Here are 20 books that Hildegard of Bingen fans have personally recommended if you like
Hildegard of Bingen.
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Iâve been passionate about science as a way of learning how nature works and approaching truth since I was a pre-teen. After five decades of basic research, teaching, and management in physics, I can distinguish good science from pseudoscience even beyond my own areas of expertise. I am greatly disturbed by attempts to undermine science in public policy-making when its findings conflict with ideology, religious beliefs, or business bottom lines. My passion project, via my blog debunkingdenial.com, is to explain to teachers and the public the underlying science and the flaws in science denial across a wide range of topics at the interface with public policy.
I love this book because it turns the most impactful science discovery of the 21st centuryâCRISPR gene editingâinto a page-turner. Isaacson combines a biography of Jennifer Doudna, who shared the 2020 Nobel Prize in Chemistry with Emmanuelle Charpentier, with lucid accounts of the science and sequence of research breakthroughs that underlie CRISPR editing, as well as the intrigues and jockeying among powerful scientists and personalities vying for prizes and patents on the technology.
I came through this book to appreciate the enormous potential of CRISPR gene editing for good (curing hereditary diseases) and not-so-good (designer babies or, in the words of Vladimir Putin, âa soldier, an individual who can fight without fear or compassion, mercy or painâ). CRISPR promises to make human selection as important as natural selection in the evolution of many species, including humans.
The best-selling author of Leonardo da Vinci and Steve Jobs returns.
In 2012, Nobel Prize winning scientist Jennifer Doudna hit upon an invention that will transform the future of the human race: an easy-to-use tool that can edit DNA.
Known as CRISPR, it opened a brave new world of medical miracles and moral questions. It has already been deployed to cure deadly diseases, fight the coronavirus pandemic of 2020, and make inheritable changes in the genes of babies.
But what does that mean for humanity? Should we be hacking our own DNA to make us less susceptible to disease? ShouldâŠ
In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaretâs sisterâs barn. Since then, Gary has catalogued, edited, and researched all of Margaretâs writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.
Amyâs work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.
She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Samâs Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.
I loved the way this book intertwined Florence Nightingaleâs story with images of her life. It may have been written for young adults, but readers of any age will be immersed in this well-written and graphically beautiful book. Catherine Reedâs engaging story of Nightingale combating the gruesome hygienic conditions at the Crimean battlefront, going against Victorian society expectations, creating sanitary methods still used today, and earning the moniker of The Lady with the Lamp is a testament to the difference one life can make.
Most people know Florence Nightingale was a compassionate and legendary nurse, but they don't know her full story. She is best known for her work during the Crimean War, when she vastly improved gruesome and deadly conditions and made nightly rounds to visit patients, becoming known around the world as the Lady with the Lamp. Her tireless and inspiring work continued after the war, and her modern methods in nursing became the defining standards still used today. Includes notes, bibliography, and index.
Iâm a chronic over-achiever. As a high school senior, I produced our school play, started a school newspaper, took Advanced Placement classes, and worked with our social justice club. In university, I was the co-president of the English society and decided to pursue double honours, all while working part-time. Now that Iâm a teacher, I recognise the over-achievers in my classes, usually on day one when they show up with highlighters in multiple colours. I want to help them let go of perfectionism and take time to laugh. These books have helped me do just that and I hope The Year Shakespeare Ruined My Life can do that for others.
If youâre an over-achiever, you may have been accused of taking things too seriously. (I wouldnât know anything about that, of course.) Tina Fey proves that the academic goody-two-shoes can also be the funniest person in the room. This autobiography is written as a series of stories from Feyâs life, as well as short reflections on issues like the objectification of womenâs bodies. Reading this book made me feel like I too could be a funny person and that hard work doesnât make me any less creative.
Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her. Before 30 Rock, Mean Girls and 'Sarah Palin', Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days asâŠ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaretâs sisterâs barn. Since then, Gary has catalogued, edited, and researched all of Margaretâs writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.
Amyâs work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.
She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Samâs Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.
The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincolnâs dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nationâs history. After Lincolnâs assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckleyâs unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolnsâ time in the White House.
Behind the Scenes: or Thirty Years a Slave and Four Years in the White House was first published in 1868 and is considered one of the most candid and poignant slave narratives. Author Elizabeth Hobbs Keckley writes about her teenage years, working as a slave for the Rev. Robert Burwell in Hillsborough, NC. He is thought by many historians to have been Keckley s half-brother. The Burwells had twelve children and ran an academy for girls. She writes about mistreatment and violence visited upon her by Rev. and Mrs. Burwell, and the unwelcome sexual advances and eventual rape by oneâŠ
While a history student at the University of Washington I became aware that courses never included more than a paragraph on the important contributions of women, such as Eleanor Roosevelt or Jane Addams. I longed to know more. What gave some women motivation to defy conventions and use their talents? When I first learned that Helga Estbyâs audacious achievement was silenced for over 100 years, it launched me into over 15 years of research trying to recover this forgotten womanâs story. As a writing professor for twenty years, I saw how assigning papers that led to exploring and understanding the women in oneâs family background deeply enriched college students' lives.
This introduces readings to the life, teachings, and art of one of the worldâs greatest female artists and intellectuals of the western mystical traditions. A 12th-century abbess of a large and influential Benedictine abbey, she defied convention for women in the Middle Ages and became a prominent preacher, healer, scientist, artist, composer, and theologian. Virtually unknown for almost 800 years, it is a credit to the womenâs movement in restoring her lost legacy.
Publications of her writings, performances of her musical compositions, her ecological insights, and sense of earth âas a region of delightâ are no longer silenced and contribute to vibrant understanding and discussions in the contemporary world. The art in Illuminations emerges from her mystical visions.
An introduction to the life and work of Hildegard.
âą Reveals the life and teachings of one of the greatest female artists and intellectuals of the Western Mystical Tradition.
âą Contains 24 full-color illustrations by Hildegard of Bingen.
âą Includes commentary by Matthew Fox, author of Original Blessing (250,000 sold).
Hildegard of Bingen (1098-1179) was an extraordinary woman living in the Rhineland valley during most of the twelfth century. Besides being the abbess of a large and influential Benedictine abbey, she was a prominent preacher, healer, scientist, and artist. She also was a composer and theologian, writing nine books onâŠ
I've devoured books ever since learning to read. Now I am an author and a professional substantive book editor, particularly for spiritual memoirs. I am indeed fortunate to be able to combine my love of books with my love of the mystic realms, spiritual transformation, and beloved gurus. The first book I ever helped to edit was the first part ("Journey") of Be Here Now. Then I lived in India for a year, spending much of it with Neem Karoli Baba, Ram Dass's (and my) guru, absorbing his unconditional love. That state of real love, and the pathway leading to it, are the focus of the books I have recommended.
Mirabai Starr weaves together the threads of feminine mysticism from many different spiritual traditions with a poetic sensibility, yet her feet are planted firmly on Mother Earth as she validates women's wisdom throughout the ages.
I was thrilled with the way this book shows that touching the earthâwith all its human pain and suffering, death and loss, even the grief over losing a child as happened to Mirabai in her own journeyâis a pathway to the divine, often moreso than meditation and breath work.
The women mystics proudly proclaim that everything is holy, and lead us into surrender to the mystery of the Great Mother. Women reading this book will feel seen and heard.
Wild Mercy is essential reading for anyone ready to awaken the feminine mystic within and birth her loving, creative, and untamed power into the world.
"Mystical brilliance at its best." -Caroline Myss
"No one can take us into the fiery and tender depths of the sacred feminine with more skill, humor, clarity, and vibrant naked honesty than Mirabai Starr." -Andrew Harvey, author of The Hope and The Return of the Mother
We live in a world that has suffered the abuses of an unbalanced masculine rule for thousands of years-but the feminine is rising. "Seeds of feminine wisdom that haveâŠ
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school libraryâs limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
During my years in Germany, a favorite getaway was a stroll through the vineyards above the town of RĂŒdesheim am Rhein to the Abbey of St, Hildegard.
Well-familiar with the life of this brilliant, multi-faceted woman, I was hesitant to undertake P.K. Adamsâ novel The Greenest Branch, especially when I discovered it was written in the first person. To my delight, I found my fears to be unfounded. The author has masterfully captured what I believe to be the spiritual essence of Hildegard in both her narrative and dialogue.
Adamsâ portrayal of Hildegardâs struggle against the misogyny of the 12th century Church, as personified by Prior Helenger, forms a central conflict to the novel; as does her self-denial of worldly pleasures of the flesh while embracing the pain of self-mortification.
"Hauntingly beautiful and meticulously researched. P.K. Adams writes about the Middle Ages like someone who has lived there. Hildegardâs story is inspiring, and her voice feels so real that itâs almost spooky.â â Jessica Cale, author of Tyburn.
In The Greenest Branch the medieval era comes vividly to life in all its romanticism and splendor, but the societal strictures that prevent women from being able to access education and live independent lives are also on display.
The year is 1115, and Germany is torn apart by a conflict between the Emperor and the Pope over who should have the rightâŠ
I'm a storyteller whose daydreams begin with âonce upon a timeâ. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
Editor Jane Hirschfield writes that she is interested in âwomen who could not be held back from their chosen paths or spiritual practice.â And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry â c. 2300 BCE â through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.
"Hirshfield's current collection brings together . . . an astonishing array of women writers from the 22nd century BC poet Enheduanna to Nelly Sachs and Anna Akhmatova."--Library Journal
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poetâs mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from Kingâs College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is not just a rich and detailed portrait of various times and places throughout the medieval periodâit explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.
From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.
Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
The Bible is the greatest mystery novel ever written. It begins in the Old Testament with seemingly random accounts of ancient people in far away places with strange customs. Thereâs the prophecy of a coming Hero who will conquer the villain and restore peace to the land. The mystery reachesâŠ
The Rev. Dr. Leah D. Schade is the Associate Professor of Preaching and Worship at Lexington Theological Seminary in Kentucky. An ordained Lutheran minister since 2000, Leah has written five books, including three focusing on environment and faith. She has served as an anti-fracking and climate activist, community organizer, and advocate for environmental justice issues, Sheâs also the âEcoPreacherâ blogger for Patheos.com. She has recently launched a partnership with the Interfaith Center for Sustainable Development to create a monthly resource called EcoPreacher 1-2-3 for busy pastors wanting to address environmental issues in their sermons.
I appreciate that a secular environmental organization such as Sierra Club recognized the importance of turning to religious voices to help frame the environmental crisis and how we can respond from a faith perspective. There are thirty-two essays from a wide range of religious leaders, thinkers, activists, and teachers, some well-known and some youâll be delighted to discover. These arenât academic essays, but personal reflections on the beauty of Creation and how our religious traditions equip us for protecting this planet. Itâs small enough to fit into your backpack so that you can read, meditate, and contemplate on your hike!
Religions worldwide celebrate creationâs gifts of beauty, abundance, and sustenance, and call on humankind to give thanks, practice compassion, seek justice, and be mindful of future generations. In Holy Ground, leaders from the worldâs faith traditions, along with writers who hold the Earth sacred, share personal stories of coming to understand humankindâs unique power and responsibility to care for creation. In essays, sermons, and other short pieces written or gathered for this book, we hear from Pope Benedict XVI on the meeting of Heaven and Earth in the stable at Bethlehem, and from Wendell Berry on the Gospel of "abundantâŠ