97 books like Florence Nightingale

I’ve been passionate about science as a way of learning how nature works and approaching truth since I was a pre-teen. After five decades of basic research, teaching, and management in physics, I can distinguish good science from pseudoscience even beyond my own areas of expertise. I am greatly disturbed by attempts to undermine science in public policy-making when its findings conflict with ideology, religious beliefs, or business bottom lines. My passion project, via my blog debunkingdenial.com, is to explain to teachers and the public the underlying science and the flaws in science denial across a wide range of topics at the interface with public policy. 

I’m a chronic over-achiever. As a high school senior, I produced our school play, started a school newspaper, took Advanced Placement classes, and worked with our social justice club. In university, I was the co-president of the English society and decided to pursue double honours, all while working part-time. Now that I’m a teacher, I recognise the over-achievers in my classes, usually on day one when they show up with highlighters in multiple colours. I want to help them let go of perfectionism and take time to laugh. These books have helped me do just that and I hope The Year Shakespeare Ruined My Life can do that for others.

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.

As a novelist, I focus on the characters in my books, and the plot is woven around them. I'm a people-watcher, and I remember bits and pieces of the folks I observe—many of which find their way into my novels. As a reader, plot pulls me in, but it is the characters that I remember. As a novelist, I always begin with a cast of characters: I start with a physical quirk, a personality flaw, an offbeat way of seeing things. Then I add a plot. For me, plot is the hardest. There are hundreds of characters swimming around in my imagination (see my first book, Characters in Search of a Novel).

Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.   

Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

I have been an investigative journalist for four decades and the author of eight books. From covering the wars in Iraq and Afghanistan to biker gangs or online child predators, I have always tried to encourage people to question their assumptions and popular beliefs. When I was a history student at McGill University in Montreal, I came across a plaque to Jefferson Davis, the leader of the slave South, on the walls of one of our major department stores. Why were we honoring the Confederates more than a century after the Civil War? That quest led me to dig into the myths about the Civil War and the fight against slavery.