Fans pick 20 books like Hildegard of Bingen

I love this book because it turns the most impactful science discovery of the 21st century–CRISPR gene editing–into a page-turner. Isaacson combines a biography of Jennifer Doudna, who shared the 2020 Nobel Prize in Chemistry with Emmanuelle Charpentier, with lucid accounts of the science and sequence of research breakthroughs that underlie CRISPR editing, as well as the intrigues and jockeying among powerful scientists and personalities vying for prizes and patents on the technology.

I came through this book to appreciate the enormous potential of CRISPR gene editing for good (curing hereditary diseases) and not-so-good (designer babies or, in the words of Vladimir Putin, “a soldier, an individual who can fight without fear or compassion, mercy or pain”). CRISPR promises to make human selection as important as natural selection in the evolution of many species, including humans.

I loved the way this book intertwined Florence Nightingale’s story with images of her life. It may have been written for young adults, but readers of any age will be immersed in this well-written and graphically beautiful book. Catherine Reed’s engaging story of Nightingale combating the gruesome hygienic conditions at the Crimean battlefront, going against Victorian society expectations, creating sanitary methods still used today, and earning the moniker of The Lady with the Lamp is a testament to the difference one life can make.

If you’re an over-achiever, you may have been accused of taking things too seriously. (I wouldn’t know anything about that, of course.) Tina Fey proves that the academic goody-two-shoes can also be the funniest person in the room. This autobiography is written as a series of stories from Fey’s life, as well as short reflections on issues like the objectification of women’s bodies. Reading this book made me feel like I too could be a funny person and that hard work doesn’t make me any less creative. 

The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincoln’s dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nation’s history. After Lincoln’s assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckley’s unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolns’ time in the White House.

This introduces readings to the life, teachings, and art of one of the world’s greatest female artists and intellectuals of the western mystical traditions. A 12th-century abbess of a large and influential Benedictine abbey, she defied convention for women in the Middle Ages and became a prominent preacher, healer, scientist, artist, composer, and theologian. Virtually unknown for almost 800 years, it is a credit to the women’s movement in restoring her lost legacy. 

Publications of her writings, performances of her musical compositions, her ecological insights, and sense of earth “as a region of delight” are no longer silenced and contribute to vibrant understanding and discussions in the contemporary world. The art in Illuminations emerges from her mystical visions.

Mirabai Starr weaves together the threads of feminine mysticism from many different spiritual traditions with a poetic sensibility, yet her feet are planted firmly on Mother Earth as she validates women's wisdom throughout the ages.

I was thrilled with the way this book shows that touching the earth—with all its human pain and suffering, death and loss, even the grief over losing a child as happened to Mirabai in her own journey—is a pathway to the divine, often moreso than meditation and breath work.

The women mystics proudly proclaim that everything is holy, and lead us into surrender to the mystery of the Great Mother. Women reading this book will feel seen and heard.

During my years in Germany, a favorite getaway was a stroll through the vineyards above the town of Rüdesheim am Rhein to the Abbey of St, Hildegard.

Well-familiar with the life of this brilliant, multi-faceted woman, I was hesitant to undertake P.K. Adams’ novel The Greenest Branch, especially when I discovered it was written in the first person. To my delight, I found my fears to be unfounded. The author has masterfully captured what I believe to be the spiritual essence of Hildegard in both her narrative and dialogue.

Adams’ portrayal of Hildegard’s struggle against the misogyny of the 12th century Church, as personified by Prior Helenger, forms a central conflict to the novel; as does her self-denial of worldly pleasures of the flesh while embracing the pain of self-mortification.

Editor Jane Hirschfield writes that she is interested in “women who could not be held back from their chosen paths or spiritual practice.” And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry – c. 2300 BCE – through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.

This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.

From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.

Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.

I appreciate that a secular environmental organization such as Sierra Club recognized the importance of turning to religious voices to help frame the environmental crisis and how we can respond from a faith perspective. There are thirty-two essays from a wide range of religious leaders, thinkers, activists, and teachers, some well-known and some you’ll be delighted to discover. These aren’t academic essays, but personal reflections on the beauty of Creation and how our religious traditions equip us for protecting this planet. It’s small enough to fit into your backpack so that you can read, meditate, and contemplate on your hike!