91 books like Florence Nightingale

I’m a British science editor and author of a string of books on the scientific, medical, and social implications of advances in genetics research. I trained as a geneticist but found more personal satisfaction wielding a pen rather than a pipette. I’m especially drawn to science stories that have medical implications for the public and a strong narrative thread. Prior to writing Editing Humanity, I covered the race for the BRCA1 breast cancer gene (Breakthrough), the Human Genome Project (Cracking the Genome), and the rise of personal genomics (The $1,000 Genome). I’m currently writing a biography of sickle cell disease, arguably the most famous genetic mutation in human history.

I’m a chronic over-achiever. As a high school senior, I produced our school play, started a school newspaper, took Advanced Placement classes, and worked with our social justice club. In university, I was the co-president of the English society and decided to pursue double honours, all while working part-time. Now that I’m a teacher, I recognise the over-achievers in my classes, usually on day one when they show up with highlighters in multiple colours. I want to help them let go of perfectionism and take time to laugh. These books have helped me do just that and I hope The Year Shakespeare Ruined My Life can do that for others.

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.

Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.

She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.

I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.

I’m the author of ten books, including fiction, memoir, collected journalism, and criticism. My novels are historical fiction, hence my decision to make my recommendations within that genre, mostly. My own historical novels comprise a tetralogy beginning with The Strange Death of Mistress Coffin and ending with The Turner Erotica, so the series takes the reader roughly from 1648 to 1900. The second book chronologically in the series, Rebecca Wentworth’s Distraction, won the 2003 Langum Prize for historical fiction. Retired now, I was the founding director of the MFA in Fiction and Nonfiction at Southern New Hampshire University.

Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.

My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.