100 books like Nick Drake

As a DJ tutor who's been in this game for 30+ years, I'm amazed at how often students really want me to tell them a bit about what it was like to DJ on the club scene "back in the day." When they do, I send them to this book.

Written by an anonymous DJ who toured the world playing in the best clubs for long enough to experience many highs and some considerable lows, it is part memoir, part Spinal Tap, as it lifts the lid on the hedonism, stupidity, and craziness of the club/rave scene at its height. Certainly harrowing in parts, but it is also laugh-out-loud funny - and is nothing if not brutally honest.

The war was also operated at an unseen level and J. C. Masterson was in the midst of it–espionage. The Brits added another to it–double cross, in which they provided known German agents with false information, and were successful in convincing the Germans that D-Day landings would take place in the Pas de Calais.

The book is an authoritative account of their activities and the great nicknames they used to pull it off. Names like Snow, Celery, Biscuit, Charlie, Midas, Dragonfly, Tricycle, and what their responsibilities were. They also used letter-writing agents who were part of their deception to get the Germans to retain a Panzer division in the Bordeau area, away from the landing area. You’ll marvel at their cleverness.

I know the book intrigued me and I’m sure you’ll come away from it amazed as I was.

This tome was the size of a phone book but it has relevance even today. It's one of the slightly obscure classics but it speaks to the profound spiritual questions that transcend time. Parris was an idealist Englishman who served in the legion in the early 90s. but this was not a story of glory and medals. Parris saw action in Chad and had to spill blood. This chilling act never left him and he was haunted by his actions for years to come. The author passed from illness but dedicated the book to his son.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

John Le Carré, the undisputed master of espionage, shifts gears in The Night Manager as the Cold War ends and an unsteady detente emerges in Europe, creating a power vacuum quickly filled by mercenaries, arms dealers, and drug smugglers who accumulate vast fortunes in the black markets that spring forth.

This book rekindles the flame for Le Carré readers who thought his best storytelling days were behind him.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

‘What would happen,’ Norbury writes in her introduction to this anthology, ‘if I simply missed out the 50 percent of the population whose voices have been credited with shaping this particular cultural form?’ (ie, the ‘lone enraptured male,’ as writer Kathleen Jamie once memorably put it). The answer is a compulsively readable and constantly surprising anthology: a magpie curation of glittering treasures.

One of the many things I love about this timely book is its arrangement by alphabetical order. So you have contemporary nature blogger Nic Wilson next to Virginia Woolf, and Monica Ali rubbing shoulders with Elizabeth von Armin – and Enid Blyton next to Tessa Boase. This feels oddly apt: the writer who got me reading. Her entry illustrates Norbury’s inspired eye for what counts as ‘nature writing’: here, Philip mansplains a slow-worm to silly Dinah.

OMG. I have recommended this book to more people than any other. It’s truly a historical fiction masterpiece. I read slowly but my eyes flew over these titillating pages as if I was a famished glutton and had to devour them quickly lest they disappear. The intrigue! The avarice! The anarchy!

It is an ambitious literary project that splashes over the colorful canvas set in 12th-century England. If, like me, you love the complexities of the human condition, read this book and prepare for the rapture that is virtuoso storytelling.

I loved this book. It’s an absolute classic coming-of-age story, beginning when Emma is a schoolgirl on the brink of teens, and ending with her as a newly-married novelist. I particularly identified with the author as the bookish youngest of three, growing up in Devon – there were lots of parallels with my own teenage self – and I wonder how I would have coped with emerging into adulthood just as war broke out, as Emma did  – highly recommended!

I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.

I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.

Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.