68 books like Mythical and Fabulous Creatures

This first complete English translation of a twelfth-century Latin bestiary has served me well as a partial map for following mythical beasts through time—from when the unicorn, griffin, and other fantastic creatures were considered part of God’s animal kingdom. T.  H. White supplements his translation of the moralized Christian bestiary with his own learned and entertaining footnotes and afterword. His “Family Tree” graph of Western animal studies highlights classical and medieval authors and ends with “Sir Thomas Browne’s Vulgar Errors,” the end of bestiary lore and the beginning of modern biology.

The unicorn and the dragon are still the two most ubiquitous animals to emerge from the host of fantastic creatures that began spreading through popular books, art, and film in the late 1970s. Years before the unicorn’s commercial popularity, Odell Shepard’s classic book, The Lore of the Unicorn, traced the millennia-long cultural transformations of the mysterious animal, beginning with an early traveler’s tale of the wild asses of India. 

I admire Shepard’s blending of personal voice with wide-ranging research and commentary. He opens his introduction with, “On the table before me, there lies a long straight wand of ivory,” a walking stick made of narwhal tusk, which for centuries had been accepted as unicorn horn.

I love this lavishly produced 2013 book. It overarches my other recommended “best books for following mythical beasts through time.” Titles of early chapters—“What is an Imaginary Animal?” “Every Real Animal is Imaginary,” and “Every Imaginary Animal is Real”—encompass the book’s interplay between nature’s animals, imaginary ones, and human beings.

Open Imaginary Animals anywhere to get a glimpse of its variety and scope. Boria Sax’s interdisciplinary, learned, and conversational text sweeps across folklore, legends, myths, and natural history of worldwide cultures from antiquity to today. Accompanying art, much in color, spans a Lascaux cave painting and a photograph of a human-looking robot; throughout are fantastic creatures in paintings, early natural history engravings, and other pictorial forms.

As Dr. Sax writes, “Imaginary creatures can be overwhelming in their multiplicity.”

Don’t be scared off by this 1646 book. It’s essential for anyone who follows mythical beasts through time. One of the best-known parts of Browne’s influential book is Book III: “Of divers popular and received Tenets concerning Animals, which examined, prove either false or dubious.” By discrediting the classical and medieval authorities that perpetuated them, he considers the griffin, basilisk, unicorn, amphisbaena, and phoenix to be “fabulous,” thus separating them from the actual animal kingdom after centuries of general belief.

The now obscure Alexander Ross, “Champion of the Ancients,” refuted Browne’s book virtually point for point in his 1652 Arcana Microcosmi. Ross lost that Battle of the Books between the ancients and the moderns. Mythical animals rarely appeared in eighteenth-century literature, but they rose again a century later.

If you like something with a little less spice and a lot of spunk, you want to read KM Shea.

Crown of Shadows is the second trilogy in her Magiford world and in my humble opinion, the best. This world is wonderfully built, with wickedly funny characters and romances that don’t reduce the heroine into quivering limp puddles. Instead, she races around on hellish looking horses and demands to marry an assassin. What a woman. 

"A necromancer and a vampire walk into a cemetery…and if you’re wondering how this joke ends, that makes two of us." Nickel City ticks all the boxes for reasons why I’ll deprive myself of sleep for a book. The cast leaps out of the pages; Sera the witty, brave, but soft-hearted heroine, her friend/ex-girlfriend, Dev, a feisty, sharp-tongued vampire hunter, and then Nate, the brooding vampire who Sera just can’t ignore. Three deadly enemies forced to work together against evil; what can go wrong, eh? Thomas slays with this enemies-to-lovers paranormal romance. With delicious simmering tension and laugh-aloud moments, it’s a clever, gripping read that now has me addicted to visiting cemeteries in the hopes of bumping into a certain vampire.

Stokes took me on a RH rollercoaster with this strong female lead and the mouth-watering trio of Monsterish men. This is a spicy read that will leave you wanting to join in on the chaos and revel in the badassery.

Fantasy RH books are growing more popular, and I feel as though this one can join the ranks of so many well-known series already out there. Monique keeps you on the edge as you twist and turn through the story, giving you plenty to love and despise about each character, and ending with you wanting book 2 sooner rather than later. 

Miranda is one of my favourite authors when it comes to dark, gritty characters. Her study on a side of human nature from which most authors would recoil in Alchemy of Chaos is intelligent yet unnerving. There’s no romantic fluff here whatsoever. It’s harsh, violent, yet painfully beautiful. A shifter who changes gender, and sexual tension between a vampire professor and his student, all tangled up with chaotic witchcraft in a dark academia setting. Miranda delivers a violent, passionate, and sublimely clever tale for readers who aren’t sensitive to adult themes. A refreshing change from paranormal fantasy with HEAs, this one haunted me long after I turned the final page. 

I’m a big fan of vampires and werewolves in fiction, and I think the Fangborn series is one of the most original takes on the legends I’ve encountered. Vampires and werewolves are parts of the same family—as in a vampire sister and a werewolf brother in the first Fangborn story—and both types of supernatural creatures use their special abilities to fight evil. After debuting the series in the mystery story “The Night Things Changed,” Cameron went on to write three excellent Fangborn books, but I really enjoy the variety of the short stories, and I’m so pleased that she recently collected them into this volume. 

A happy ever after is nice ‘n all, but sometimes I want angst and torture blocking the path of true love. The Children of The Morning Star series delivers that, plus more. Pavlik has crafted a complex, layered world, woven with religious dogma, which I could have taken at face value, but once I dwelt on the motives, beliefs, and loyalties of the characters (both good and bad) it left me contemplating the age-old battle between good and evil until the wee small hours. Lucifer’s vampires, created to aid the war effort between heaven and hell, strike a deal with God, and with this metaphorical handshake, chaos is unleashed. Way beyond the usual vampire trope, for me, this series has a whiff of the classical rising from its pages.