100 books like Salt Lick

I cannot forget this book, even though, at times, I am desperate to do so. Ishiguro, one of my chosen authors and winner of the Nobel Prize for Literature is beyond masterful in the unique way he portrays quotidian events before a horror that is almost theatrical in its grotesquerie.

I was deeply disturbed while reading it, yet I could not put it down. Years later, I continue to find it a source of disquiet regarding where our culture/society is going and how we must stop a very particular trend. The trend is increasingly toward science and technology that utterly and completely disregards human feelings, individual rights, and the spiritual qualities of all sentient beings.

It’s simply an unforgettable story about something unfolding in an all-too-real fashion out here in the world outside the author’s mind.

The Chrysalids – my inaugural dive into science fiction in the late sixties – hooked me from the first paragraph.

Wyndham creates a dystopian world of post-nuclear destruction where genetic mutations abound, and if discovered, culled from a civilization steeped in a stark biblical ideology. The Chrysalids track protagonist David Strorm as he safeguards his six-toed friend, Sophie, and ultimately connects with a band of telepaths offering new world hope.

I loved this book because of its adolescent hero and his defiance against a society that was morally corrupt. 

Here’s another novel about ecological catastrophe, but with the addition of a violent and delusional female prophet, who predicts the very dates upon which disasters will occur. I had been meaning to read Jensen for years, but was finally reminded to by discovering that she is a fellow member of Extinction Rebellion.

I was completely gripped by The Rapture, which managed to be unpredictable right to the very end. For once, I honestly can’t say better than The Daily Mail: A gripping tale of love, death and religion, set in the not-too-distant future… deliciously apocalyptic and jammed full of ideas, this is storytelling at its rapturous best.

I love this book for its humour in the face of catastrophe.

As the rain falls and the floods rise, Chris sees his mission as to warn humanity of the impending terrors of the climate emergency. His wife Emma meanwhile tries to keep their home and family fed, safe and happy.

An incurable optimist, she finds Chris’ behaviour both pointless and faintly ridiculous. And when he takes to switching off the electricity in order to teach her to be more self-sufficient, she’s less than pleased.

What I really admire is the way Carys tackles the serious topic of climate breakdown with wry humour, generating sympathy for both partners and drawing us into each one’s point of view. 

Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.

I adore this entire series, and especially this third book. Maggie Hope, who started out as a typist for Winston Churchill is now a full-blown spy for MI-5 and is sent to Germany.

I love seeing Maggie’s development throughout the series. Even when faced with what seem like insurmountable odds, she doesn’t give up. Maggie is the epitome of a woman working not only in a job that was likely considered “man’s work” but doing it splendidly.

Captain Gronow shed some light on the darker aspects of the Regency period, which was a time before law enforcement as we know it. But it wasn’t all bad—the Bow Street Runners were the start of a new era of policing. I was fascinated by the story of how these first detectives came to be and how much truth was behind the myth, especially since the myth has become a popular one for fiction writers in recent years.

This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

Tobias Smollett, Scotland’s greatest novelist before Scott and Stevenson, was dying in a villa on the Ligurian coast when his masterpiece Humphry Clinker came out in London in 1771. Yet every page is written with astounding verve, immersing readers in the vibrant chaos of eighteenth-century Britain, the sights and sounds of its teeming cities and health resorts—even, in several virtuoso passages of gross-out description, its nauseating smells and tastes. Like Richardson before him, Smollett gives his narrative over to multiple voices, this time to riotously comic effect. Five Anglo-Welsh tourists (splenetic Bramble, scathing Tabitha, witty Jery, romantic Lydia, their hilariously unpredictable servant Win) travel the length and breadth of a nation in the throes of urbanization and commercial modernity, by turns disgusted and enchanted, constantly failing to agree on what they see. Illicit romances play out in the background, but Smollett’s main interest is in the turbulent dynamism of four-nations… show more.