Here are 100 books that Blind Justice fans have personally recommended if you like
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I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth. The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid…
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Lisa M. Lane’s Murder at Old St. Thomas’s opens in Old St. Thomas’s Hospital, recently closed to make way for railroad lines. In the once-famous operating theater, the body of an eminent surgeon is found nailed to one of the seats in which medical students once watched him operate. The cause of death: toxic inhalation of chloroform. As Detective Inspector Cuthbert Slaughter and his American sergeant Mark Honeycutt interview suspects, their investigation provides a portrait of Victorian surgery (anesthetics still experimental; hygiene ignored by all but the nurses taught by Florence Nightingale). This 2022 mystery has fascinating characters, and it provides a wonderful picture of Victorian London and Southwark.
In 1862 London, the body of a famous surgeon is found, sitting upright, in an old operating theatre. His dead eyes stare at the table at the center of the room, where patients had screamed and cried as medical students looked on. The bookish Inspector Slaughter must discover the killer with the help of his American sergeant Mark Honeycutt and clues from Nightingale nurses, surgeon's dressers, devious apothecaries, and even stage actors. Victorian Southwark becomes the theatre for revealing secrets of the past in a world where anesthesia is new, working-class audiences enjoy Shakespeare, and women reformers solve society's problems.
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
The Last Kashmiri Rose: Murder and Mystery in the Final Days of the Raj is the first of Barbara Cleverly’s 13 Joe Sandilands mysteries. In March of 1922, Sandilands’ return to Scotland Yard from Calcutta is delayed by Bengal’s governor, who sends him to a military post where his niece Nancy’s husband is Controller. Nancy’s best friend has committed suicide, according to the local police. But Nancy has learned that since 1911, four other officers’ wives have died in peculiarly violent circumstances. After Sandilands’ investigation uncovers a series of murders, he looks for the murderer amidst tea parties, dances, picnics, and dinners. The portrait of Anglo-Indian society, in which every need is supplied by socially invisible native servants, is excellent.
India 1922. In Panikhat, 50 miles from Calcutta, the wives of officers in the Bengal Greys have been dying violently, one every year and each in March. All the deaths are bizarre and appear to be accidental. The only link between them is the bunch of small red roses that appear on the women's graves on the anniversary of their deaths. In order to help solve these mysterious deaths, the Governor of Bengal calls on the reluctant help of Joe Sandilands, Scotland Yard detective and war hero who happens to be on secondment to the Bengal police. Joe learns that…
Writing my eighth novel, The Testament of Jessie Lamb, I had to move the story into the future in order to explore the topics I was trying to understand. I think through writing: sometimes I feel it is only through writing that I really engage with the world. Work on Jessie Lamb entailed a lot of scientific and future research, and after that I read more and more future fiction, with an increasing appetite for the work of writers who are really interested in exploring where we are headed as a species, and how we might try to survive the damage we have inflicted on the earth.
I came across Salt Lick when hunting for novels on the topic of climate breakdown.
I was looking for writers who go beyond the doom and gloom, to find either rays of hope or at the very least a story where life and love might survive. For me, hope was an essential element in Jessie Lamb’s story. And in Salt Lick, Allison does deliver a dogged kind of hope for her strange trio of wandering central characters.
Beyond that, she delivers bewitchingly beautiful prose; her first page is a masterclass in description.
'A compelling fable of decline, a lament for a way of life, and a warning about what society is already becoming. It is a capsule of England and its dystopian present ... as sad and angry as it is memorable' Ronan Hession
'Salt Lick is that rare beast - imaginative, risky storytelling where every sentence is a gift' Heidi James
Britain is awash, the sea creeps into the land, brambles and forest swamp derelict towns. Food production has moved overseas and people are forced to move to the cities for work. The countryside…
There are days when it seems like all I do is imagine what the future holds. I love reading “wonder tales,” as I’ve heard Margaret Atwood call them – novels that imagine how our world might change or fantasize about completely different realms. At the same time, they reflect on conditions in our world today. That’s what I do with my own creative writing. I was trained to think about the future as a journalist, talking with media executives about how their content and technology are evolving. My stories have appeared in Asimov's; they’ve been selected by the Writers Lab for Women; and my novel The Juice was published in February.
This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.
THE THIRD NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND SPOOK COUNTRY FOR MORE
Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants to uncover the maker of an obscurely fashionable denim that is taking subculture by storm. Ex-musician Henry Hollis knows nothing about fashion, but Bigend decides she is the woman for the job anyway.
Soon, though, it becomes clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get what they want, are showing their hand. And Hollis is…
During my decades in the corporate world, I traveled extensively and spent months in England, where I became a devoted Anglophile. I am privileged to have met Queen Elizabeth II and Philip, and to have attended a knighting at Westminster. English history fascinates me, but so do gripping spy thrillers occurring in European and Middle Eastern settings. There’s nothing better than finishing a satisfying first book in a series—fiction or not--and deciding to ration the remaining ones so you can savor the experience a little longer!
Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.
The first book in Peter Ackroyd's history of England series, which has since been followed up with two more installments, Tudors and Rebellion.
In Foundation, the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death, in 1509, of the first Tudor king, Henry VII. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a…
I’ve loved the Regency era since first reading Jane Austen’s novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than I’d ever dreamed. Though their culture and traditions aren’t like ours, I’m fascinated by how much about the lives of those men and women is familiar—the same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
Captain Gronow shed some light on the darker aspects of the Regency period, which was a time before law enforcement as we know it. But it wasn’t all bad—the Bow Street Runners were the start of a new era of policing. I was fascinated by the story of how these first detectives came to be and how much truth was behind the myth, especially since the myth has become a popular one for fiction writers in recent years.
This is the first comprehensive study of the Bow Street Runners, a group of men established in the middle of the eighteenth century by Henry Fielding, with the financial support of the government, to confront violent offenders on the streets and highways around London. They were developed over the following decades by his half-brother, John Fielding, into what became a well-known and stable group of officers who acquired skill and expertise in investigating crime, tracking and arresting offenders, and in presenting evidence at the Old Bailey, the main criminal court in London. They were, Beattie argues, detectives in all but…
I’ve been fascinated with historical fiction, especially the World War II era, ever since I listened to my mother playing her Big Band Records. I’ve also loved mysteries since I picked up my first Nancy Drew book. Once I discovered historical mysteries, I haven’t been able to separate the two. I’ve recently expanded my interest to include the first world war. There are so many great stories that I’m afraid I’ll never get to read them all. It was really hard to narrow down my list to five books and I hope you’ll love the ones I’ve chosen for you.
I adore this entire series, and especially this third book. Maggie Hope, who started out as a typist for Winston Churchill is now a full-blown spy for MI-5 and is sent to Germany.
I love seeing Maggie’s development throughout the series. Even when faced with what seem like insurmountable odds, she doesn’t give up. Maggie is the epitome of a woman working not only in a job that was likely considered “man’s work” but doing it splendidly.
NEW YORK TIMES BESTSELLER • For fans of Jacqueline Winspear, Laurie R. King, and Anne Perry, whip-smart heroine Maggie Hope returns to embark on a clandestine mission behind enemy lines where no one can be trusted, and even the smallest indiscretion can be deadly.
World War II has finally come home to Britain, but it takes more than nightly air raids to rattle intrepid spy and expert code breaker Maggie Hope. After serving as a secret agent to protect Princess Elizabeth at Windsor Castle, Maggie is now an elite member of the Special Operations Executive—a black ops organization designed to…
I fell in love with history when I saw how it led to alternative ways of seeing the world – ways of understanding things that are now largely abandoned. I do not believe in “dangerous spirits.” But I know that people much smarter than me once took them for granted and thought carefully about their various activities. My work tries to recreate this lost intellectual landscape. In books like Strange Histories and The Devil: A Very Short Introduction, I have done my best to map out this landscape for general readers. This complements my academic role as Professor of Early Modern History at the University of Worcester.
A neglected classic of popular history. This book taught me things about the history of magic that now seem so obvious and important that I wonder how I missed them before. Ryrie tells the story of the fraudulent magician Gregory Wisdom, whose deception of a Tudor nobleman led to allegations of attempted murder by witchcraft. More broadly, he reveals a world in which the widespread acceptance of occult phenomena made counterfeit magic alluringly credible, and charlatans co-existed with “genuine” practitioners of magic. I know of no other book that describes the twilight world of fake and real sorcery with such vividness and insight.
An earl's son, plotting murder by witchcraft; conjuring spirits to find buried treasure; a stolen coat embroidered with pure silver; crooked gaming-houses and brothels; a terrifying new disease, and the self-trained surgeon who claims he can treat it.
This is the world of Gregory Wisdom, a physician, magician, and consummate con-man at work in sixteenth-century London. In this book, Alec Ryrie uses previously unknown documents to reconstruct this extraordinary man's career. The journey takes us through the cut-throat business of early modern medicine, down to Tudor London's gangland of fraud and organized crime; from the world of Renaissance magi and…
