Here are 97 books that Stories I Only Tell My Friends fans have personally recommended if you like
Stories I Only Tell My Friends.
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I am a self-taught guy, having started in my first job at IBM Oslo, when I was 18 years old, as punched card machine operator, and plug-board ‘programmer'. I did night studies in sociology/philosophy for 10 years at University of Oslo. I read about 30 books a year, and I’m 82 in 2023. I have spent most of my career as an independent international consultant to corporations and governments, while building up my ideas of useful methods to solve problems. In retirement, I love to spread my ideas, and learn more. I also write about 5 new books a year, when at my Oslofjord Summer cabin. They're all digital and free or free samples.
From my notes after I read it, “Great content and organization. Triggered me to write and plan a 2022 Book.”
There was specific practical content like removing vacation policy, removing travel and expenses policy. An opening the books, which showed the practices behind the no rules idea, and their consequent results in the business. As a consultant, these give me a tool for discussion with clients. What if you did the same?
Again a great leader, and successful businessperson, using persistence and imagination to deal with the forces against change.
Hard work is irrelevant. Be radically honest. Adequate performance gets a generous severance. And never, ever try to please your boss.
These are some of the ground rules if you work at Netflix. They are part of a unique cultural experiment that explains how the company has transformed itself at lightning speed from a DVD mail order service into a streaming superpower - with 125 million fervent subscribers and a market capitalisation bigger than Disney.
Finally Reed Hastings, Netflix Chairman and CEO, is sharing the secrets that have revolutionised the entertainment and tech industries. With INSEAD business school professor Erin…
I am the author of seven published books about Hollywood. I’m also actively involved in the entertainment industry day to day. Presently, I am the owner of Management 101, a firm that guides the careers of actors and writers. I’m also a producer of feature films and television shows including the GLAAD award-winning feature film Geography Club, Sins of our Youth, and Nickelodeon’s Dance On Sunset. I have taught at the School of Cinematic Arts at the University of Southern California and have appeared as a guest on Entertainment Tonight, CNN, Fox News, and CBS.
Since I work in talent representation, I’m always curious how my colleagues and competitors conduct business. CAA is, and has been, the top agency in Hollywood since I first started in this industry. I was anxious to read about the history of the company and how it has managed to not only survive, but thrive, throughout the decades. Filled with tantalizing stories of insider secrets, this is an eye opening account of one of Hollywood’s most powerful companies and the uber successful men and women who have worked there.
A New York Times bestseller, now updated with an afterword and exclusive new material From the #1 bestselling author behind acclaimed oral histories of Saturday Night Live and ESPN comes "the most hotly anticipated book [in decades]" (Variety): James Andrew Miller's irresistible insider chronicle of the modern entertainment industry, told through the epic story of Creative Artists Agency (CAA)-the ultimate power player that has represented the world's biggest stars and shaped the landscape of film, television, comedy, music, and sports. Started in 1975, when five bright and brash upstarts left creaky William Morris to form their own innovative talent agency,…
Joe Pardavila has produced over ten thousand hours of audio content over the course of his career in podcasting and terrestrial radio. Joe was a radio personality and producer on the legendary New York City radio station, 95.5 PLJ, where he was part of the iconic Scott & Todd in the Morning. He studied sketch and improv comedy at the Upright Citizens Brigade and was a founding member and actor in the New York-based sketch comedy group, Clip Show. He is the codirector, writer, and producer of the award-winning horror satire, The Witches of Bushwick. Currently, he serves as the director of podcasts for Advantage Media Group | Forbes Books.
Business books tend to be stuffy and over technical, but Iger’s book was the model I was going after when writing my own book. Iger shares the hits and misses (but mostly hits) of his time running one of the most prestigious brands the world has ever seen. But even though they’re mostly showbiz and Disney-focused, any human can relate and learn from his stories.
'One of the best business books I've read in years.' BILL GATES THE #1 NEW YORK TIMES BESTSELLER A SUNDAY TIMES BOOK OF THE YEAR 2019 _____________________________
The CEO of Disney, one of Time's most influential people of 2019, shares the ideas and values he embraced to reinvent one of the most beloved companies in the world and inspire the people who bring the magic to life.
Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Morale had deteriorated, competition was intense, and technology was changing faster than at any time in the company's…
Abuse as a buzzword is so broad and big. Our stories are so unique in how we were neglected, abused, abandoned, not seen, beaten, or sexually molested, but what also differs is what area of our lives it affects. For some of us, it's our bodies and food. For others of us, it's addiction to drugs and alcohol. And then there is promiscuity or sexual isolation. As a survivor myself, and having written a book that covers how denial was my go-to in my abuse history, I'm always fascinated by the human’s desire to persevere and be resilient. As a survivor, I want to be part of opening the conversation about abuse up louder.
When more than three women recommend a memoir, especially one that is by someone famous, I have to pick it up. Usually, I am not attracted to the lives of famous people, partly because I worked in Hollywood for so long. I saw they were just people like us, playing roles and doing their jobs. But Demi Moore’s long battle with body dysmorphia stemmed from a cruel relationship with her mother, where she was even sold for money. As she finds her fame, she is never satisfied with her body, but acutely aware she is underpaid when compared to her famous husband. So on one hand, she can’t align with a personal image of self-love and worth, but somewhere inside is a voice that knows she deserves more.
A Daily Mail Book of the Year. A Mail on Sunday Book of the Year.
Famed American actress Demi Moore at last tells her own story in a surprisingly intimate and emotionally charged memoir.
For decades, Demi Moore has been synonymous with celebrity. From iconic film roles to high-profile relationships, Moore has never been far from the spotlight - or the headlines.
Even as Demi was becoming the highest paid actress in Hollywood, however, she was always outrunning her past, just one step ahead of the doubts and insecurities that defined her childhood. Throughout her…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
Few writers can compare to Grann in his storytelling skills and his ability to bring historical lives to contemporary realities. I admire the way Grann turns his research into a compelling narrative, bringing me into the 1920s Southwest—a world that often is not part of our idea of the Roaring Twenties.
In focusing on the tragedies the Osage suffered, the book opens up a new understanding of the Roaring Twenties that has little to do with speakeasies and lavish parties. And this, for me, is the power of Grann’s book to expand our understanding of this iconic era through this long-ignored story of the Osage people. While I liked the movie version of the book, nothing compares to Grann’s compelling storytelling voice.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
I was born and raised in a small town in Texas, where I worked on offshore oil rigs as a bartender, a landscaper at a trailer park, and a social worker before attending medical school. I’ve worked as a trauma and burn surgeon for nineteen years. Living an exciting life has made me a better writer (like Hemingway said, “To write about life, first you must live it”), but it has little to do with my passion for mystery/suspense. I read this genre for the best reason, presumably the same as yours: I’m just a huge fan. I hope you enjoy these books as much as I did!
I’m not only a mystery/suspense writer but also a fan of the genre, as I read or listen to about forty whodunnits a year, just under one a week. I tend to read these books with one eye toward the superficial story, yes, but I also study them from a technical standpoint, saying to myself, “Oh, I see what the author did there,” “Man, that was a nice way to frame that conflict,” or, “What the hell? I think the author wrote that chapter by getting drunk and taping crayons to their feet.” The point I’m trying to make is that the plot devices and metaphors tend to blur together after a while.
But this book? Man, it stood out. I mean, Kat Rosenfield had me hook, line, and sinkers with the book’s opening line, “My name is Lizzie Ouellette, and if you’re reading this, I’m already dead.” It's…
"Blade-sharp, whip-smart, and genuinely original - a thriller to refresh your faith in the genre, your belief that a story can still outpace and outsmart you."- A. J. Finn, #1 New York Times bestselling author of The Woman in The Window
"Clever and surprising...The superb character-driven plot delivers an astonishing, believable jolt."-Publishers Weekly (starred review)
"Deserves two big thumbs up. Readers will be gripped by this astonishing story in which one gasp-inducing twist follows on the heels of another. A unique page-turner that just begs to be turned into a movie." -Booklist (starred review)
Just your friendly neighborhood thriller novelist. When people find out I write books, they inevitably enquire, “Really? Have I read anything of yours?” Well, funny you should ask! I’ve been cranking out stories since I was sixteen but took a couple of decades to finally land a publishing deal for my debut novel Hammerjackand its sequel Prodigal(Bantam Spectra). A lifelong Star Trekfan, I’ve also published the novella “Revenant” in the collection Seven Deadly Sins (Gallery Books). My latest is the high-tech thriller Candidate Z, available on Amazon.
I can’t remember the last time I had this much funreading a novel, but if you take this one for a spin you’ll find out what I mean. Aguilar is a screenwriter and a former reporter, and it shows here in the visual flair with which he constructs his scenes and his eye for detail as he follows the adventures of young wannabe journalists trying to make their bones in the cutthroat offices of The Washington Post.The characters are witty, winsome, and waybetter looking than anyone I ever knew during my own short stint as a local TV guy—but who cares? This is an absolute romp, which will have you rooting for a happy ending and for love to conquer all.
Two ambitious new interns at the Washington Post—a cowboy conservative and a patrician feminist beauty—match wits and sparks while vying for a reporter slot. But can chemistry trump ideology in the mad age of Donald Trump?
They came to the Washington Post from opposite sides—Nick Jarrett, the conservative son of a Wyoming rancher, and Laura London, an Ivy League feminist firebrand. They are young, bright, and attractive. Sure, they’re just copy aides, glorified gophers, relegated to delivering parcels and answering phones on different news desks. But someday, they'll be Post reporters who will save America—either from the Left or the…
Just your friendly neighborhood thriller novelist. When people find out I write books, they inevitably enquire, “Really? Have I read anything of yours?” Well, funny you should ask! I’ve been cranking out stories since I was sixteen but took a couple of decades to finally land a publishing deal for my debut novel Hammerjackand its sequel Prodigal(Bantam Spectra). A lifelong Star Trekfan, I’ve also published the novella “Revenant” in the collection Seven Deadly Sins (Gallery Books). My latest is the high-tech thriller Candidate Z, available on Amazon.
My wife found this on my Kindle among the Michael Crichton and Jack Carr, and couldn’t believe I bought it—but after having made the delight of her acquaintance on Twitter, I decided to give Gigi’s latest novel a try. And boy, am I glad that I did! A screenwriter (Stepmom) and veteran Los Angelino herself, Levangie knows the ins and outs of the Hollywood lifestyle where showbiz is the onlybiz and the characters are always jockeying to be seen but never to be believed. No mysteries here—just a lot of laughs, with an endearing protagonist who provides the center of gravity to an orbit of crazy family and friends. Highly recommended.
In a world where therapists look like the Real Housewives of Equinox, where friends dispense Xanax like Pez, and where a woman’s status is directly linked to the how few carbs she eats…can one Hollywood wife take back her life?
Agnes Murphy Nash is in big trouble. When she returns home one evening only to find the locks changed on the gates of their mansion, the security guard breaks the news: her famous producer husband has filed for divorce. And he’s not going to play fair. Trevor Nash wants custody of their tween daughter, Pep, but only for the sake…
When I used to pick up my youngest from elementary school, instead of asking about her day, I’d say, “Tell me your stories.” Her stories always ended with, “And in my head I said…” After laughing at all her unspoken responses, I finally started to tease, “You’re really funny in your head.” That’s me too. She and I see the world as a cartoon for entertainment. I don’t have the comedic timing to say my funny thoughts aloud, but they transfer well to paper where I can share them with readers. And I still look for stories from people who are funny in their head.
This is not your average romance novel. Aspiring screenwriter Olivia runs into an aspiring actor one February 3, and they make a pact to meet back up at the same coffee shop ten years later to encourage each other’s success. The book spans those ten years, but we only read about what happens on each February 3rd when many whimsical coincidences conspire to connect Olivia’s love life to her mystery man. This unique narrative is filled with both wit and grit, and I couldn’t get enough of it.
An aspiring screenwriter has a chance encounter with an actor who could be the man of her dreams. Over the next ten years, she'll write the story . . . but will he end up being the star?
February 4, 2003, promises to be a typical day for Olivia Ross-a greeting card writer whose passion project is a screenplay of her own. But after she and a handsome actor have a magical meet-cute in a coffee shop, they make a spontaneous pact: in ten years, after they've found the success they're just sure they're going to achieve, they'll return to…
I worked for 27 years at The Washington Post, where I won a Pulitzer Prize for International Reporting. But when I returned home in 2006, I wanted to write about my own country, and what could be more American than the movies? They’re a wonderful looking glass into the past, and my books explore the making of an iconic movie and the historical era in which it was created. My recent ones have recounted the making of The Searchers, starring John Wayne, and High Noon, the Gary Cooper classic and its connection to the Hollywood blacklist, a time of vicious conflict eerily similar to our own troubled era.
The author, son of a silent screen star and a respected actress, acted in nine movies made by the man he called “Uncle Jack”—John Ford, winner of four Oscars and arguably the greatest director in Hollywood history. Carey could ride, shoot, and wear a convincing toupee—all of which were requirements for actors in Ford’s classic Westerns, including She Wore a Yellow Ribbon, Rio Grande, and The Searchers. His memoir is affectionate, intimate, and critical, not just of the hard-drinking, physically and emotionally abusive Ford—“the man I loved and, at times, tried very hard to hate”—but also of John Wayne, the great man’s favorite actor and regular whipping boy, and other members of the cast and crew whom Ford mercilessly bullied and inspired in film after film, many of them shot in breathtakingly picturesque Monument Valley.
When Harry Carey, Sr., died in 1947, director John Ford cast Carey's twenty-six-year-old son, Harry, Jr., in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of Heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr., casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. From She Wore a Yellow Ribbon and…
