90 books like Murder at Old St. Thomas's

CJ Sansom, a renowned historian, released this first fiction novel to huge acclaim. I was fascinated to find the investigator was a London lawyer during the reign of Henry VIII. It ticked all the boxes: history, a juicy murder, crime, and mystery. I was not disappointed. In my own writing, I endeavour to make my characters individual and memorable and, therefore, look for that in books I read.

The protagonist, lawyer Matthew Shardlake, has the brain, persistence, and vision of a Holmes or Poirot in uncovering the clues and is admired by all for his ability to win cases. Despite this, one thing continually erodes his confidence: he is a hunchback. Not restricted by twenty-first-century political correctness, his enemies take delight in reminding him of this. I loved the way the author handled that.

I enjoyed the detective story in an entirely different setting. It is a magnificent first book;… show more.

Jane and the Unpleasantness at Scargrave Manor is the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth.  The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb. 

 The Last Kashmiri Rose: Murder and Mystery in the Final Days of the Raj is the first of Barbara Cleverly’s 13 Joe Sandilands mysteries. In March of 1922, Sandilands’ return to Scotland Yard from Calcutta is delayed by Bengal’s governor, who sends him to a military post where his niece Nancy’s husband is Controller. Nancy’s best friend has committed suicide, according to the local police. But Nancy has learned that since 1911, four other officers’ wives have died in peculiarly violent circumstances. After Sandilands’ investigation uncovers a series of murders, he looks for the murderer amidst tea parties, dances, picnics, and dinners. The portrait of Anglo-Indian society, in which every need is supplied by socially invisible native servants, is excellent.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

I loved the way this book intertwined Florence Nightingale’s story with images of her life. It may have been written for young adults, but readers of any age will be immersed in this well-written and graphically beautiful book. Catherine Reed’s engaging story of Nightingale combating the gruesome hygienic conditions at the Crimean battlefront, going against Victorian society expectations, creating sanitary methods still used today, and earning the moniker of The Lady with the Lamp is a testament to the difference one life can make.

I love this book for what it teaches us about the global nineteenth century and the complexities of identity.

Seacole traveled widely as a medical practitioner—from Kingston to London, Cruces to the Crimea, and eventually settled in England. Identifying herself as a “doctress,” an “unprotected female,” and “Mother Seacole,” she underscored the plasticity of Victorian gender ideals of separate spheres as she claimed her role on the battlefront.

She condemned the racism she faced as a Black Creole woman, yet also supported the British empire. Most of all, as my students often point out, she had the bravery to tell her own story.

If you, like me, have imagined Florence Nightingale as selfless, holy, good, unworldly, prim, and therefore probably very dull, this collection of her letters from Egypt will completely dash that perception. Nightingale was ferocious. Purely by coincidence, she set off on a three-month cruise down the Nile during the same week as Gustave Flaubert. Though the two apparently never met in their travels, they had many of the same experiences and visited the same places within two or three days of each other. Of the two, Nightingale was in fact the more daring and the more acute in her observations and judgments. 

She was brilliant, widely traveled, extremely well-educated, and had an absolutely wicked sense of humor that in these pages will surprise and delight you. Where Flaubert was emotional, sometimes melodramatic, superstitious, and occasionally fearful, Nightingale was tough-minded, unsentimental, and rational. In places where Flaubert chickened out, Nightingale just… show more.

Florence Nightingale, Freya Start, Gertrude Bell, Karen Blixen, and many other well-known women share their travel adventures in this wildly audacious and inspiring collection of stories. From encountering a madman in the Amazon to surviving a shipwreck, these intrepid globe-trotters overcome many challenges in their dauntless explorations. This book will show you a different side of these famous women.

This is another book that attracted me because of the innumerable contradictions it made me feel.

Horror and fascination; awe and disgust. This dissonance inhabits the art. An exquisitely rendered necrotic leg; the gorgeous color palette of a virulent face. Organized by disease, The Sick Rose is an elegant collection from the golden age of medical illustration. 

Without the need for words, this book is a beautifully disturbing reminder of our mortality and the unresting human desire to try to understand our bodies, cure diseases and extend life.

Written from an actor’s perspective, Shakespeare The Player researches acting companies in Stratford-on-Avon and England during Shakespeare’s youth and adolescence. Southwark explores the possibilities of Shakespeare spending those “Lost Years” from 1585-1592 as an apprentice with acting companies. Shakespeare The Player provides otherwise obscure information about the world of the theater during Shakespeare’s formative years as an actor and writer. 

How else did Shakespeare learn the crafts of writing, playing, and directing for which Robert Greene lambasted that “upstart crow…the only Shakes-scene in a country” in 1592?