Fans pick 91 books like Murder at Old St. Thomas's

I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.

I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.  

I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.  

I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.  

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding.  Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.

I’m a professor of modern Britain with a specialty in nineteenth-century social history. I’m drawn to sources and topics that tell us about how everyday people lived and thought about their lives. One favorite part of my job is the challenge of discovering more about those groups, like working-class women or children, who weren’t the main focus of earlier histories. Since 2000, I’ve taught classes at Vassar College in Poughkeepsie, New York, on Victorian Britain, the British Empire, the First World War, and the history of childhood.

I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.

Travel teaches and molds us. It certainly changed my own life. At age 19, I picked up my backpack and schoolbooks and moved from America to Austria. That experience opened my eyes to the world, and I’ve never looked back. Today, I’m a travel journalist, author, and editor at Go World Travel Magazine. I’m always on the lookout for fascinating tales of travel, but I especially appreciate learning from other female adventurers. They continue to inspire me. I hope these books will inspire you, too.

My name is Cecilia Ruiz and I am a Mexican author and illustrator living in Brooklyn. Apart from desperately trying to make more books, I teach design and illustration at Queens College and the School of Visual Arts. I’m fascinated by visual storytelling and its evocative power. One of my idols, the French filmmaker Robert Bresson, says that art lies in suggestion. Bresson believed that things should be shown from one single angle that evokes all the other angles without showing them. All the books in this list do that—they show us death but they make us think about the mysterious and poetic ways in which life operates.