims. However, the real stars are two sparky young women, Chloe and Nicky. Chloe, suddenly confronted by the father she never knew, joins forces with Miles to find out why his other kids are being killed. Fifteen-year-old Nicky is the victim who fights back. When the disparate strands of the story come together, these ladies kick butt.

This domestic suspense novel explores a less traditional family.

Jessica, Norah, and Alicia are foster children who end up together on an idyllic farming estate, but their lives are filled with manipulation, secrets, and lies. Their foster mother, Miss Fairchild, is a complicated and scary character, and her abuse of her young charges is difficult to read.